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Table of Contents

  1. Marche gaie: A Rediscovered Work by Lili Boulanger
  2. Caroline Potter
  3. pp. 715-728
  4. DOI: https://doi.org/10.1353/not.2012.0061
  5. restricted access
  1. The Viola in America: Two Centuries of Progress
  2. David M. Bynog
  3. pp. 729-750
  4. DOI: https://doi.org/10.1353/not.2012.0070
  5. restricted access
  1. Should We Play A♮ or A♯ in Beethoven’s “Hammerklavier” Sonata, Opus 106?
  2. Paul Badura-Skoda
  3. pp. 751-757
  4. DOI: https://doi.org/10.1353/not.2012.0079
  5. restricted access
  1. Notes for Notes
  3. pp. 758-762
  4. DOI: https://doi.org/10.1353/not.2012.0088
  5. restricted access
  1. Retromania: Pop Culture’s Addiction to Its Own Past (review)
  2. Christopher Doll
  3. pp. 763-765
  4. DOI: https://doi.org/10.1353/not.2012.0072
  5. restricted access
  1. Peter Gabriel, From Genesis to Growing Up (review)
  2. Jacob A. Cohen
  3. pp. 765-767
  4. DOI: https://doi.org/10.1353/not.2012.0053
  5. restricted access
  1. The Studio Recordings of the Miles Davis Quintet, 1965–68 (review)
  2. Mark C. Gridley
  3. pp. 767-770
  4. DOI: https://doi.org/10.1353/not.2012.0060
  5. restricted access
  1. Louis Armstrong’s Hot Five and Hot Seven Recordings (review)
  2. John Clark
  3. pp. 770-772
  4. DOI: https://doi.org/10.1353/not.2012.0093
  5. restricted access
  1. Bean Blossom: The Brown County Jamboree and Bill Monroe’s Bluegrass Festivals (review)
  2. Travis D. Stimeling
  3. pp. 772-774
  4. DOI: https://doi.org/10.1353/not.2012.0067
  5. restricted access
  1. Woody Guthrie, American Radical (review)
  2. Chris Durman
  3. pp. 774-778
  4. DOI: https://doi.org/10.1353/not.2012.0081
  5. restricted access
  1. North American Fiddle Music: A Research and Information Guide (review)
  2. James Ruchala
  3. pp. 778-780
  4. DOI: https://doi.org/10.1353/not.2012.0058
  5. restricted access
  1. Opera’s Orbit: Musical Drama and the Influence of Opera in Arcadian Rome (review)
  2. Bruno Forment
  3. pp. 780-782
  4. DOI: https://doi.org/10.1353/not.2012.0050
  5. restricted access
  1. Seeing through Music: Gender and Modernism in Classic Hollywood Film Scores (review)
  2. Colin Roust
  3. pp. 782-784
  4. DOI: https://doi.org/10.1353/not.2012.0049
  5. restricted access
  1. Sex, Drugs, Rock & Roll, and Musicals (review)
  2. William A. Everett
  3. pp. 784-786
  4. DOI: https://doi.org/10.1353/not.2012.0041
  5. restricted access
  1. “The Temple of Music” by Robert Fludd (review)
  2. Chadwick Jenkins
  3. pp. 786-788
  4. DOI: https://doi.org/10.1353/not.2012.0096
  5. restricted access
  1. Tonality and Transformation (review)
  2. Steven D. Mathews
  3. pp. 788-790
  4. DOI: https://doi.org/10.1353/not.2012.0062
  5. restricted access
  1. Hans von Bülow: A Life for Music (review)
  2. Jonathan Kregor
  3. pp. 790-792
  4. DOI: https://doi.org/10.1353/not.2012.0083
  5. restricted access
  1. George Szell: A Life of Music (review)
  2. Scott Warfield
  3. pp. 792-795
  4. DOI: https://doi.org/10.1353/not.2012.0094
  5. restricted access
  1. John Cage (review)
  2. Sara Haefeli
  3. pp. 795-797
  4. DOI: https://doi.org/10.1353/not.2012.0069
  5. restricted access
  1. Three Questions for Sixty-Five Composers (review)
  2. Péter Laki
  3. pp. 797-799
  4. DOI: https://doi.org/10.1353/not.2012.0092
  5. restricted access
  1. The Performing Style of Alexander Scriabin (review)
  2. John Rego
  3. pp. 799-802
  4. DOI: https://doi.org/10.1353/not.2012.0040
  5. restricted access
  1. Richard Wagner: Self Promotion and the Making of a Brand (review)
  2. David Larkin
  3. pp. 802-804
  4. DOI: https://doi.org/10.1353/not.2012.0043
  5. restricted access
  1. Widor: A Life beyond the Toccata (review)
  2. Benjamin Van Wye
  3. pp. 804-806
  4. DOI: https://doi.org/10.1353/not.2012.0085
  5. restricted access
  1. Das Echte und Innerliche in der Kunst: Der Komponist, Dirigent und Pädagoge Woldemar Bargiel (1828– 1897): Ein Beitrag zur Musikgeschichte des „unbekannten“ 19. Jahrhunderts (review)
  2. Marie Sumner Lott
  3. pp. 806-808
  4. DOI: https://doi.org/10.1353/not.2012.0052
  5. restricted access
  1. Weberiana. Heft 21 (review)
  2. Joseph E. Morgan
  3. pp. 809-811
  4. DOI: https://doi.org/10.1353/not.2012.0071
  5. restricted access
  1. Ars musica septentrionalis: De l’interprétation du patrimoine musical à l’historiographie (review)
  2. Karen Desmond
  3. pp. 811-814
  4. DOI: https://doi.org/10.1353/not.2012.0063
  5. restricted access
  1. Catalogue du motet imprimé en France (1647–1789) (review)
  2. Deborah Kauffman
  3. pp. 814-816
  4. DOI: https://doi.org/10.1353/not.2012.0056
  5. restricted access
  1. Barocco Padano 6: Atti del XIV Convegno internazionale sulla musica italiana nei secoli XVII–XVIII, Brescia, 16–18 Iuglio 2007 (review)
  2. Michael Eisenberg
  3. pp. 816-818
  4. DOI: https://doi.org/10.1353/not.2012.0090
  5. restricted access
  1. Books Recently Published
  2. Karen R. Little, James Procell
  3. pp. 819-850
  4. DOI: https://doi.org/10.1353/not.2012.0039
  5. restricted access
  1. Variations Digital Music Library System and Variations Audio Timeliner (review)
  2. Sha Towers, Stephen Bolech
  3. pp. 851-863
  4. DOI: https://doi.org/10.1353/not.2012.0076
  5. restricted access
  1. A-R Editions’ Online Music Anthology (review)
  2. Susannah Cleveland
  3. pp. 863-865
  4. DOI: https://doi.org/10.1353/not.2012.0044
  5. restricted access
  1. Chopin Early Editions, and: Chopin’s First Editions Online (review)
  2. Andrew Justice
  3. pp. 865-867
  4. DOI: https://doi.org/10.1353/not.2012.0047
  5. restricted access
  1. Opera in Video (review)
  2. John Holland
  3. pp. 867-869
  4. DOI: https://doi.org/10.1353/not.2012.0087
  5. restricted access
  1. Philmore Ensemble (review)
  2. Tom Caw
  3. pp. 870-871
  4. DOI: https://doi.org/10.1353/not.2012.0089
  5. restricted access
  1. David Witten (review)
  2. Tom Caw
  3. pp. 871-872
  4. DOI: https://doi.org/10.1353/not.2012.0045
  5. restricted access
  1. Carrie Koffman (review)
  2. Tom Caw
  3. pp. 872-874
  4. DOI: https://doi.org/10.1353/not.2012.0065
  5. restricted access
  1. Peter Kolkay (review)
  2. Tom Caw
  3. pp. 874-875
  4. DOI: https://doi.org/10.1353/not.2012.0074
  5. restricted access
  1. Konzert für Violine und Orchester = Concerto for Violin and Orchestra: Dem Andenken eines Engels, and: Violinkonzert = Violin Concerto, and: Violinkonzert “Dem Andenken eines Engels.” (review)
  2. Dave Headlam
  3. pp. 876-879
  4. DOI: https://doi.org/10.1353/not.2012.0078
  5. restricted access
  1. Symphonie Nr. 2: In fünf Sätzen, für grosses Orchester (review)
  2. James L. Zychowicz
  3. pp. 879-883
  4. DOI: https://doi.org/10.1353/not.2012.0054
  5. restricted access
  1. Collected Sacred Choral Works, and: Oche Nahs = Our Father, no. 12 from Liturgy of St. John Chrysostom, and: A Wondrous Birth = Stránnoye Rozhdestvó vídevshe, no. 7 from A Wondrous Birth (review)
  2. Gregory Myers
  3. pp. 883-885
  4. DOI: https://doi.org/10.1353/not.2012.0080
  5. restricted access
  1. Music Library Association
  3. pp. 894-905
  4. DOI: https://doi.org/10.1353/not.2012.0057
  5. restricted access
  1. Index to Advertisers
  3. pp. 906-924
  4. DOI: https://doi.org/10.1353/not.2012.0066
  5. restricted access
  1. Cumulative Index to Advertisers, Volume. 68
  3. p. 925
  4. DOI: https://doi.org/10.1353/not.2012.0075
  5. restricted access
  1. Index to Volume 68: September 2011 through June 2012
  2. Martin D. Jenkins
  3. pp. 926-936
  4. DOI: https://doi.org/10.1353/not.2012.0084
  5. restricted access
  1. Music Received
  2. David Knapp
  3. pp. 886-893
  4. DOI: https://doi.org/10.1353/not.2012.0048
  5. restricted access