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Table of Contents

  1. Page 2
  2. Kass Fleisher
  3. p. 2
  4. DOI: https://doi.org/10.1353/abr.2006.0046
  5. restricted access
  1. By the Editors—: Recent Publications
  3. p. 2
  4. DOI: https://doi.org/10.1353/abr.2006.0051
  5. restricted access
  1. Opening Lines: A Congeries of Reflections
  2. Michael Bérubé, Stephen Burn, David Cowart, Jeffrey R. Di Leo, Andrew Ervin, Tom Grimes, Charles B. Harris, Kit Hume, Robert L. McLaughlin, Lance Olsen, Sally E. Parry, Nancy Pearl, James Phelan, James Schiff, Susan Strehle, Trey Strecker, Eric Miles Williamson
  3. pp. 6-9
  4. DOI: https://doi.org/10.1353/abr.2006.0032
  5. restricted access
  1. Breaking the Mold
  2. Mike Daily
  3. p. 10
  4. DOI: https://doi.org/10.1353/abr.2006.0036
  5. restricted access
  1. The Collector
  2. Louis McKee
  3. p. 11
  4. DOI: https://doi.org/10.1353/abr.2006.0040
  5. restricted access
  1. Layers of Life
  2. Nicholas Birns
  3. p. 12
  4. DOI: https://doi.org/10.1353/abr.2006.0044
  5. restricted access
  1. E Pluribus Feldman
  2. Fred Muratori
  3. pp. 13-14
  4. DOI: https://doi.org/10.1353/abr.2006.0049
  5. restricted access
  1. Gone Nowhere
  2. M. L. Liebler
  3. pp. 14-15
  4. DOI: https://doi.org/10.1353/abr.2006.0053
  5. restricted access
  1. Of Heroin, Epics, and Bears
  2. Laura Wright
  3. p. 16
  4. DOI: https://doi.org/10.1353/abr.2006.0030
  5. restricted access
  1. One Performance Is Not Enough
  2. Paula Koneazny
  3. p. 17
  4. DOI: https://doi.org/10.1353/abr.2006.0034
  5. restricted access
  1. Dream Factory
  2. Gabriel Miller
  3. p. 18
  4. DOI: https://doi.org/10.1353/abr.2006.0038
  5. restricted access
  1. Metamorphosis
  2. Stephen Burn
  3. p. 19
  4. DOI: https://doi.org/10.1353/abr.2006.0042
  5. restricted access
  1. Out Is In
  2. Regina Weinreich
  3. p. 20
  4. DOI: https://doi.org/10.1353/abr.2006.0047
  5. restricted access
  1. Toy Story
  2. Kristin Thiel
  3. p. 21
  4. DOI: https://doi.org/10.1353/abr.2006.0052
  5. restricted access
  1. Ink-Wasting Toys
  2. Jocelyn Emerson
  3. pp. 21-22
  4. DOI: https://doi.org/10.1353/abr.2006.0029
  5. restricted access
  1. An Epitaph for Europa
  2. Pawel Frelik
  3. pp. 22-23
  4. DOI: https://doi.org/10.1353/abr.2006.0033
  5. restricted access
  1. Recuperating Understanding
  2. Joseph Donahue
  3. pp. 23-24
  4. DOI: https://doi.org/10.1353/abr.2006.0037
  5. restricted access
  1. The Work at Hand
  2. Larry Smith
  3. pp. 24-25
  4. DOI: https://doi.org/10.1353/abr.2006.0041
  5. restricted access
  1. The Chaos of Coca
  2. Amy Sayre-Roberts
  3. p. 25
  4. DOI: https://doi.org/10.1353/abr.2006.0045
  5. restricted access
  1. Sailing to Dallas
  2. Don Melichar
  3. p. 26
  4. DOI: https://doi.org/10.1353/abr.2006.0050
  5. restricted access
  1. Dancing In Imelda's Shoes
  2. Paul Keyes
  3. pp. 26-27
  4. DOI: https://doi.org/10.1353/abr.2006.0054
  5. restricted access
  1. Economy of Words
  2. Larry Fondation
  3. pp. 27-28
  4. DOI: https://doi.org/10.1353/abr.2006.0031
  5. restricted access
  1. Transformations
  2. Justin Taylor
  3. p. 28
  4. DOI: https://doi.org/10.1353/abr.2006.0035
  5. restricted access
  1. Bending Gender
  2. Richard Grayson
  3. p. 29
  4. DOI: https://doi.org/10.1353/abr.2006.0039
  5. restricted access
  1. The Atrocity Repetition
  2. Davis Schneiderman
  3. p. 30
  4. DOI: https://doi.org/10.1353/abr.2006.0043
  5. restricted access
  1. A Strange Delight
  2. Ryan Smith
  3. pp. 30-31
  4. DOI: https://doi.org/10.1353/abr.2006.0048
  5. restricted access
  1. Introduction to Focus: In the Beginning Was the Word: 100 Best First Lines from Novels
  2. Charles B. Harris
  3. p. 3
  4. DOI: https://doi.org/10.1353/abr.2006.0028
  5. restricted access