We cannot verify your location
Browse Book and Journal Content on Project MUSE
OR

  Volume 35, Number 1, Spring 2009

Table of Contents

Editors' Note

p. 9
|

Victorian Review Forum

Forum: Keynotes: Key Victorian Texts

p. 11
|

The Early Victorian Annual (review)

pp. 13-19
|

On the Constitution of the Church and State (review)

pp. 19-23
|

Manifest der Kommunistischen Partei/The Communist Manifesto (review)

pp. 23-27
|

The Charge of the Light Brigade (review)

pp. 27-32
|

On the Origin of Species (review)

pp. 32-37
|

The Woman in White (review)

pp. 37-41
|

A Plea for the Doric (review)

pp. 41-45
|

The Albert Memorial (review)

pp. 45-49
|

On the Hypothesis that Animals are Automata (review)

pp. 50-51
|

The Art of Fiction (review)

pp. 53-56
|

Tess of the D'Urbervilles (review)

pp. 56-60
|

Letters to James Allanson Picton; the Ruskin Society in Manchester (review)

pp. 60-64
|

The Critic as Artist (review)

pp. 64-68
|

The Evolution of the Art of Music (review)

pp. 68-72
|

Sexual Inversion (review)

pp. 72-76
|

Articles

Hamilton Prize Essay

Greater Britain and the Imperial Outpost: The Australasian Origins of The Riddle of the Sands (1903)

pp. 79-95
|

Dracula and Chloral: Chemistry Matters

pp. 96-115
|

The Thrill of the Trill: Political and Aesthetic Discourse in George Eliot's Armgart

pp. 116-131
|

"Write a little bit every day": L.T. Meade, Self-Representation, and the Professional Woman Writer

pp. 132-152
|

"A Place for More than the Healing of Bodily Sickness": Charles Dickens, the Social Mission of Nineteenth-Century Pediatrics, and the Great Ormond Street Hospital for Sick Children

pp. 153-174
|

"England in the East": Metonymies of Absence in Charles Dilke's Greater Britain

pp. 175-189
|

"Mere Outward Appearances"?: Household Taste and Social Perception in Elizabeth Gaskell's North and South

pp. 190-210
|

Stretching "The Sensational Sixties": Genre and Sensationalism in Domestic Fiction by Victorian Women Writers

pp. 211-228
|

In "the Sumptuous Rank of the Signifier": The Gendered Tattoo in Mr. Meeson's Will

pp. 229-251
|

Book Reviews

The Mass Image: A Social History of Photomechanical Reproduction in Victorian London, and: The Haunted Gallery: Painting, Photography, Film c. 1900 (review)

pp. 253-256
|

Reforming Philosophy: A Victorian Debate on Science and Society (review)

pp. 256-258
|

Knowing Dickens (review)

pp. 258-260
|

Cholera and Nation: Doctoring the Social Body in Victorian England (review)

pp. 261-262
|

The Jewess in Nineteenth-Century British Literary Culture (review)

pp. 262-264
|

Racism on the Victorian Stage: Representation of Slavery and the Black Character (review)

pp. 265-267
|

Formal Investigations: Aesthetic Style in Late-Victorian and Edwardian Detective Fiction (review)

pp. 267-269
|

The Earth on Show: Fossils and the Poetics of Popular Science, 1802-1856 (review)

pp. 269-271
|

Metropolis on the Styx: The Underworld of Modern Urban Culture, 1800-2001 (review)

pp. 271-273
|

Contributors

pp. 275-279
|

Research Areas

Recommend

  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access