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  Volume 31, 2011

Table of Contents


p. ix | DOI: 10.1353/ths.2011.0028

In Memoriam: Vera Mowry Roberts (1913-2010)

pp. 1-2 | DOI: 10.1353/ths.2011.0006

Class Act(resses): How Depression-Era Stage Actresses Utilized Conflicting Gender Ideals to Benefit Their Community

pp. 3-8 | DOI: 10.1353/ths.2011.0011

Storytelling, Chiggers, and the Bible Belt: The Georgia Experiment as the Public Face of the Federal Theatre Project

pp. 9-26 | DOI: 10.1353/ths.2011.0016

Shakespearean Celebrity in America: The Strange Performative Afterlife of George Frederick Cooke

pp. 27-50 | DOI: 10.1353/ths.2011.0021

Burns Mantle and the American Theatregoing Public

pp. 51-66 | DOI: 10.1353/ths.2011.0026

Weeki Wachee Girls and Buccaneer Boys: The Evolution of Mermaids, Gender, and "Man versus Nature" Tourism

pp. 67-89 | DOI: 10.1353/ths.2011.0000

Julia Marlowe's Imogen: Modern Identity, Victorian Style

pp. 90-117 | DOI: 10.1353/ths.2011.0004

Book Reviews

Slavery and Sentiment on the American Stage, 1781-1861: Lifting the Veil of Black (review)

pp. 119-122 | DOI: 10.1353/ths.2011.0009

Acting Wilde: Victorian Sexuality, Theatre, and Oscar Wilde (review)

pp. 122-125 | DOI: 10.1353/ths.2011.0014

Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class (review)

pp. 125-128 | DOI: 10.1353/ths.2011.0019

Shakespeare and the American Musical (review)

pp. 128-131 | DOI: 10.1353/ths.2011.0024

Albee in Performance, and: Edward Albee (The Later Plays) (review)

pp. 131-134 | DOI: 10.1353/ths.2011.0029

Women Writers of the Provincetown Players (review)

pp. 135-137 | DOI: 10.1353/ths.2011.0002

Women Playing Men: Yue Opera and Social Change in Twentieth-Century Shanghai (review)

pp. 137-140 | DOI: 10.1353/ths.2011.0007

Sheldon Cheney's "Theatre Arts Magazine": Promoting a Modern American Theatre, 1916-1921 (review)

pp. 140-142 | DOI: 10.1353/ths.2011.0012

The Hanlon Brothers: From Daredevil Acrobatics to Spectacle Pantomime, 1833-1931 (review)

pp. 143-144 | DOI: 10.1353/ths.2011.0017

Theatrical Nation: Jews and Other Outlandish Englishmen in Georgian Britain (review)

pp. 145-148 | DOI: 10.1353/ths.2011.0022

From Winning the Vote to Directing on Broadway: The Emergence of Women on the New York Stage, 1880-1927 (review)

pp. 148-150 | DOI: 10.1353/ths.2011.0027

The Un-Americans: Jews, the Blacklist, and Stoolpigeon Culture (review)

pp. 150-152 | DOI: 10.1353/ths.2011.0001

Irish Theatre in America: Essays on Irish Theatrical Diaspora (review)

pp. 153-155 | DOI: 10.1353/ths.2011.0005

Making the Scene: A History of Stage Design and Technology in Europe and the United States (review)

pp. 155-158 | DOI: 10.1353/ths.2011.0010

Molière, the French Revolution, and the Theatrical Afterlife (review)

pp. 158-160 | DOI: 10.1353/ths.2011.0015

When Broadway Was the Runway: Theater, Fashion, and American Culture (review)

pp. 160-163 | DOI: 10.1353/ths.2011.0020

Theatre and Identity in Imperial Russia (review)

pp. 163-165 | DOI: 10.1353/ths.2011.0025

Weyward Macbeth: Intersections of Race and Performance (review)

pp. 165-168 | DOI: 10.1353/ths.2011.0030

The Strangeness of Tragedy (review)

pp. 168-170 | DOI: 10.1353/ths.2011.0003

Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity (review)

pp. 170-173 | DOI: 10.1353/ths.2011.0008

The Process of Dramaturgy: A Handbook (review)

pp. 173-174 | DOI: 10.1353/ths.2011.0013

Books Received

Books Received

p. 175 | DOI: 10.1353/ths.2011.0018



pp. 177-178 | DOI: 10.1353/ths.2011.0023

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