From: Eugene O'Neill Review

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  Volume 33, Number 1, 2012

Table of Contents

Looking Into the Pile of Books

pp. v-vii
William Davies King
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Articles

Bohemians on the Bookcase: Quotations in Long Day's Journey into Night and Ah, Wilderness!

pp. 1-13
Robert Combs
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A Touch of the Postmodern: Marco Millions and Nietzschean Perspectivism

pp. 14-23
Eric Levin
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Ernest Poole's The Harbor as a Source for O'Neill's The Hairy Ape

pp. 24-42
Patrick Chura
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Eulogy of the Ape: Paradigms of Alterity and Identity in Eugene O'Neill's The Hairy Ape

pp. 43-55
Annalisa Brugnoli
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O'Neill's "Damned Unconventional" Play from the Prohibition Years: "Anna Christie"

pp. 56-70
J. Chris Westgate
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Gothic Domesticity in Eugene O'Neill's Desire Under the Elms

pp. 71-90
E. Andrew Lee
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The New Deal Cometh: Examining The Iceman Cometh and Hughie in Relation to the Rhetoric of the Roosevelt Administration

pp. 91-109
John Curry
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Note

The Curse of the Chameleon: A Comparison between Brutus Jones and James Tyrone

pp. 110-114
Robert Einenkel
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Book Reviews

Eugene O'Neill and His Early Contemporaries: Bohemians, Radicals, Progressives, and the Avant Garde (review)

pp. 115-118
Peter L. Hays
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Another Part of a Long Story: Literary Traces of Eugene O'Neill and Agnes Boulton (review)

pp. 119-122
Kurt Eisen
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Genus Envy: Nationalities, Identities, and the Performing Body of Work (review)

pp. 123-125
Robert Combs
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Performance Reviews

"Anna Christie" (review)

pp. 126-140
Katie N. Johnson
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The Complete & Condensed Stage Directions of Eugene O'Neill, Volume One: Early Plays/Lost Plays (review)

pp. 141-144
George Hunka
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Long Day's Journey Into Night (review)

pp. 145-147
Yvonne Shafer
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A Blizzard on Marblehead Neck (review)

pp. 148-153
Robert S. McLean
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Notes on Contributors

Notes on Contributors

pp. 154-157
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