+ MUSE Alert

In this Issue

Table of Contents

  1. Reflecting on ATHE’s Silver: Archiving Conference Curation and the State of the Field in Theatre and Performance Studies
  2. Josh Abrams, Gwendolyn Alker
  3. pp. 1-22
  4. DOI: https://doi.org/10.1353/tt.2012.0003
  5. restricted access
  1. Meditations on the Pain of Others: Becoming Theater Squad
  2. Theresa J. May
  3. pp. 23-37
  4. DOI: https://doi.org/10.1353/tt.2012.0006
  5. restricted access
  1. Writing Trauma: Collisions at the Corner of Art and Scholarship
  2. Sophie Tamas
  3. pp. 39-48
  4. DOI: https://doi.org/10.1353/tt.2012.0009
  5. restricted access
  1. Created by the Ensemble: Generative Creativity and Collective Creation at the Dell’Arte International School of Physical Theatre
  2. Claire Canavan
  3. pp. 49-61
  4. DOI: https://doi.org/10.1353/tt.2012.0012
  5. restricted access
  1. “Everything seemed new”: Clown as Embodied Critical Pedagogy
  2. Laurel Butler
  3. pp. 63-72
  4. DOI: https://doi.org/10.1353/tt.2012.0014
  5. restricted access
  1. Modeling Meaning-Making in Introductory Theatre Studies: Auto-Ethnography as Explicit Instruction
  2. Jennifer Roberts-Smith
  3. pp. 73-87
  4. DOI: https://doi.org/10.1353/tt.2012.0001
  5. restricted access
  1. How to Turn “a bunch of gang-bangin’ criminals into big kids having fun”: Empowering Incarcerated and At-Risk Youth through Ensemble Theatre
  2. Courtney Elkin Mohler
  3. pp. 89-102
  4. DOI: https://doi.org/10.1353/tt.2012.0002
  5. restricted access

Book Reviews

  1. Engaging Performance: Theatre as Call and Response (review)
  2. Susanne Shawyer
  3. pp. 103-104
  4. DOI: https://doi.org/10.1353/tt.2012.0004
  5. restricted access
  1. Pedagogy and Human Movement: Theory, Practice, Research (review)
  2. Sara K. Armstrong
  3. pp. 104-105
  4. DOI: https://doi.org/10.1353/tt.2012.0007
  5. restricted access
  1. Say Word! Voices from Hip Hop Theater: An Anthology (review)
  2. Sharrell D. Luckett
  3. pp. 105-106
  4. DOI: https://doi.org/10.1353/tt.2012.0010
  5. restricted access
  1. The Physical Actor: Exercises for Action and Awareness (review)
  2. Charlie Oates
  3. pp. 106-107
  4. DOI: https://doi.org/10.1353/tt.2012.0013
  5. restricted access
  1. Interpreting the Play Script: Contemplation and Analysis (review)
  2. Anne Fletcher
  3. pp. 107-108
  4. DOI: https://doi.org/10.1353/tt.2012.0000
  5. restricted access
  1. Site-Specific Performance (review)
  2. J. J. Cobb
  3. pp. 108-110
  4. DOI: https://doi.org/10.1353/tt.2012.0005
  5. restricted access
  1. Theatre & Globalization, and: Theatre & Interculturalism, and: Theatre & Prison (review)
  2. Aylwyn Walsh
  3. pp. 110-112
  4. DOI: https://doi.org/10.1353/tt.2012.0008
  5. restricted access
  1. Changed for Good: A Feminist History of the Broadway Musical (review)
  2. Barrie Gelles
  3. pp. 112-113
  4. DOI: https://doi.org/10.1353/tt.2012.0011
  5. restricted access