1. Beckett and Disgust: The Body as "Laughing Matter"
  2. Linda Ben-Zvi
  3. pp. 681-698
  4. DOI: 10.1353/mod.2011.0092
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  1. Beckett's Three Critiques: Kant's Bathos and the Irish Chandos
  2. Jean-Michel Rabaté
  3. pp. 699-719
  4. DOI: 10.1353/mod.2011.0097
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  1. Audience of Self / Audience of Reader
  2. Lois More Overbeck
  3. pp. 721-737
  4. DOI: 10.1353/mod.2011.0102
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  1. "Scarcely Disfigured": Beckett's Surrealist Translations
  2. Pascale Sardin, Karine Germoni
  3. pp. 739-753
  4. DOI: 10.1353/mod.2011.0107
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  1. Beckett's Murphy, Gide's Les Caves du Vatican, and the "Modern" Novel
  2. John Bolin
  3. pp. 771-788
  4. DOI: 10.1353/mod.2011.0085
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  1. "Primeval mud impenetrable dark": Towards an Annotation of Comment c'est/How It Is
  2. C. J. Ackerley
  3. pp. 789-800
  4. DOI: 10.1353/mod.2011.0090
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  1. Modern Manuscripts and Textual Epigenetics: Samuel Beckett's Works between Completion and Incompletion
  2. Dirk Van Hulle
  3. pp. 801-812
  4. DOI: 10.1353/mod.2011.0095
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  1. Beckett and the Laws of Habit
  2. Ulrika Maude
  3. pp. 814-821
  4. DOI: 10.1353/mod.2011.0100
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  1. Beckett's Manuscripts in the Marketplace
  2. Mark Nixon
  3. pp. 823-831
  4. DOI: 10.1353/mod.2011.0105
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  1. Portrait of the Artist as an Old Man
  2. Michael White
  3. pp. 833-837
  4. DOI: 10.1353/mod.2011.0078
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  1. Images
  2. John Minihan, Edmund S. Valtman
  3. pp. 839-846
  4. DOI: 10.1353/mod.2011.0083
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  1. An Interview with J. M. Coetzee
  2. Lawrence Rainey, David Attwell, Benjamin Madden
  3. pp. 847-853
  4. DOI: 10.1353/mod.2011.0088
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  1. An Interview with John Banville
  2. Hugh Haughton, Bryan Radley
  3. pp. 855-869
  4. DOI: 10.1353/mod.2011.0093
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  1. The New Object
  2. Samuel Beckett
  3. pp. 878-880
  4. DOI: 10.1353/mod.2011.0110
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  1. "Le Concentrisme" and "Jean du Chas":Two Extracts
  2. Samuel Beckett
  3. pp. 883-886
  4. DOI: 10.1353/mod.2011.0112
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  1. Barbara Bray: In Her Own Words
  2. Marek Kȩdzierski
  3. pp. 887-897
  4. DOI: 10.1353/mod.2011.0108
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  1. Still Telling the Old Story
  2. John Pilling
  3. pp. 899-905
  4. DOI: 10.1353/mod.2011.0081
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  1. "Looking through my essuie-cul de réserve": The New Faber and Faber Beckett
  2. Iain Bailey, Peter Fifield
  3. pp. 907-911
  4. DOI: 10.1353/mod.2011.0086
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  1. Shades of the Beckettian
  2. Emilie Morin
  3. pp. 913-915
  4. DOI: 10.1353/mod.2011.0091
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  1. Publishing Samuel Beckett (review)
  2. Stephen John Dilks
  3. pp. 917-919
  4. DOI: 10.1353/mod.2011.0096
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  1. Samuel Beckett in the Literary Marketplace (review)
  2. Seán Kennedy
  3. pp. 919-921
  4. DOI: 10.1353/mod.2011.0101
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  1. Beckett and Ireland (review)
  2. S. E. Gontarski
  3. pp. 921-924
  4. DOI: 10.1353/mod.2011.0106
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  1. Samuel Beckett and the Postcolonial Novel (review)
  2. Mark Quigley
  3. pp. 924-926
  4. DOI: 10.1353/mod.2011.0079
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  1. Samuel Beckett: History, Memory, Archive (review)
  2. Andrew Gibson
  3. pp. 926-928
  4. DOI: 10.1353/mod.2011.0084
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  1. Words and Music: Camus, Beckett, Cage, Gould (review)
  2. Catherine Laws
  3. pp. 928-931
  4. DOI: 10.1353/mod.2011.0089
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  1. Women and Ireland as Beckett's Lost Others: Beyond Mourning and Melancholia (review)
  2. Jennifer M. Jeffers
  3. pp. 931-933
  4. DOI: 10.1353/mod.2011.0094
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  1. Beckett's Masculinity (review)
  2. Susan Mooney
  3. pp. 933-934
  4. DOI: 10.1353/mod.2011.0099
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  1. Demented Particulars: The Annotated "Murphy." (review)
  2. Joanne Shaw
  3. pp. 935-936
  4. DOI: 10.1353/mod.2011.0104
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  1. Impotence and Making in Samuel Beckett's Trilogy: "Molloy," "Malone Dies" and "The Unnamable." (review)
  2. Chris Ackerley
  3. pp. 937-938
  4. DOI: 10.1353/mod.2011.0109
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  1. Recent Books of Interest
  2. pp. 939-941
  3. DOI: 10.1353/mod.2011.0082
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  1. Samuel Beckett: Out of the Archive: An Introduction
  2. Peter Fifield
  3. pp. 673-679
  4. DOI: 10.1353/mod.2011.0087
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  1. Samuel Beckett, Wilhelm Windelband, and the Interwar "Philosophy Notes"
  2. David Addyman, Matthew Feldman
  3. pp. 755-770
  4. DOI: 10.1353/mod.2011.0080
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  1. Introduction to Samuel Beckett, "The New Object"
  2. Peter Fifield
  3. pp. 873-877
  4. DOI: 10.1353/mod.2011.0111
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  1. Introduction to Samuel Beckett, "Le Concentrisme" and "Jean du Chas"
  2. John Pilling
  3. p. 881
  4. DOI: 10.1353/mod.2011.0113
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