1. Becoming Woman: From Antonioni to Anne Carson and Cindy Sherman
  2. Alessia Ricciardi
  3. pp. 6-23
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  1. Iconoclastic Images
  2. Gregory Schufreider
  3. pp. 24-63
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  1. What is a Cinema of Jewish Vengeance?: Tarantino’s Inglorious Basterds
  2. Eyal Peretz
  3. pp. 64-74
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  1. Plato and the Platonic Tradition: The Image Beyond the Image
  2. James I. Porter
  3. pp. 75-103
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  1. Defacement
  2. Charles Barber
  3. pp. 104-115
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  1. Painting and Plurality
  2. Christopher S. Wood
  3. pp. 116-139
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  1. Aby Warburg’s Pentimento
  2. Davide Stimilli
  3. pp. 140-175
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  1. The Portrait of an Italian Lira Player in Dublin: Attalante Migliorati
  2. Aby Warburg, Davide Stimilli
  3. pp. 176-181
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  1. “Combustion-Focal Point”: Studying the Image in Benjamin’s “Life of Students”
  2. Peter Fenves
  3. pp. 182-188
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  1. Getting Mimetic Again
  2. Haun Saussy
  3. pp. 189-200
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  1. Reborn as René: The Interplay of Self and Language in a Selection of Rilke’s Late French and German Poems
  2. Eugenia Kelbert
  3. pp. 201-224
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  1. Introduction: Reality and Its Shadow
  2. Eyal Peretz
  3. pp. 1-5
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  1. Notes on the Contributors
  2. pp. 225-228
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