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Table of Contents

  1. New Recruits to the "Maverick" Squad: Othello, King Lear, and The Merchant of Venice in London, 2008/09
  2. Boika Sokolova
  3. pp. 87-97
  4. DOI: https://doi.org/10.1353/shb.2012.0043
  5. restricted access
  1. The "Fascism and Its Consequences" Season: Richard Eyre's Richard III and Its Historical Moment
  2. Jami Rogers
  3. pp. 99-117
  4. DOI: https://doi.org/10.1353/shb.2012.0047
  5. restricted access
  1. "This is too long": A Historically-Based Argument for Aggressively Editing Shakespeare in Performance
  2. Joe Falocco
  3. pp. 119-143
  4. DOI: https://doi.org/10.1353/shb.2012.0029
  5. restricted access
  1. Coriolanus (review)
  2. Samuel Crowl
  3. pp. 145-147
  4. DOI: https://doi.org/10.1353/shb.2012.0032
  5. restricted access
  1. Macbeth (review)
  2. Carolyn Sale
  3. pp. 149-154
  4. DOI: https://doi.org/10.1353/shb.2012.0038
  5. restricted access
  1. Much Ado about Nothing, and: The Tragedie of King Richard II (review)
  2. Douglas E. Green
  3. pp. 155-159
  4. DOI: https://doi.org/10.1353/shb.2012.0041
  5. restricted access
  1. Much Ado About Nothing (review)
  2. Melissa Croteau
  3. pp. 160-165
  4. DOI: https://doi.org/10.1353/shb.2012.0045
  5. restricted access
  1. Antony and Cleopatra, and: The Tempest (review)
  2. N.R. Helms
  3. pp. 165-172
  4. DOI: https://doi.org/10.1353/shb.2012.0028
  5. restricted access
  1. The Tempest (review)
  2. Alaina Jobe Pangburn
  3. pp. 172-176
  4. DOI: https://doi.org/10.1353/shb.2012.0031
  5. restricted access
  1. The Comedy of Errors (review)
  2. John Miller
  3. pp. 176-181
  4. DOI: https://doi.org/10.1353/shb.2012.0034
  5. restricted access
  1. A Midsummer Night's Dream, and: Othello (review)
  2. Darlene Farabee
  3. pp. 181-188
  4. DOI: https://doi.org/10.1353/shb.2012.0037
  5. restricted access
  1. Othello (review)
  2. Barbara Ann Lukacs
  3. pp. 188-192
  4. DOI: https://doi.org/10.1353/shb.2012.0040
  5. restricted access
  1. Richard III (review)
  2. Adrienne L. Eastwood
  3. pp. 192-195
  4. DOI: https://doi.org/10.1353/shb.2012.0044
  5. restricted access
  1. Richard III, and: Twelfth Night (review)
  2. Justin Shaltz
  3. pp. 195-199
  4. DOI: https://doi.org/10.1353/shb.2012.0048
  5. restricted access
  1. Merry Wives of Windsor, and: Titus Andronicus (review)
  2. Dana E. Aspinall
  3. pp. 199-204
  4. DOI: https://doi.org/10.1353/shb.2012.0030
  5. restricted access
  1. Double Falsehood (review)
  2. Jennifer Hartshorn
  3. pp. 205-207
  4. DOI: https://doi.org/10.1353/shb.2012.0033
  5. restricted access
  1. Titus Redux, and: Hamlet, Prince of Darkness, and: Pulp Shakespeare (review)
  2. Kevin J. Wetmore Jr.
  3. pp. 207-212
  4. DOI: https://doi.org/10.1353/shb.2012.0036
  5. restricted access
  1. A Woman Killed with Kindness (review)
  2. Jose A. Perez Diez
  3. pp. 212-217
  4. DOI: https://doi.org/10.1353/shb.2012.0039
  5. restricted access
  1. Doctor Faustus (review)
  2. Kirk Melnikoff
  3. pp. 218-220
  4. DOI: https://doi.org/10.1353/shb.2012.0042
  5. restricted access
  1. Doctor Faustus, and: The City Madam (review)
  2. Laura Grace Godwin
  3. pp. 221-231
  4. DOI: https://doi.org/10.1353/shb.2012.0046
  5. restricted access
  1. Disguise on the Early Modern English Stage (review)
  2. Andrea Stevens
  3. pp. 233-237
  4. DOI: https://doi.org/10.1353/shb.2012.0035
  5. restricted access