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Table of Contents

  1. Introduction: Digital Cinema
  2. John Belton
  3. pp. 131-134
  4. restricted access
  1. Analog Circuit Palettes, Cathode Ray Canvases: Digital's Analog, Experimental Past
  2. Gregory Zinman
  3. pp. 135-157
  4. DOI: https://doi.org/10.2979/filmhistory.24.2.135
  5. restricted access
  1. The ILM Version: Recent Digital Effects and the Aesthetics of 1970s Cinematography
  2. Julie Turnock
  3. pp. 158-168
  4. DOI: https://doi.org/10.2979/filmhistory.24.2.158
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  1. Digital Cinema: the Role of the Visual Effects Supervisor
  2. Christopher Cram
  3. pp. 169-186
  4. DOI: https://doi.org/10.2979/filmhistory.24.2.169
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  1. Digital 3D Cinema: Digital Cinema's Missing Novelty Phase
  2. John Belton
  3. pp. 187-195
  4. DOI: https://doi.org/10.2979/filmhistory.24.2.187
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  1. 3D in Depth: Coraline, Hugo, and a Sustainable Aesthetic
  2. Scott Higgins
  3. pp. 196-209
  4. DOI: https://doi.org/10.2979/filmhistory.24.2.196
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  1. Invitation to the Voyage: The Flight Sequence in Contemporary 3D Cinema
  2. Sara Ross
  3. pp. 210-220
  4. DOI: https://doi.org/10.2979/filmhistory.24.2.210
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  1. "You Don't So Much Watch It As Download It": Conceptualizations of Digital Spectatorship
  2. Ariel Rogers
  3. pp. 221-234
  4. DOI: https://doi.org/10.2979/filmhistory.24.2.221
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  1. Not If, But When and How: Digital Comes to the American Art House
  2. Lisa Dombrowski
  3. pp. 235-248
  4. DOI: https://doi.org/10.2979/filmhistory.24.2.235
  5. restricted access