1. Editing Stuart Poetry
  2. Christopher Burlinson, Ruth Connolly
  3. pp. 1-12
  4. restricted access View | Download |
  1. Final Intentions or Process?: Editing Greville’s Caelica
  2. Gavin Alexander
  3. pp. 13-33
  4. restricted access View | Download |
  1. Response and Accumulation: Textual Editors and Richard Corbett’s “Oxford Ballad”
  2. Christopher Burlinson
  3. pp. 35-50
  4. restricted access View | Download |
  1. Responding to Criticisms of Phylogenetic Methods in Stemmatology
  2. Christopher J. Howe, Ruth Connolly, Heather F. Windram
  3. pp. 51-67
  4. restricted access View | Download |
  1. Editing Intention in the Manuscript Poetry of Robert Herrick
  2. Ruth Connolly
  3. pp. 69-84
  4. restricted access View | Download |
  1. Synchrony and Process: Editing Manuscript Miscellanies
  2. Jonathan Gibson
  3. pp. 85-100
  4. restricted access View | Download |
  1. Editing James Shirley’s Poems
  2. Philip West
  3. pp. 101-116
  4. restricted access View | Download |
  1. Hester Pulter’s “Indivisibles” and the Challenges of Annotating Early Modern Women’s Poetry
  2. Alice Eardley
  3. pp. 117-141
  4. restricted access View | Download |
  1. Deficiency and Supplement: Perfecting the Prosthetic Text
  2. Andrew Zurcher
  3. pp. 143-164
  4. restricted access View | Download |
  1. Echoes as Evidence in the Poetry of Andrew Marvell
  2. James Loxley
  3. pp. 165-185
  4. restricted access View | Download |
  1. The Challenges of Editing Donne and Herbert
  2. Richard Todd, Helen Wilcox
  3. pp. 187-206
  4. restricted access View | Download |
  1. Recent Studies in the English Renaissance
  2. John Watkins
  3. pp. 207-249
  4. restricted access View | Download |
  1. Books Received
  2. pp. 250-260
  3. restricted access View | Download |