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  Volume 46, Number 1, Spring 2012

Table of Contents

Articles

To Dazzle as Macbeth: Bisociated Drama in Philip Roth's The Humbling

pp. 1-16
|

Lukács/Ibsen: Tragedy, Selfhood, and "Real Life" in The Master Builder and When We Dead Awaken

pp. 17-39
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"I just die for some authority!": Barriers to Utopia in Howard Brenton's Greenland

pp. 41-55
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"Where's my Fool?": Lear Motifs in Rigoletto

pp. 57-96
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Reviews

Women and Revenge in Shakespeare: Gender, Genre, and Ethics (review)

pp. 97-99
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Susan Glaspell: The Complete Plays (review)

pp. 99-102
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The Sarah Siddons Audio Files: Romanticism and the Lost Voice (review)

pp. 103-105
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Shakespeare and the Grammar of Forgiveness (review)

pp. 106-108
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Shakespeare's Great Stage of Fools (review)

pp. 108-111
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The Political Theatre of David Edgar: Negotiation and Retrieval (review)

pp. 111-114
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Manly Mechanicals on the Early Modern English Stage (review)

pp. 114-117
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Contributors

Contributors

pp. 119-121
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Research Areas

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