1. Proust’s China
  2. Christine Froula
  3. pp. 227-254
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  1. Joyce and the Spanish Ulysses
  2. Gayle Rogers
  3. pp. 255-275
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  1. Between Modernism and Surrealism: Dada in Portugal
  2. Tania Martuscelli
  3. pp. 277-286
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  1. Sartorial Connections: Fashion, Clothes, and Character in Elizabeth Bowen’s To the North
  2. Vike Martina Plock
  3. pp. 287-302
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  1. John Stahl: Melodrama, Modernism, and the Problem of Naïve Taste
  2. Lea Jacobs
  3. pp. 303-320
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  1. J. B. Priestley in the Theater of Time
  2. Jesse Matz
  3. pp. 321-342
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  1. Elizabeth Bishop and the Ethics of Correspondence
  2. Siobhan Phillips
  3. pp. 343-363
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  1. Coming in from the Margins: Reappraising and Recentering Katherine Mansfield
  2. Lee Garver
  3. pp. 365-371
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  1. Silence Restored: Three Re-Released Films by F. W. Murnau
  2. Ken Calhoon
  3. pp. 373-381
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  1. T. S. Eliot in Context (review)
  2. Ronald Bush
  3. pp. 383-385
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  1. Reading the Ruins: Modernism, Bombsites and British Culture (review)
  2. Ian Patterson
  3. pp. 385-386
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  1. Modernism and the Ordinary (review)
  2. Benjamin Madden
  3. pp. 387-389
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  1. Bloomsbury, Modernism, and the Reinvention of Intimacy (review)
  2. Brian May
  3. pp. 389-391
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  1. Unseasonable Youth: Modernism, Colonialism and the Fiction of Development (review)
  2. Gregory Castle
  3. pp. 391-394
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  1. Oscar’s Shadow: Wilde, Homosexuality and Modern Ireland (review)
  2. Margot Backus
  3. pp. 394-395
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  1. James Merrill, Postmodern Magus: Myth and Poetics (review)
  2. Piotr Gwiazda
  3. pp. 396-398
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  1. Amy Lowell, Diva Poet (review)
  2. Susan McCabe
  3. pp. 398-400
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  1. Modernism Is the Literature of Celebrity (review)
  2. Timothy W. Galow
  3. pp. 400-402
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  1. Anxiety and Evil in the Writings of Patricia Highsmith (review)
  2. Matthew Levay
  3. pp. 402-404
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  1. Modernist Travel Writing: Intellectuals Abroad (review)
  2. Alexandra Peat
  3. pp. 405-407
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  1. The Late Victorian Gothic: Mental Science, the Uncanny, and Scenes of Writing (review)
  2. Simon Hay
  3. pp. 407-409
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  1. Silence: 50th Anniversary Edition (review)
  2. Edward Crooks
  3. pp. 409-411
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  1. Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde (review)
  2. Kimberly Jannarone
  3. pp. 411-413
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  1. Space, Place, and Power in Modern Russia: Essays in the New Spatial History (review)
  2. Mark Soderstrom
  3. pp. 413-414
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  1. Recent Books of Interest
  2. pp. 415-418
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