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In this Issue

Table of Contents

  1. New Texts for Old Music: Three Early Thirteenth-Century Latin Motets
  2. Catherine A. Bradley
  3. pp. 149-169
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  1. Memorializing Mary Tudor: William Byrd and Edward Paston’s ‘Crowned with Flowers and Lilies’
  2. Philip Taylor
  3. pp. 170-190
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  1. Trial by Ear: Legal Attitudes to Keyboard Arrangement in Nineteenth-Century Britain
  2. William Lockhart
  3. pp. 191-221
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  1. Music and Sentiment (review)
  2. Michael Spitzer
  3. pp. 222-223
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  1. Giovanni Pierluigi da Palestrina (review)
  2. Noel O’Regan
  3. pp. 223-225
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  1. Music and Society in Early Modern England (review)
  2. Bruce R. Smith
  3. pp. 225-227
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  1. The Mirror of Human Life: Reflections on François Couperin’s Pièces de Clavecin (review)
  2. David Tunley
  3. pp. 230-231
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  1. Telemann, der musikalische Maler: Telemann-Kompositionen im Notenarchiv der Singakademie zu Berlin (review)
  2. Jeanne Swack
  3. pp. 231-234
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  1. Unaccompanied Bach: Performing the Solo Works (review)
  2. John Butt
  3. pp. 234-236
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  1. J. S. Bach and the Oratorio Tradition (review)
  2. John Butt
  3. pp. 236-238
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  1. Der kadenzielle Prozess in den Durchführungen: Untersuchung der Kopfsätze von Joseph Haydns Streichquartetten (review)
  2. W. Dean Sutcliffe
  3. pp. 238-241
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  1. Bernarr Rainbow on Music: Memoirs and Selected Writings (review)
  2. Nicholas Temperley
  3. pp. 241-243
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  1. Dissenting Praise: Religious Dissent and the Hymn in England and Wales (review)
  2. Charles Edward McGuire
  3. pp. 243-245
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  1. Difficult Rhythm: Music and the Word in E. M. Forster (review)
  2. Christin Hoene
  3. pp. 245-247
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  1. Richard Wagner: Tristan und Isolde (review)
  2. Mark Berry
  3. pp. 247-250
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  1. Wagner and the Erotic Impulse (review)
  2. Nicholas Vazsonyi
  3. pp. 250-251
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  1. Musicologica Olomucensia 12: Zdeněk Fibich as a Central European Composer at the End of the Nineteenth Century (review)
  2. John Tyrrell
  3. pp. 252-253
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  1. Alois Hába: A Catalogue of the Music and Writings (review)
  2. John Tyrrell
  3. pp. 254-255
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  1. Seeing Mahler: Music and the Language of Antisemitism in Fin-de Siècle Vienna (review)
  2. Jeremy Barham
  3. pp. 255-257
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  1. Alban Berg and his World (review)
  2. Nicholas Baragwanath
  3. pp. 261-264
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  1. Expression, Truth and Authenticity: On Adorno’s Theory of Music and Musical Performance (review)
  2. Nicholas Baragwanath
  3. pp. 264-267
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  1. Shostakovich’s Preludes and Fugues: Contexts, Style, Performance (review)
  2. Sarah Reichardt Ellis
  3. pp. 267-269
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  1. Struggling to Define a Nation: American Music and the Twentieth Century (review)
  2. Deniz Ertan
  3. pp. 269-272
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  1. When Opera Meets Film (review)
  2. Jeremy Tambling
  3. pp. 272-274
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  1. Pop Music, Pop Culture (review)
  2. Allan F. Moore
  3. pp. 274-276
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  1. Listen: A History of our Ears (review)
  2. Anthony Gritten
  3. pp. 276-280
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  1. Traveling Home: Sacred Harp Singing and American Pluralism, and: The Makers of the Sacred Harp (review)
  2. Eric Saylor
  3. pp. 280-282
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  1. Recipients of ‘Music & Letters’ Awards
  2. p. 283
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  1. ‘Music & Letters’ Awards
  2. p. 285
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  1. Authors of Articles in This Issue
  2. p. 285
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  1. Books Received
  2. pp. 286-287
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