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  Volume 46, Number 1, Spring 2012

Table of Contents


To Dazzle as Macbeth: Bisociated Drama in Philip Roth's The Humbling

pp. 1-16

Lukács/Ibsen: Tragedy, Selfhood, and "Real Life" in The Master Builder and When We Dead Awaken

pp. 17-39

"I just die for some authority!": Barriers to Utopia in Howard Brenton's Greenland

pp. 41-55

"Where's my Fool?": Lear Motifs in Rigoletto

pp. 57-96


Women and Revenge in Shakespeare: Gender, Genre, and Ethics (review)

pp. 97-99

Susan Glaspell: The Complete Plays (review)

pp. 99-102

The Sarah Siddons Audio Files: Romanticism and the Lost Voice (review)

pp. 103-105

Shakespeare and the Grammar of Forgiveness (review)

pp. 106-108

Shakespeare's Great Stage of Fools (review)

pp. 108-111

The Political Theatre of David Edgar: Negotiation and Retrieval (review)

pp. 111-114

Manly Mechanicals on the Early Modern English Stage (review)

pp. 114-117



pp. 119-121

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