In this Issue
Eugene O’Neill’s entire life revolved around the stage, and his productivity as a dramatist—some twenty long plays in less than twenty-five years (1920–1943)—remains a remarkable achievement. O’Neill’s plays are known for their intensely personal qualities, their dark realism, and their tragic honesty. O’Neill is the only American playwright ever to receive a Nobel Prize in Literature and is recognized as having helped to establish America as a center of theatrical output and creativity.
published by
Penn State University Pressviewing issue
Volume 33, Number 1, 2012Editorial Board
Editor
William Davies King, University of California, Santa Barbara
Book Review Editor
Kurt Eisen, Tennessee Tech University
Performance Review Editors
Robert McLean, City University of New York
J. Chris Westgate, California State University Fullerton
Editorial Assistants
Brian Granger, University of California, Santa Barbara
Kellyn Johnson, University of California, Santa Barbara
Editorial Board
Steven F. Bloom, Lasell College
Stephen A. Black, Simon Fraser University, emeritus
Judith E. Barlow, SUNY Albany
Patrick Chura, University of Akron
Robert M. Dowling, Central Connecticut State University
Zander Brietzke, Columbia University
Eileen J. Herrman, Dominican University
Bette Mandl, Suffolk University, emerita
Brenda Murphy, University of Connecticut
Laurin Porter, University of Texas, Arlington, emerita
Erika Rundle, Mt. Holyoke College
