1. Announcements
  2. p. 3
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  1. Notes from the Executive Director
  2. Charles G. Davis
  3. p. 4
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  1. Feminist Literary Criticism as Irony
  2. Sally L. Kitch
  3. pp. 7-19
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  1. Sanity and Strength in Jean Rhys's West Indian Heroines
  2. Judith Moore
  3. pp. 21-31
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  1. Careful Negligence: Cicero's Low Style and Business Writing
  2. Craig Kallendorf, Carol Kallendorf
  3. pp. 33-49
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  1. Rire et Angoisse dans L'Heptameron
  2. Colette H. Winn
  3. pp. 51-64
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  1. Kane and Badiane: The Search for the Self
  2. Victor Carrabino
  3. pp. 65-72
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  1. Tag-Sale
  2. Nora Glickman
  3. pp. 73-75
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  1. Chaucer Criticism: A Review of Revisions
  2. Robert W. Hanning
  3. pp. 77-81
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  1. The Subject of Tragedy: Identity and Difference in Renaissance Drama by Catherine Belsey (review)
  2. Dorothea Kehler
  3. pp. 83-85
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  1. La Nouvelle Beatrice: Renaissance and Romance in "Rappaccini's Daughter" by Carol Marie Bensick (review)
  2. Kenneth Marc Harris
  3. pp. 85-86
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  1. American Professors: A National Resource Imperiled by Howard R. Bowen and Jack H. Schuster (review)
  2. Charles G. Davis
  3. pp. 89-90
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  1. Critical Essays on Sinclair Lewis ed. by Martin Bucco (review)
  2. Richard H. Lawson
  3. pp. 90-91
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  1. The French Novel of Quebec by Maurice Cagnon (review)
  2. Cheryl A. Demharter
  3. pp. 91-92
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  1. Sexuality and Victorian Literature ed. by Don Richard Cox (review)
  2. Alanna Kathleen Brown
  3. pp. 92-94
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  1. Female Adolescence: Psychoanalytic Reflections on Literature by Katherine Dalsimer (review)
  2. Lois Marchino
  3. pp. 94-95
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  1. Alternate Voices in the Contemporary Latin American Narrative by David William Foster (review)
  2. Rose S. Minc
  3. pp. 95-96
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  1. Dante: The Poetics of Conversion by John Freccero (review)
  2. Madison U. Sowell
  3. p. 97
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  1. The Indestructible Woman in Faulkner, Hemingway, and Steinbeck by Mimi Reisel Gladstein (review)
  2. Heather M. Garonzik
  3. pp. 98-99
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  1. A Comparative Typology of English and German: Unifying the Contrasts by John A. Hawkins (review)
  2. Richard J. Rundell
  3. pp. 101-102
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  1. A New Theory of Old English Meter by David L. Hoover (review)
  2. John Longo
  3. pp. 102-103
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  1. Myths and Realities of Contemporary French Theatre: Comparative Views ed. by Patricia M. Hopkins and Wendell M. Aycock (review)
  2. M. Clare Mather
  3. pp. 103-105
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  1. The New American Novel of Manners: The Fiction of Richard Yates, Dan Wakefield, and Thomas McGuane by Jerome Klinkowitz (review)
  2. Stuart Moulthrop
  3. pp. 105-106
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  1. The Literature of Idaho: An Anthology ed. by James H. Maguire (review)
  2. Martin Bucco
  3. pp. 106-108
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  1. Coleridge and the Concept of Nature by Raimonda Modiano (review)
  2. Ann Margaret Marlowe
  3. pp. 110-111
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  1. The Novels of John Le Carré by David Monaghan (review)
  2. Daryl Grider
  3. pp. 111-112
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  1. Masks, Transformation, and Paradox by A. David Napier (review)
  2. Victor Castellani
  3. pp. 112-114
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  1. The Brief Compass: The Nineteenth-Century German Novelle by Roger Paulin (review)
  2. Ingeborg Baumgartner
  3. pp. 114-115
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  1. Language, Sexuality, and Ideology in Ezra Pound's CANTOS by Jean-Michel Rabaté (review)
  2. Charles Guilford
  3. pp. 115-117
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  1. N. Scott Momaday: The Cultural and Literary Background by Matthias Schubnell (review)
  2. Andrew Wiget
  3. pp. 117-119
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  1. Spanish Film Directors (1950-1985): 21 Profiles by Ronald Schwartz (review)
  2. Dennis West
  3. pp. 119-120
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  1. Woman as Myth and Metaphor in Latin American Literature ed. by Carmelo Virgillo and Naomi Lindstrom (review)
  2. Flora Schiminovich
  3. pp. 120-122
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  1. Women Worldwalkers: New Dimensions of Science Fiction and Fantasy ed. by Jane B. Weedman (review)
  2. Brian Attebery
  3. pp. 122-123
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  1. Review Essay: Recent Chicano Writing
  2. Raymund A. Paredes
  3. pp. 124-128
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  1. Contributors
  2. p. 5
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