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Browse Book and Journal Content on Project MUSE

  Volume 56, 2010

Table of Contents

Editor's Preface

Introduction: Reality and Its Shadow

pp. 1-5 | DOI: 10.1353/cgl.2010.0001


Becoming Woman: From Antonioni to Anne Carson and Cindy Sherman

pp. 6-23 | DOI: 10.1353/cgl.2010.0003

Iconoclastic Images

pp. 24-63 | DOI: 10.1353/cgl.2010.0005

What is a Cinema of Jewish Vengeance?: Tarantino’s Inglorious Basterds

pp. 64-74 | DOI: 10.1353/cgl.2010.0007

Plato and the Platonic Tradition: The Image Beyond the Image

pp. 75-103 | DOI: 10.1353/cgl.2010.0009


pp. 104-115 | DOI: 10.1353/cgl.2010.0011

Painting and Plurality

pp. 116-139 | DOI: 10.1353/cgl.2010.0000

Aby Warburg’s Pentimento

pp. 140-175 | DOI: 10.1353/cgl.2010.0002

The Portrait of an Italian Lira Player in Dublin: Attalante Migliorati

pp. 176-181 | DOI: 10.1353/cgl.2010.0004

“Combustion-Focal Point”: Studying the Image in Benjamin’s “Life of Students”

pp. 182-188 | DOI: 10.1353/cgl.2010.0006

Getting Mimetic Again

pp. 189-200 | DOI: 10.1353/cgl.2010.0008

2011 Horst Frenz Prize Essay

Reborn as René: The Interplay of Self and Language in a Selection of Rilke’s Late French and German Poems

pp. 201-224 | DOI: 10.1353/cgl.2010.0010

Notes on the Contributors

Notes on the Contributors

pp. 225-228 | DOI: 10.1353/cgl.2010.0012

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