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  Volume 29, Number 1, Spring 2012

Table of Contents

From the Editor

pp. v-vii | DOI: 10.1353/atj.2012.0030

Gender and Women in Asian Theatre

Female Roles and Engagement of Women in the Classical Sanskrit Theatre Kūṭiyāṭṭam: A Contemporary Theatre Tradition

pp. 1-30 | DOI: 10.1353/atj.2012.0003

How Not to Act like a Woman: Gender Ideology and Humor in West Java, Indonesia

pp. 31-53 | DOI: 10.1353/atj.2012.0008

Gender, Power, and Puppets: Two Early Women Dalangs in Bali

pp. 54-77 | DOI: 10.1353/atj.2012.0013

Interview

An Interview with Poile Sengupta

pp. 78-88 | DOI: 10.1353/atj.2012.0018

Literature Review

Gender, Tradition, and Culture in Translation: Reading the Onnagata in English

pp. 89-111 | DOI: 10.1353/atj.2012.0023

Is the Onnagata Necessary?

pp. 112-121 | DOI: 10.1353/atj.2012.0028

Reflections on the Onnagata

pp. 122-125 | DOI: 10.1353/atj.2012.0001

Articles

A Vaishnava Theatrical Performance in Nepal: The Kāttī-pyākhã of Lalitpur City

pp. 126-163 | DOI: 10.1353/atj.2012.0006

Singing in the Workplace: Salarymen and Amateur Performance

pp. 164-182 | DOI: 10.1353/atj.2012.0011

Chinese Chuanqi Opera in English: Directing The West Wing with Modern Music

pp. 183-205 | DOI: 10.1353/atj.2012.0016

Emerging Scholars Papers

Han-Tang Zhongguo Gudianwu and the Problem of Chineseness in Contemporary Chinese Dance: Sixty Years of Creation and Controversy

pp. 206-232 | DOI: 10.1353/atj.2012.0021

Negotiating Class, Taste, and Culture via the Arts Scene in Singapore: Postcolonial or Cosmopolitan Global?

pp. 233-254 | DOI: 10.1353/atj.2012.0026

Personal Sorrow: Cải Lương and the Politics of North and South Vietnam

pp. 255-275 | DOI: 10.1353/atj.2012.0031

Everyday Flamboyancy in Chennai's Sabha Theatre

pp. 276-290 | DOI: 10.1353/atj.2012.0004

Performance Reviews

Chushyeoyo, and: Good Pan (review)

pp. 291-301 | DOI: 10.1353/atj.2012.0009

Kutiyattam Festival (Kutiyattam Mahotsavam) (review)

pp. 302-304 | DOI: 10.1353/atj.2012.0014

Book Reviews

The Narrative Arts of Tianjin: Between Music and Language (review)

pp. 305-307 | DOI: 10.1353/atj.2012.0019

The Soul of Beijing Opera: Theatrical Creativity and Continuity in the Changing World (review)

pp. 308-310 | DOI: 10.1353/atj.2012.0024

Songs of Contentment and Transgression: Discharged Officials and Literati Communities in Sixteenth-Century North China (review)

pp. 310-313 | DOI: 10.1353/atj.2012.0029

Erotic Triangles: Sundanese Dance and Masculinity in West Java (review)

pp. 313-316 | DOI: 10.1353/atj.2012.0002

Rua Bineda in Bali: Counterfeit Justice in the Trial of Nyoman Gunarsa (review)

pp. 316-319 | DOI: 10.1353/atj.2012.0007

Inside the Puppet Box: Performance Collection of Wayang Kulit at The Museum of International Folk Art (review)

pp. 319-320 | DOI: 10.1353/atj.2012.0012

Butoh: Metamorphic Dance and Global Alchemy (review)

pp. 321-323 | DOI: 10.1353/atj.2012.0017

An Anthology of Nagauta (review)

p. 324 | DOI: 10.1353/atj.2012.0022

A Beggar's Art: Scripting Modernity in Japanese Drama, 1900-1930 (review)

pp. 325-327 | DOI: 10.1353/atj.2012.0027

The Shadow Puppet Theatre of Malaysia: A Study of Wayang Kulit with Performance Scripts and Puppet Designs (review)

pp. 327-330 | DOI: 10.1353/atj.2012.0000

The Day the Dancers Stayed: Performing in the Filipino/American Diaspora (review)

pp. 330-331 | DOI: 10.1353/atj.2012.0005

Choreographing Asian America (review)

pp. 332-334 | DOI: 10.1353/atj.2012.0010

Eurasian Theatre: Dance and Performance Between East and West from Classical Antiquity to the Present (review)

pp. 335-337 | DOI: 10.1353/atj.2012.0015

The Columbia Anthology of Chinese Folk and Popular Literature (review)

pp. 337-338 | DOI: 10.1353/atj.2012.0020

Color Insert

pp. Color Insert 01-Color Insert 06 | DOI: 10.1353/atj.2012.0025