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In this Issue

Table of Contents

  1. Remembering the Black Arts Movement
  2. Salah M. Hassan
  3. pp. 4-7
  4. restricted access
  1. Black Aesthetics Unbound
  2. Margo Natalie Crawford
  3. pp. 8-21
  4. restricted access
  1. The Black Arts Movement: Its Meaning and Potential
  2. Amiri Baraka
  3. pp. 22-31
  4. restricted access
  1. Studios in the Street: Creative Community and Visual Arts
  2. Daniel Widener
  3. pp. 32-41
  4. restricted access
  1. Death Proof: Trauma, Memory, and Black Power–Era Images in Contemporary Visual Culture
  2. Amy Abugo Ongiri
  3. pp. 42-49
  4. restricted access
  1. America Black: Faith Ringgold’s Black Light Series
  2. Michele Wallace
  3. pp. 50-61
  4. restricted access
  1. After The Black Arts Movement
  2. Clyde Taylor
  3. pp. 62-71
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  1. Raising the “Studio” at Studio Museum: Field Notes
  2. Edward S. Spriggs
  3. pp. 72-77
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  1. Why Spiral?
  2. Jeanne Siegel
  3. pp. 78-84
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  1. From the Center: The Spiral Group 1963–1966
  2. Courtney J. Martin
  3. pp. 86-98
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  1. The Art of Richard Mayhew
  2. Janet Berry Hess
  3. pp. 100-109
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  1. Seeing Black and the Color of Representation
  2. Fo Wilson
  3. pp. 110-117
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  1. The Emergence of Black Women Artists: The Founding of “Where We At”
  2. Kay Brown
  3. pp. 118-127
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  1. Talking in Tongues: Personal Reflections on Kara Walker
  2. Michael D. Harris
  3. pp. 128-139
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  1. The Mask as Muse: Loïs Mailou Jones
  2. Cheryl Finley
  3. pp. 140-151
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Previous Issue

Number 28, 2011

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Number 30, Spring 2012