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Table of Contents

  1. Writing in the Margins: Norse Arthurian Sagas as Palimpsests
  2. Norris J. Lacy
  3. pp. 5-17
  4. DOI: https://doi.org/10.1353/art.2012.0008
  5. restricted access
  1. 'Everyone thought it very strange how the man had been shaped': The Hero and His Physical Traits in the Riddarasögur
  2. Claudia Bornholdt
  3. pp. 18-38
  4. DOI: https://doi.org/10.1353/art.2012.0005
  5. restricted access
  1. Translation or Adaptation?: Parcevals saga as a Result of Cultural Transformation
  2. Suzanne Marti
  3. pp. 39-52
  4. DOI: https://doi.org/10.1353/art.2012.0002
  5. restricted access
  1. Cognitive Dysfunction in Dínus saga drambláta and Le Roman de Perceval
  2. Geraldine Barnes
  3. pp. 53-63
  4. DOI: https://doi.org/10.1353/art.2012.0000
  5. restricted access
  1. Ectors saga: An Arthurian Pastiche in Classical Guise
  2. Marianne Kalinke
  3. pp. 64-90
  4. DOI: https://doi.org/10.1353/art.2012.0014
  5. restricted access
  1. Tristram: From Civilizing Hero to Power Politician
  2. Hans Jacob Orning
  3. pp. 91-108
  4. DOI: https://doi.org/10.1353/art.2012.0011
  5. restricted access
  1. The Matter of blár in Tristrams kvæði
  2. Natalie M. Van Deusen
  3. pp. 109-117
  4. DOI: https://doi.org/10.1353/art.2012.0003
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  1. News: from the North American Branch
  3. pp. 118-123
  4. DOI: https://doi.org/10.1353/art.2012.0006
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  1. Perceforest et Zéphir: Propositions autour d'un récit bourguignon (review)
  2. Denyse Delcourt
  3. pp. 124-125
  4. DOI: https://doi.org/10.1353/art.2012.0013
  5. restricted access
  1. Filming the Middle Ages (review)
  2. Kevin J. Harty
  3. pp. 125-127
  4. DOI: https://doi.org/10.1353/art.2012.0016
  5. restricted access
  1. Remaking the Middle Ages: The Methods of Cinema and History in Portraying the Medieval World (review)
  2. Kathleen Coyne Kelly
  3. pp. 127-128
  4. DOI: https://doi.org/10.1353/art.2012.0001
  5. restricted access
  1. From Camelot to Obamalot: Essays on Medieval and Modern Arthurian Literature (review)
  2. Kevin J. Harty
  3. p. 128
  4. DOI: https://doi.org/10.1353/art.2012.0004
  5. restricted access
  1. The Vikings on Film: Essays on Depictions of the Nordic Middle Ages (review)
  2. Shaun F.D. Hughes
  3. pp. 129-135
  4. DOI: https://doi.org/10.1353/art.2012.0007
  5. restricted access
  1. Writers of Wales: Geoffrey of Monmouth (review)
  2. Andrew Breeze
  3. pp. 135-136
  4. DOI: https://doi.org/10.1353/art.2012.0009
  5. restricted access
  1. The Arthur of the North: The Arthurian Legend in the North and Rus' Realms (review)
  2. Shaun F.D. Hughes
  3. pp. 136-142
  4. DOI: https://doi.org/10.1353/art.2012.0012
  5. restricted access
  1. Monsters, Gender and Sexuality in Medieval English Literature (review)
  2. Jeffrey Jerome Cohen
  3. pp. 142-143
  4. DOI: https://doi.org/10.1353/art.2012.0015
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  1. Introduction
  2. Kirsten Wolf, Keith Busby
  3. pp. 3-4
  4. DOI: https://doi.org/10.1353/art.2012.0010
  5. restricted access