restricted access   Volume 93, Number 2, May 2012

Table of Contents


New Texts for Old Music: Three Early Thirteenth-Century Latin Motets

pp. 149-169

Memorializing Mary Tudor: William Byrd and Edward Paston’s ‘Crowned with Flowers and Lilies’

pp. 170-190

Trial by Ear: Legal Attitudes to Keyboard Arrangement in Nineteenth-Century Britain

pp. 191-221


Music and Sentiment (review)

pp. 222-223

Giovanni Pierluigi da Palestrina (review)

pp. 223-225

Music and Society in Early Modern England (review)

pp. 225-227

Barocco Padano 6: Atti del XIV Convegno internazionale sulla musica italiana nei secoli XVII–XVIII (Brescia, 16–18 luglio 2007) (review)

pp. 228-230

The Mirror of Human Life: Reflections on François Couperin’s Pièces de Clavecin (review)

pp. 230-231

Telemann, der musikalische Maler: Telemann-Kompositionen im Notenarchiv der Singakademie zu Berlin (review)

pp. 231-234

Unaccompanied Bach: Performing the Solo Works (review)

pp. 234-236

J. S. Bach and the Oratorio Tradition (review)

pp. 236-238

Der kadenzielle Prozess in den Durchführungen: Untersuchung der Kopfsätze von Joseph Haydns Streichquartetten (review)

pp. 238-241

Bernarr Rainbow on Music: Memoirs and Selected Writings (review)

pp. 241-243

Dissenting Praise: Religious Dissent and the Hymn in England and Wales (review)

pp. 243-245

Difficult Rhythm: Music and the Word in E. M. Forster (review)

pp. 245-247

Richard Wagner: Tristan und Isolde (review)

pp. 247-250

Wagner and the Erotic Impulse (review)

pp. 250-251

Musicologica Olomucensia 12: Zdeněk Fibich as a Central European Composer at the End of the Nineteenth Century (review)

pp. 252-253

Alois Hába: A Catalogue of the Music and Writings (review)

pp. 254-255

Seeing Mahler: Music and the Language of Antisemitism in Fin-de Siècle Vienna (review)

pp. 255-257

Im Schatten Schönbergs: Rezeptionshistorische und analytische Studien zum Problem der Originalität und Modernität bei Alexander Zemlinsky (review)

pp. 257-261

Alban Berg and his World (review)

pp. 261-264

Expression, Truth and Authenticity: On Adorno’s Theory of Music and Musical Performance (review)

pp. 264-267

Shostakovich’s Preludes and Fugues: Contexts, Style, Performance (review)

pp. 267-269

Struggling to Define a Nation: American Music and the Twentieth Century (review)

pp. 269-272

When Opera Meets Film (review)

pp. 272-274

Pop Music, Pop Culture (review)

pp. 274-276

Listen: A History of our Ears (review)

pp. 276-280

Traveling Home: Sacred Harp Singing and American Pluralism, and: The Makers of the Sacred Harp (review)

pp. 280-282

Recipients of "Music and Letters" Awards

Recipients of ‘Music & Letters’ Awards

p. 283

"Music and Letters" Awards

‘Music & Letters’ Awards

p. 285

Authors of Articles

Authors of Articles in This Issue

p. 285

Books Received

Books Received

pp. 286-287