1. The Humorous Reproduction of Religious Prejudice: "Cults" and Religious Humour in The Simpsons, South Park, and King of the Hill
  2. David Feltmate
  3. pp. 201-216
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  1. Narrating Armageddon: Antichrist Films and the Critique of Late Modernity
  2. Neil Gerlach
  3. pp. 217-229
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  1. The Horror of (a) Playing God: Job's Nightmare and Michael Haneke's Funny Games
  2. Bradley Herling
  3. pp. 230-246
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  1. Hell to Pay: Christian Haunted Houses and Audience Reception
  2. Madelon Hoedt
  3. pp. 247-259
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  1. Branding the Divine: Albrech Dürer's Praying Hands and the Branding of Iconography
  2. Pamela K. Morris, Katya Maslakowski
  3. pp. 260-276
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  1. Vampires, Werewolves, and Other Assorted Creatures: The Apocryphal Bestiary of Chick Publications
  2. Alan G. Phillips Jr.
  3. pp. 277-295
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  1. The Apotheosis of Frida and Ché: Secular Saints and Fetishized Commodities
  2. Carleen D. Sanchez
  3. pp. 296-309
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  1. Meme Splicing Genesis 6:1-4 and the Apocalypse of 2012
  2. Paul Thomas
  3. pp. 310-325
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  1. Witchcraft and Magic in the Nordic Middle Ages (review)
  2. Emily E. Auger
  3. pp. 326-327
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  1. Renunciation and Power: The Quest for Sainthood in Contemporary Burma (review)
  2. Chipamong Chowdhury
  3. pp. 328-329
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  1. Religion and Film: Cinema and the Re-Creation of the World (review)
  2. Melissa S. Conroy
  3. pp. 330-331
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  1. Pop Cult: Religion and Popular Music (review)
  2. Tim Craig
  3. pp. 332-333
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  1. The Church and New Media: Blogging Converts, Online Activists, and Bishops Who Tweet (review)
  2. Elizabeth Stickel
  3. pp. 334-335
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  1. In the Name of God: The Evolutionary Origins of Religious Ethics and Violence
  2. Anthony R. Mills
  3. pp. 336-337
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  1. The Combat Myth and the Gospel's Apocalypse in the Harry Potter Series: Subversion of a Supposed Existential Given
  2. Peter John Barber
  3. pp. 183-200
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