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Table of Contents

  1. Of Blood and Blindness: Islam and Huguenot Identity in Aubigné's "Jugement" (Tragiques VII)
  2. Marcus Keller
  3. pp. 137-149
  4. DOI: https://doi.org/10.1353/rmc.2008.0024
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  1. "Ex Desuetudine Amittuntur Privilegia": Rabelais, Urquhart, and Les Clercs
  2. Charles Clay Doyle
  3. pp. 151-155
  4. DOI: https://doi.org/10.1353/rmc.2008.0002
  5. restricted access
  1. The Prose Poem as Puzzle: Letter Patterns in Rimbaud's "Mystique"
  2. Catherine Bordeau
  3. pp. 157-164
  4. DOI: https://doi.org/10.1353/rmc.2008.0006
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  1. Une relecture du poeme de Prevert "Dejeuner du matin"
  2. Vincent Grégoire
  3. pp. 165-174
  4. DOI: https://doi.org/10.1353/rmc.2008.0010
  5. restricted access
  1. Inside the Writer's Studio: Jean-Philippe Toussaint's Mes bureaux: Luoghi dove scrivo
  2. Arcana Albright
  3. pp. 175-184
  4. DOI: https://doi.org/10.1353/rmc.2008.0014
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  1. Alchemies of Modern Experimentation in Writing: Leopardi, Baudelaire, and the Distillation of Wine Symbolism
  2. Carmen Mayer-Robin
  3. pp. 185-193
  4. DOI: https://doi.org/10.1353/rmc.2008.0018
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  1. A puerta cerrada: función de Madrid en Miau de Benito Pérez Galdós
  2. Joan Torres-Pou
  3. pp. 195-203
  4. DOI: https://doi.org/10.1353/rmc.2008.0022
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  1. Las visitas en Doña Rosita la soltera: ¿ ambientales o reflejos?
  2. Arthur Brakel
  3. pp. 205-213
  4. DOI: https://doi.org/10.1353/rmc.2008.0000
  5. restricted access
  1. El referente real relegado: Fantasía y ficción en Carlos Monsiváis, cuentista
  2. Linda Egan
  3. pp. 215-225
  4. DOI: https://doi.org/10.1353/rmc.2008.0004
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  1. A linha narrativa nas cantigas de Pero Meogo
  2. Marcelo da Silva Amorim
  3. pp. 227-234
  4. DOI: https://doi.org/10.1353/rmc.2008.0008
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  1. A linguagem obscena do Parvo no Auto da Barca do Inferno de Gil Vicente: uma luta de palavras pelos espaços divinos
  2. Monserrat Bores Martínez
  3. pp. 235-245
  4. DOI: https://doi.org/10.1353/rmc.2008.0012
  5. restricted access
  1. Vínculos homossociais e homoeróticos em Dom Casmurro de Machado de Assis
  2. Camilo Gomides
  3. pp. 247-254
  4. DOI: https://doi.org/10.1353/rmc.2008.0016
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  1. Tempos de Borges, sombras do bruxo: A intertextualidade como metáfora do eterno em Memorial de Buenos Aires, de Antonio Fernando Borges
  2. Luciana Namorato
  3. pp. 255-262
  4. DOI: https://doi.org/10.1353/rmc.2008.0020
  5. restricted access