1. Ontología de la metáfora en El Divino Narciso de Sor Juana Inés de la Cruz
  2. Ivelisse Urbán
  3. pp. 257-265
  4. DOI: 10.1353/rmc.2009.0032
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  1. Emotion, Satire, and a Sense of Place: Two Spanish Rivers in Lope de Vega's Sonnets
  2. Mark J. Mascia
  3. pp. 267-276
  4. DOI: 10.1353/rmc.2009.0001
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  1. The Poetics of War: Disjunction and Violence in Carmen Conde's Mientras los hombres mueren
  2. Lisa Nalbone
  3. pp. 277-285
  4. DOI: 10.1353/rmc.2009.0007
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  1. Gerald and Thomas: The Subtext within the Text in Down These Mean Streets
  2. Alfredo J. Sosa-Velasco
  3. pp. 287-299
  4. DOI: 10.1353/rmc.2009.0013
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  1. Carlos Fuentes's "The Two Shores": Between Counterfactualism and Cultural Allegory
  2. Alberto Ribas
  3. pp. 301-311
  4. DOI: 10.1353/rmc.2009.0019
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  1. Finding a Place for ¡Ecué-Yamba-O!: Carpentier's Tenuous Dialogue with Afrocubanismo
  2. Jeremy L. Cass
  3. pp. 313-322
  4. DOI: 10.1353/rmc.2009.0025
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  1. Consuming Mother in Diana Raznovich's Casa Matriz
  2. Rose Marie Brougham
  3. pp. 323-330
  4. DOI: 10.1353/rmc.2009.0030
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  1. De Portugal a Angola: breves viagens ekphrásticas em Os cus de Judas de António Lobo-Antunes
  2. Alessandra M. Pires
  3. pp. 331-338
  4. DOI: 10.1353/rmc.2009.0036
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  1. Jogos de alteridade em A menor mulher do mundo de Clarice Lispector
  2. Rafael Climent-Espino
  3. pp. 339-346
  4. DOI: 10.1353/rmc.2009.0005
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  1. De janelas e calçadões: Copacabana naficção de Sonia Coutinho
  2. Cristina Ferreira-Pinto Bailey
  3. pp. 347-355
  4. DOI: 10.1353/rmc.2009.0011
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  1. Molly, Jenny and Margot: The Making of Candide's Paquette
  2. Édouard M. Langille
  3. pp. 357-366
  4. DOI: 10.1353/rmc.2009.0017
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  1. Invito spectatore: Scenes of Love in the Lettre à d'Alembert sur les spectacles
  2. Angela N. Hunter
  3. pp. 367-376
  4. DOI: 10.1353/rmc.2009.0023
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