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  Volume 64, Number 2, May 2012

Table of Contents

Editorial Comment

Editorial Comment: What’s New?

p. 1

Performative Performances: A History and Theory of the “Copyright Performance”

pp. 161-177
|

Darkness Visible: The Early Melodrama of British Imperialism and the Commodification of History in Sheridan’s Pizarro

pp. 179-195
|

Staging Violence in Pig Iron Theatre Company’s Anodyne

pp. 197-211
|

Toward the Integration of Theatre History and Affect Studies: Shame and the Rude Mechs’s The Method Gun

pp. 213-230
|

Compiling West Side Story’s Parahistories, 1949–2009

pp. 231-247
|

Performance Reviews

Oregon Shakespeare Festival (review)

pp. 249-253
|

Le Théâtre Du Peuple, and: Avignon Festival (review)

pp. 253-257
|

Le Festival Ouverture (review)

pp. 257-260
|

South Africa’s National Arts Festival (review)

pp. 260-264
|

Passing The Flame: Dah Theatre’s 20th Anniversary Festival (review)

pp. 264-267
|

The Life And Death of Marina Abramović (review)

pp. 267-269
|

Sleep No More (review)

pp. 269-271
|

The Tenant (review)

pp. 271-273
|

Vyšniu Sodas—Der Kirschgarten (review)

pp. 273-275
|

Mask and Soul (review)

pp. 275-277
|

The Great Fire (review)

pp. 277-278
|

Brewsie and Willie (review)

pp. 278-281
|

Bootycandy (review)

pp. 281-283
|

Clybourne Park (review)

pp. 283-285
|

Book Reviews

Forging an English Bohemia

pp. 287-297
|

Review Essay

Interrogating Antigone in Post-Modern Philosophy and Criticism (review)

pp. 299-300
|

The Drama of Ideas: Platonic Provocations in Theater and Philosophy (review)

pp. 300-302
|

Offstage Space, Narrative, and the Theatre of the Imagination (review)

pp. 302-303
|

Theatre, Communication, Critical Realism (review)

pp. 303-304
|

Devising in Process (review)

pp. 304-306
|

The Journal of War and Culture Studies (review)

pp. 306-307
|

Theatre and Culture in Early Modern England, 1650–1737: From Leviathan to Licensing Act (review)

pp. 307-309
|

Players, Playwrights, Playhouses: Investigating Performance, 1660–1800 (review)

pp. 309-310
|

August Strindberg (review)

pp. 310-311
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Laurette Taylor, American Stage Legend (review)

pp. 311-313
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American Women Theatre Critics: Biographies and Selected Writings of Twelve Reviewers, 1753–1919 (review)

pp. 313-314
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Doctoral Projects

Doctoral Projects in Progress in Theatre Arts, 2012

pp. 317-322
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Research Areas

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