1. Alfred de Musset's Romantic Irony
  2. Yifen Tsau Beus
  3. pp. 197-209
  4. DOI: 10.1353/ncf.2003.0006
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  1. Desert, Desire, Dezesperance: Space and Play in Balzac's La Duchesse de Langeais
  2. James W. Mileham
  3. pp. 210-225
  4. DOI: 10.1353/ncf.2003.0026
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  1. Indiana and Madame Bovary: Intertextual Echoes
  2. John T. Booker
  3. pp. 226-236
  4. DOI: 10.1353/ncf.2003.0007
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  1. Quel horizon l'on voit du haut de la barricade
  2. Janice Best
  3. pp. 237-258
  4. DOI: 10.1353/ncf.2003.0003
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  1. Dandyism, Gems, and Epigrams: Lapidary Style and Genre Transformation in Barbey's Les Diaboliques
  2. Karen Lynne Humphreys
  3. pp. 259-277
  4. DOI: 10.1353/ncf.2003.0019
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  1. Realite et imaginaire des parcs et des jardins dans la deuxieme moitie du XIX e siecle
  2. Jose Santos
  3. pp. 278-296
  4. DOI: 10.1353/ncf.2003.0031
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  1. A propos du "Rachildisme" ou Rachilde et les lesbiennes
  2. Dominique D. Fisher
  3. pp. 297-310
  4. DOI: 10.1353/ncf.2003.0014
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  1. The Frontiers of Popular Exoticism: Marie Bonaparte's New Orleans Crossings
  2. Heather Brady
  3. pp. 311-323
  4. DOI: 10.1353/ncf.2003.0008
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  1. The Sex of Science: Medicine, Naturalism, and Feminism in Lucie Delarue-Mardrus's Marie, fille-mere
  2. Rachel L. Mesch
  3. pp. 324-340
  4. DOI: 10.1353/ncf.2003.0025
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  1. Trauma and Its Representations: The Social Life of Mimesis in Post-Revolutionary France (review)
  2. Laurence M. Porter
  3. pp. 341-343
  4. DOI: 10.1353/ncf.2003.0030
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  1. Rendering French Realism (review)
  2. Peter Starr
  3. pp. 344-345
  4. DOI: 10.1353/ncf.2003.0034
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  1. Fiction Rivals Science: The French Novel from Balzac to Proust (review)
  2. Gareth E. Gollrad
  3. pp. 345-348
  4. DOI: 10.1353/ncf.2003.0017
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  1. Beauty Raises the Dead: Literature and Loss in the Fin de Siecle (review)
  2. Jennifer Forrest
  3. pp. 348-350
  4. DOI: 10.1353/ncf.2003.0015
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  1. Parallel Lines: Printmakers, Painters and Photographers in Nineteenth-Century France (review)
  2. Marie Lathers
  3. pp. 350-351
  4. DOI: 10.1353/ncf.2003.0023
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  1. Impression: Painting Quickly in France 1860-1890 (review)
  2. Margaret MacNamidhe
  3. pp. 352-354
  4. DOI: 10.1353/ncf.2003.0024
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  1. Exile to Paradise: Savagery and Civilization in Paris and the South Pacific, 1790-1900 (review)
  2. Doris Y. Kadish
  3. pp. 354-356
  4. DOI: 10.1353/ncf.2003.0021
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  1. Antiquite latine et decadence (review)
  2. Marc Smeets
  3. pp. 356-358
  4. DOI: 10.1353/ncf.2003.0033
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  1. Seurat: Drawings and Paintings (review)
  2. Rachael Ziady DeLue
  3. pp. 358-360
  4. DOI: 10.1353/ncf.2003.0013
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  1. The Other Enlightenment: How French Women Became Modern (review)
  2. Claudia Moscovici
  3. pp. 360-363
  4. DOI: 10.1353/ncf.2003.0027
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  1. Monumental Intolerance: Jean Baffier, a Nationalist Sculptor in Fin-de-Siecle France (review)
  2. Marjorie Schreiber Kinsey
  3. pp. 363-365
  4. DOI: 10.1353/ncf.2003.0022
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  1. Artistic Brotherhoods in the Nineteenth Century (review)
  2. Debra L. Cumberland
  3. pp. 365-367
  4. DOI: 10.1353/ncf.2003.0011
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  1. Marianne in the Market: Envisioning Consumer Society in Fin-de-Siecle France (review)
  2. Lenard R. Berlanstein
  3. pp. 367-368
  4. DOI: 10.1353/ncf.2003.0002
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  1. Maternal Echoes: The Poetry of Marceline Desbordes-Valmore and Alphonse de Lamartine (review)
  2. Adrianna M. Paliyenko
  3. pp. 368-371
  4. DOI: 10.1353/ncf.2003.0029
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  1. Approaches to Teaching Baudelaire's Flowers of Evil (review)
  2. Cecile Guillard
  3. pp. 371-373
  4. DOI: 10.1353/ncf.2003.0018
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  1. D'un siecle l'autre: Les romans de Claire de Duras (review)
  2. Claudia Moscovici
  3. pp. 373-375
  4. DOI: 10.1353/ncf.2003.0028
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  1. Flaubert et l'Antiquite: Itineraires d'une passion (review)
  2. Gisele Seginger
  3. pp. 375-378
  4. DOI: 10.1353/ncf.2003.0032
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  1. Victor Hugo: Selected Poetry, and: Mallarme in Prose (review)
  2. Dorothy M. Betz
  3. pp. 378-379
  4. DOI: 10.1353/ncf.2003.0004
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  1. Correspondance d'Alphonse de Lamartine (1830-1867), Tome III: 1833-1837 (review)
  2. Maxime Goergen
  3. pp. 379-382
  4. DOI: 10.1353/ncf.2003.0016
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  1. Mallarme and the Poetics of Everyday Life: A Study of the Concept of the Ordinary in his Verse and Prose (review)
  2. Dorothy M. Betz
  3. pp. 382-383
  4. DOI: 10.1353/ncf.2003.0005
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  1. While the Music Lasts: The Representation of Music in the Works of George Sand (review)
  2. Hope Christiansen
  3. pp. 383-385
  4. DOI: 10.1353/ncf.2003.0010
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  1. Stendhal, journaliste anglais, and: Stendhal sous l'oeil de la presse contemporaine (1817-1843) (review)
  2. James T. Day
  3. pp. 385-388
  4. DOI: 10.1353/ncf.2003.0009
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  1. D'un nouveau complot contre les industriels (review)
  2. James T. Day
  3. pp. 388-389
  4. DOI: 10.1353/ncf.2003.0012
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  1. La Pertinence realiste: Zola (review)
  2. Philip D. Walker
  3. pp. 389-390
  4. DOI: 10.1353/ncf.2003.0035
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  1. Index to Vol. 31, Nos. 1-4
  2. pp. 395-400
  3. DOI: 10.1353/ncf.2003.0020
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