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  Volume 24, Number 2, Summmer 2012

Table of Contents


The Combat Myth and the Gospel's Apocalypse in the Harry Potter Series: Subversion of a Supposed Existential Given

pp. 183-200

The Humorous Reproduction of Religious Prejudice: "Cults" and Religious Humour in The Simpsons, South Park, and King of the Hill

pp. 201-216

Narrating Armageddon: Antichrist Films and the Critique of Late Modernity

pp. 217-229

The Horror of (a) Playing God: Job's Nightmare and Michael Haneke's Funny Games

pp. 230-246

Hell to Pay: Christian Haunted Houses and Audience Reception

pp. 247-259

Branding the Divine: Albrech Dürer's Praying Hands and the Branding of Iconography

pp. 260-276

Vampires, Werewolves, and Other Assorted Creatures: The Apocryphal Bestiary of Chick Publications

pp. 277-295

The Apotheosis of Frida and Ché: Secular Saints and Fetishized Commodities

pp. 296-309

Meme Splicing Genesis 6:1-4 and the Apocalypse of 2012

pp. 310-325


Witchcraft and Magic in the Nordic Middle Ages (review)

pp. 326-327

Renunciation and Power: The Quest for Sainthood in Contemporary Burma (review)

pp. 328-329

Religion and Film: Cinema and the Re-Creation of the World (review)

pp. 330-331

Pop Cult: Religion and Popular Music (review)

pp. 332-333

The Church and New Media: Blogging Converts, Online Activists, and Bishops Who Tweet (review)

pp. 334-335

In the Name of God: The Evolutionary Origins of Religious Ethics and Violence

pp. 336-337

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