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Table of Contents

  1. Grooves and Waves: Cyclicity and Narrativity in Cuban Timba Piano
  2. Orlando Enrique Fiol
  3. pp. 1-26
  4. DOI: https://doi.org/10.1353/lat.2012.0006
  5. restricted access
  1. Danzar para que el mundo no se acabe. Estudio sistemático de la danza rarámuri
  2. Ángel Acuña Delgado
  3. pp. 27-64
  4. DOI: https://doi.org/10.1353/lat.2012.0008
  5. restricted access
  1. Guillermo Graetzer. Judaísmo y exilio: las palabras ausentes
  2. Sílvia Glocer
  3. pp. 65-101
  4. DOI: https://doi.org/10.1353/lat.2012.0010
  5. restricted access
  1. Cuban Hip-Hop Goes Global: Orishas' A lo cubano
  2. Lea Ramsdell
  3. pp. 102-123
  4. DOI: https://doi.org/10.1353/lat.2012.0001
  5. restricted access
  1. Cuban Zarzuela: Performing Race and Gender on Havana's Lyric Stage (review)
  2. Noriko Manabe
  3. pp. 124-130
  4. DOI: https://doi.org/10.1353/lat.2012.0003
  5. restricted access
  1. The Clave Matrix: Afro-Cuban Rhythm: Its Principles and Origins (review)
  2. Chris Stover
  3. pp. 131-140
  4. DOI: https://doi.org/10.1353/lat.2012.0004
  5. restricted access
  1. Blackness in the White Nation: A History of Afro-Uruguay (review)
  2. Morgan James Luker
  3. pp. 140-144
  4. DOI: https://doi.org/10.1353/lat.2012.0005
  5. restricted access
  1. A Guide to the Latin American Art Song Repertoire: An Annotated Catalog of Twentieth-Century Art Songs for Voice and Piano (review)
  2. Patricia Caicedo
  3. pp. 144-147
  4. DOI: https://doi.org/10.1353/lat.2012.0007
  5. restricted access
  1. Tassa Thunder: Folk Music from India to the Caribbean (review)
  2. Jessica Swanston
  3. pp. 147-149
  4. DOI: https://doi.org/10.1353/lat.2012.0009
  5. restricted access
  1. Communications and Announcements
  3. pp. 150-154
  4. DOI: https://doi.org/10.1353/lat.2012.0000
  5. restricted access
  1. Contributors
  3. p. 155
  4. DOI: https://doi.org/10.1353/lat.2012.0002
  5. restricted access