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  Volume 26, Number 2, Spring 2012

Table of Contents

Articles

Abject Afrikaner, Iconoclast Trekker: Peter Van Heerden’s Performance Interventions within the Laagers of White Masculinity

pp. 7-30
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“A” is for Abject: The Red Letter Plays of Suzan-Lori Parks

pp. 31-56
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The End of Room-Space: Domesticity and the Absent Audience in Wallace Shawn’s The Fever

pp. 57-73
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The Market for Argument: Preaching the Puritan Counterpublic at Paul’s Cross

pp. 75-96
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Special Section: “Affect/Performance/Politics”

Special Section: “Affect/Performance/Politics”

pp. 99-107
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Behaviorism, Catharsis, and the History of Emotion

pp. 109-125
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“May she read liberty in your eyes?” Beecher, Boucicault and the Representation and Display of Antebellum Women’s Racially Indeterminate Bodies

pp. 127-144
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Feeling Scottish: Affect, Mimicry, and Vaudeville’s “Inimitable” Harry Lauder

pp. 145-160
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“Structures of Feeling” as Methodology and the Re-emergence of Holocaust Survivor Testimony in 1960s Czechoslovakia

pp. 161-172
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Performance and the Pace of Empathy

pp. 173-188
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Affect in Deleuze, Hijikata, and Coates: The Politics of Becoming-Animal in Performance

pp. 189-203
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Feeling Women’s Culture: Women’s Music, Lesbian Feminism, and the Impact of Emotional Memory

pp. 205-219
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Book Reviews

Performing Remains: Art and War in Times of Theatrical Reenactment (review)

pp. 223-225
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Theatre of Crisis: The Performance of Power in the Kingdom of Ireland, 1662–1692 (review)

pp. 225-227
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British Asian Theatre: Dramaturgy, Process and Performance (review)

pp. 227-229
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Shakesqueer: A Queer Companion to the Complete Works of Shakespeare (review)

pp. 229-231
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The Provocation of the Senses in Contemporary Theatre (review)

pp. 232-234
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So Much Wasted: Hunger, Performance, and the Morbidity of Resistance (review)

pp. 234-236
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Modernism after Wagner (review)

pp. 237-239
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French Origins of English Tragedy (review)

pp. 239-241
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Philosophers & Thespians: Thinking Performance (review)

pp. 241-243
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Representing the Past: Essays in Performance Historiography (review)

pp. 244-246
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Performance Theatre and the Poetics of Failure: Forced Entertainment, Goat Island, Elevator Repair Service (review)

pp. 246-248
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Social Works: Performing Art, Supporting Publics (review)

pp. 248-250
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Books Received

pp. 251-255
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Research Areas

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