1. In Memoriam: Vera Mowry Roberts (1913-2010)
  2. Milly S. Barranger
  3. pp. 1-2
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  1. Class Act(resses): How Depression-Era Stage Actresses Utilized Conflicting Gender Ideals to Benefit Their Community
  2. Kelly Carolyn Gordon
  3. pp. 3-8
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  1. Storytelling, Chiggers, and the Bible Belt: The Georgia Experiment as the Public Face of the Federal Theatre Project
  2. Elizabeth Osborne
  3. pp. 9-26
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  1. Shakespearean Celebrity in America: The Strange Performative Afterlife of George Frederick Cooke
  2. Rick Bowers
  3. pp. 27-50
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  1. Burns Mantle and the American Theatregoing Public
  2. Dorothy Chansky
  3. pp. 51-66
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  1. Weeki Wachee Girls and Buccaneer Boys: The Evolution of Mermaids, Gender, and "Man versus Nature" Tourism
  2. Jennifer A. Kokai
  3. pp. 67-89
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  1. Julia Marlowe's Imogen: Modern Identity, Victorian Style
  2. Patty S. Derrick
  3. pp. 90-117
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  1. Slavery and Sentiment on the American Stage, 1781-1861: Lifting the Veil of Black (review)
  2. Rosemarie K. Bank
  3. pp. 119-122
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  1. Acting Wilde: Victorian Sexuality, Theatre, and Oscar Wilde (review)
  2. Karen C. Blansfield
  3. pp. 122-125
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  1. Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class (review)
  2. Dorothy Chansky
  3. pp. 125-128
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  1. Shakespeare and the American Musical (review)
  2. Tracey Elaine Chessum
  3. pp. 128-131
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  1. Albee in Performance, and: Edward Albee (The Later Plays) (review)
  2. David A. Crespy
  3. pp. 131-134
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  1. Women Writers of the Provincetown Players (review)
  2. Sherry Engle
  3. pp. 135-137
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  1. Women Playing Men: Yue Opera and Social Change in Twentieth-Century Shanghai (review)
  2. Kathy Foley
  3. pp. 137-140
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  1. Sheldon Cheney's "Theatre Arts Magazine": Promoting a Modern American Theatre, 1916-1921 (review)
  2. Eileen Herrmann-Miller
  3. pp. 140-142
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  1. The Hanlon Brothers: From Daredevil Acrobatics to Spectacle Pantomime, 1833-1931 (review)
  2. Susan Kattwinkel
  3. pp. 143-144
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  1. Theatrical Nation: Jews and Other Outlandish Englishmen in Georgian Britain (review)
  2. Heather S. Nathans
  3. pp. 145-148
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  1. From Winning the Vote to Directing on Broadway: The Emergence of Women on the New York Stage, 1880-1927 (review)
  2. Laura M. Nelson
  3. pp. 148-150
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  1. The Un-Americans: Jews, the Blacklist, and Stoolpigeon Culture (review)
  2. Brian Neve
  3. pp. 150-152
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  1. Irish Theatre in America: Essays on Irish Theatrical Diaspora (review)
  2. Nelson O'Ceallaigh Ritschel
  3. pp. 153-155
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  1. Making the Scene: A History of Stage Design and Technology in Europe and the United States (review)
  2. Van Santvoord
  3. pp. 155-158
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  1. Molière, the French Revolution, and the Theatrical Afterlife (review)
  2. Michael Spingler
  3. pp. 158-160
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  1. When Broadway Was the Runway: Theater, Fashion, and American Culture (review)
  2. Monica Stufft
  3. pp. 160-163
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  1. Theatre and Identity in Imperial Russia (review)
  2. Ryan Tvedt
  3. pp. 163-165
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  1. Weyward Macbeth: Intersections of Race and Performance (review)
  2. Dan Venning
  3. pp. 165-168
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  1. The Strangeness of Tragedy (review)
  2. Andrew W. White
  3. pp. 168-170
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  1. Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity (review)
  2. James Wilson
  3. pp. 170-173
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  1. The Process of Dramaturgy: A Handbook (review)
  2. Ronald J. Zank
  3. pp. 173-174
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  1. Illustrations
  2. p. ix
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  1. Books Received
  2. p. 175
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  1. Contributors
  2. pp. 177-178
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