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  Volume 46, Number 1, Spring 2012

Table of Contents


To Dazzle as Macbeth: Bisociated Drama in Philip Roth's The Humbling

pp. 1-16 | DOI: 10.1353/cdr.2012.0007

Lukács/Ibsen: Tragedy, Selfhood, and "Real Life" in The Master Builder and When We Dead Awaken

pp. 17-39 | DOI: 10.1353/cdr.2012.0009

"I just die for some authority!": Barriers to Utopia in Howard Brenton's Greenland

pp. 41-55 | DOI: 10.1353/cdr.2012.0011

"Where's my Fool?": Lear Motifs in Rigoletto

pp. 57-96 | DOI: 10.1353/cdr.2012.0001


Women and Revenge in Shakespeare: Gender, Genre, and Ethics (review)

pp. 97-99 | DOI: 10.1353/cdr.2012.0003

Susan Glaspell: The Complete Plays (review)

pp. 99-102 | DOI: 10.1353/cdr.2012.0005

The Sarah Siddons Audio Files: Romanticism and the Lost Voice (review)

pp. 103-105 | DOI: 10.1353/cdr.2012.0006

Shakespeare and the Grammar of Forgiveness (review)

pp. 106-108 | DOI: 10.1353/cdr.2012.0008

Shakespeare's Great Stage of Fools (review)

pp. 108-111 | DOI: 10.1353/cdr.2012.0010

The Political Theatre of David Edgar: Negotiation and Retrieval (review)

pp. 111-114 | DOI: 10.1353/cdr.2012.0000

Manly Mechanicals on the Early Modern English Stage (review)

pp. 114-117 | DOI: 10.1353/cdr.2012.0002



pp. 119-121 | DOI: 10.1353/cdr.2012.0004

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