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  Volume 5, Number 3, Summer 2012 (New Series)

Table of Contents



pp. 380-381 | DOI: 10.1353/thr.2012.0063

Fiber Stress at Proportional Limit

pp. 351-352 | DOI: 10.1353/thr.2012.0057

The Orange Chair

pp. 400-401 | DOI: 10.1353/thr.2012.0050


p. 402 | DOI: 10.1353/thr.2012.0053

Elegy: The Deaths of Adam

pp. 320-321 | DOI: 10.1353/thr.2012.0064


p. 322 | DOI: 10.1353/thr.2012.0048


Leaving the Galiuros, 1918: From With Blood in Their Eyes

pp. 382-399 | DOI: 10.1353/thr.2012.0047

He Tells His Father

pp. 301-319 | DOI: 10.1353/thr.2012.0061


Seven Photographs of the Arctic and Antarctic

pp. 1-8 | DOI: 10.1353/thr.2012.0054


Simenon's Two Ways

pp. 323-350 | DOI: 10.1353/thr.2012.0051

T. S. Eliot's Ambiviolences: Oscar Wilde as Masked Precursor

pp. 353-379 | DOI: 10.1353/thr.2012.0060


Into These Knots, and: Circles Where the Head Should Be (review)

pp. 436-422 | DOI: 10.1353/thr.2012.0052

"In a Conventional Dither": Rodgers and Hammerstein's Camouflaged Critique of Race Relations at Mid-Century

pp. 420-429 | DOI: 10.1353/thr.2012.0062

DVD Chronicle

pp. 404-413 | DOI: 10.1353/thr.2012.0056

The Letters of Samuel Beckett: Volume II, 1941-1956 (review)

pp. 442-446 | DOI: 10.1353/thr.2012.0055

Shadow Traffic (review)

pp. 430-432 | DOI: 10.1353/thr.2012.0046

The Fall of the Faculty: The Rise of the All-Administrative University and Why It Matters (review)

pp. 432-436 | DOI: 10.1353/thr.2012.0049

Terpsichore Talks: Two New Dance-Dramas

pp. 413-419 | DOI: 10.1353/thr.2012.0059


Notes on Contributors

pp. 447-448 | DOI: 10.1353/thr.2012.0058

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