1. Editors’ Note
  2. Alison Chapman, Susan Doyle, Mary Elizabeth Leighton, Judith Mitchell, Lisa Surridge
  3. p. 9
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  1. Special Forum: Victorian Studies and Interdisciplinarity
  2. p. 10
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  1. Professing Disciplinarity
  2. Nancy Armstrong
  3. pp. 11-14
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  1. Interdisciplinarity and Historians of Victorian Art
  2. Julie F. Codell
  3. pp. 14-17
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  1. Interdisciplinarity and Cultural Studies
  2. Nicholas Daly
  3. pp. 18-21
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  1. The Day Victorian Poetry Became Cool: An Interdisciplinary Approach to the Teaching of Tennyson and His Contemporaries
  2. Marysa Demoor
  3. pp. 21-24
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  1. Interdisciplinary Fluidity and the Refreshing Links of Hypermedia
  2. Dennis Denisoff
  3. pp. 24-27
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  1. Pied Studies
  2. Donald E. Hall
  3. pp. 28-31
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  1. The Institutional Limits and Possibilities of Victorian Interdisciplinary Studies
  2. Linda K. Hughes
  3. pp. 31-35
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  1. Interdisciplinary or Merely Undisciplined?: The Teaching/Research Nexus
  2. Judith Johnston
  3. pp. 35-38
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  1. Institutional Memory: History, Disciplinarity, and Victorian Studies
  2. Christopher Keep
  3. pp. 38-41
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  1. Interdisciplinarity and Evolution: Victorian Studies as Ancestor
  2. Claudia Nelson
  3. pp. 41-44
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  1. Victorianists and the Politics of Interdisciplinarity in the Academy
  2. Francis O’Gorman
  3. pp. 44-47
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  1. The Concept of Literature and the Practice of Interdisciplinarity
  2. Linda H. Peterson
  3. pp. 47-51
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  1. Interdisciplinarity, Estrangement, and Method in Victorian Studies
  2. Matthew Rowlinson
  3. pp. 52-55
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  1. What Do We Mean By Interdisciplinarity?
  2. Joanne Shattock
  3. pp. 55-58
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  1. Interdisciplinary Studies and the Myth of Disciplinary Capaciousness
  2. Peter Sinnema
  3. pp. 59-61
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  1. Back to the Future: Disciplinary Hauntings and Victorian Studies
  2. Marjorie Stone
  3. pp. 61-66
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  1. Interdisciplinarity, Institutional Politics, and Cultural Studies
  2. Jenny Bourne Taylor
  3. pp. 66-69
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  1. A Vile Way of Publishing: Gissing and Serials
  2. Graham Law
  3. pp. 71-86
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  1. Critical Masculinities in Lady Audley’s Secret
  2. Rachel Heinrichs
  3. pp. 103-120
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  1. Virgin Solitude: Envisioning a Textual Space for Spinsters in Charlotte Brontë’s Shirley
  2. Anna Lepine
  3. pp. 121-136
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  1. Language, Science, and Popular Fiction in the Victorian Fin-de-Siècle: The Brutal Tongue by Christine Ferguson (review)
  2. James Eli Adams
  3. pp. 137-139
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  1. Music Hall and Modernity: the Late Victorian Discovery of Popular Culture by Barry J. Faulk (review)
  2. Dave Russell
  3. pp. 139-141
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  1. Home on the Rails: Women, the Railroad, and the Rise of Public Domesticity by Amy G. Richter (review)
  2. Daniel Martin
  3. pp. 141-144
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  1. Behind Her Times: Transition England in the Novels of Mary Arnold Ward by Judith Wilt (review)
  2. Val Shepherd
  3. pp. 146-148
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  1. Reading the Brontë Body: Disease, Desire, and the Constraints of Culture by Beth Torgerson (review)
  2. Maria Frawley
  3. pp. 148-150
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  1. The Indian Mutiny and the British Imagination by Gautum Chakravarty (review)
  2. Charn Jagpal
  3. pp. 154-155
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  1. John Henry Newman: The Challenge to Evangelical Religion by Frank M. Turner (review)
  2. James Najarian
  3. pp. 156-159
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  1. Contributors
  2. pp. 163-166
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