1. The Impotence of Adult Toys: The Dance of E. T. A. Hoffmann’s Drosselmeier and Marie from Page to Stage
  2. Holly Blackford
  3. pp. 93-116
  4. DOI: 10.1353/uni.2012.0013
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  1. Without Distinction of Age: The Pivotal Roles of Child Actors and Their Spectators in Nineteenth-Century Theatre
  2. Jeanne Klein
  3. pp. 117-135
  4. DOI: 10.1353/uni.2012.0015
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  1. The Riddle of Peter Pan’s Existence: An Unselfconscious Stage Child
  2. Amanda Phillips Chapman
  3. pp. 136-153
  4. DOI: 10.1353/uni.2012.0017
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  1. Consuming Authenticities: Billy Elliot the Musical and the Performing Child
  2. Helen Freshwater
  3. pp. 154-173
  4. DOI: 10.1353/uni.2012.0019
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  1. Little Women Acted: Responding to H.T.P.’s Response
  2. Beverly Lyon Clark
  3. pp. 174-192
  4. DOI: 10.1353/uni.2012.0020
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  1. Back to the Books: Evaluating the Economic Factors behind Literature-based Theatre for Young Audiences Productions
  2. Nicholas Hanson
  3. pp. 193-208
  4. DOI: 10.1353/uni.2012.0010
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  1. Racial Innocence: Performing American Childhood from Slavery to Civil Rights (review)
  2. Richard Flynn
  3. pp. 209-213
  4. DOI: 10.1353/uni.2012.0012
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  1. History and the Construction of the Child in Early British Children’s Literature (review)
  2. Anja Müller
  3. pp. 213-217
  4. DOI: 10.1353/uni.2012.0014
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  1. The Galaxy Is Rated G: Essays on Children’s Science Fiction Film and Television (review)
  2. Mike Cadden
  3. pp. 221-223
  4. DOI: 10.1353/uni.2012.0018
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  1. Introduction: Children and Theatre
  2. Marah Gubar
  3. pp. v-xiv
  4. DOI: 10.1353/uni.2012.0011
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