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  Volume 18, Number 4, November 2011

Table of Contents


Samuel Beckett: Out of the Archive: An Introduction

pp. 673-679 | DOI: 10.1353/mod.2011.0087

Beckett and Disgust: The Body as "Laughing Matter"

pp. 681-698 | DOI: 10.1353/mod.2011.0092

Beckett's Three Critiques: Kant's Bathos and the Irish Chandos

pp. 699-719 | DOI: 10.1353/mod.2011.0097

Audience of Self / Audience of Reader

pp. 721-737 | DOI: 10.1353/mod.2011.0102

"Scarcely Disfigured": Beckett's Surrealist Translations

pp. 739-753 | DOI: 10.1353/mod.2011.0107

Samuel Beckett, Wilhelm Windelband, and the Interwar "Philosophy Notes"

pp. 755-770 | DOI: 10.1353/mod.2011.0080

Beckett's Murphy, Gide's Les Caves du Vatican, and the "Modern" Novel

pp. 771-788 | DOI: 10.1353/mod.2011.0085

"Primeval mud impenetrable dark": Towards an Annotation of Comment c'est/How It Is

pp. 789-800 | DOI: 10.1353/mod.2011.0090

Modern Manuscripts and Textual Epigenetics: Samuel Beckett's Works between Completion and Incompletion

pp. 801-812 | DOI: 10.1353/mod.2011.0095

Beckett and the Laws of Habit

pp. 814-821 | DOI: 10.1353/mod.2011.0100

Beckett's Manuscripts in the Marketplace

pp. 823-831 | DOI: 10.1353/mod.2011.0105

Portrait of the Artist as an Old Man

pp. 833-837 | DOI: 10.1353/mod.2011.0078



pp. 839-846 | DOI: 10.1353/mod.2011.0083


An Interview with J. M. Coetzee

pp. 847-853 | DOI: 10.1353/mod.2011.0088

An Interview with John Banville

pp. 855-869 | DOI: 10.1353/mod.2011.0093

Out of the Archive

Introduction to Samuel Beckett, "The New Object"

pp. 873-877 | DOI: 10.1353/mod.2011.0111

The New Object

pp. 878-880 | DOI: 10.1353/mod.2011.0110

Introduction to Samuel Beckett, "Le Concentrisme" and "Jean du Chas"

p. 881 | DOI: 10.1353/mod.2011.0113

"Le Concentrisme" and "Jean du Chas":Two Extracts

pp. 883-886 | DOI: 10.1353/mod.2011.0112

Barbara Bray: In Her Own Words

pp. 887-897 | DOI: 10.1353/mod.2011.0108

Review Essays

Still Telling the Old Story

pp. 899-905 | DOI: 10.1353/mod.2011.0081

"Looking through my essuie-cul de réserve": The New Faber and Faber Beckett

pp. 907-911 | DOI: 10.1353/mod.2011.0086

Shades of the Beckettian

pp. 913-915 | DOI: 10.1353/mod.2011.0091

Book Reviews

Publishing Samuel Beckett (review)

pp. 917-919 | DOI: 10.1353/mod.2011.0096

Samuel Beckett in the Literary Marketplace (review)

pp. 919-921 | DOI: 10.1353/mod.2011.0101

Beckett and Ireland (review)

pp. 921-924 | DOI: 10.1353/mod.2011.0106

Samuel Beckett and the Postcolonial Novel (review)

pp. 924-926 | DOI: 10.1353/mod.2011.0079

Samuel Beckett: History, Memory, Archive (review)

pp. 926-928 | DOI: 10.1353/mod.2011.0084

Words and Music: Camus, Beckett, Cage, Gould (review)

pp. 928-931 | DOI: 10.1353/mod.2011.0089

Women and Ireland as Beckett's Lost Others: Beyond Mourning and Melancholia (review)

pp. 931-933 | DOI: 10.1353/mod.2011.0094

Beckett's Masculinity (review)

pp. 933-934 | DOI: 10.1353/mod.2011.0099

Demented Particulars: The Annotated "Murphy." (review)

pp. 935-936 | DOI: 10.1353/mod.2011.0104

Impotence and Making in Samuel Beckett's Trilogy: "Molloy," "Malone Dies" and "The Unnamable." (review)

pp. 937-938 | DOI: 10.1353/mod.2011.0109

Recent Books of Interest

Recent Books of Interest

pp. 939-941 | DOI: 10.1353/mod.2011.0082

Research Areas


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