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In this Issue

Table of Contents

  1. Poor "Black" Theatre: Mid-America Theatre Conference Keynote Address, March 7, 2009
  2. E. Patrick Johnson
  3. pp. 1-13
  4. DOI: https://doi.org/10.1353/ths.2010.0026
  5. restricted access
  1. Hit-and-Run Theatre: The Rise of a New Dramatic Form in Zimbabwe
  2. Praise Zenenga
  3. pp. 14-41
  4. DOI: https://doi.org/10.1353/ths.2010.0033
  5. restricted access
  1. Abject No More: Authority and Authenticity in the Theatrical Career of Rose McClendon
  2. Cheryl Black
  3. pp. 42-64
  4. DOI: https://doi.org/10.1353/ths.2010.0040
  5. restricted access
  1. How Does the Show Go On?: Theatre for Development in Post-election Kenya
  2. Christopher Connelly
  3. pp. 65-72
  4. DOI: https://doi.org/10.1353/ths.2010.0005
  5. restricted access
  1. The Unreported Miracle of Paul Robeson and The Miracle
  2. Felicia Hardison Londré
  3. pp. 73-82
  4. DOI: https://doi.org/10.1353/ths.2010.0011
  5. restricted access
  1. Mvett Performance: Retention, Reinvention, and Exaggeration in Remembering the Past
  2. Mbala D. Nkanga
  3. pp. 83-101
  4. DOI: https://doi.org/10.1353/ths.2010.0017
  5. restricted access
  1. "You Hip to Buffalo?": The Hidden Heritage of Black Theatre in Western New York
  2. Virginia Anderson
  3. pp. 102-121
  4. DOI: https://doi.org/10.1353/ths.2010.0023
  5. restricted access
  1. Masculine Women, Feminist Men: Assertions and Contradictions in Mawugbe's In the Chest of a Woman
  2. Awo Mana Asiedu
  3. pp. 122-137
  4. DOI: https://doi.org/10.1353/ths.2010.0030
  5. restricted access
  1. Understanding Paul Robeson's Soviet Experience
  2. Lauren McConnell
  3. pp. 138-153
  4. DOI: https://doi.org/10.1353/ths.2010.0003
  5. restricted access
  1. Ota the Other: An African on Display in America
  2. Jocelyn L. Buckner
  3. pp. 154-175
  4. DOI: https://doi.org/10.1353/ths.2010.0037
  5. restricted access
  1. Oteller and Desdemonum: Defining Nineteenth-Century Blackness
  2. Andrew Carlson
  3. pp. 176-186
  4. DOI: https://doi.org/10.1353/ths.2010.0002
  5. restricted access
  1. "Looking at One's Self through the Eyes of Others": Representations of the Progressive Era Middle Class in W. E. B. Du Bois's The Star of Ethiopia
  2. Rebecca Hewett
  3. pp. 187-201
  4. DOI: https://doi.org/10.1353/ths.2010.0009
  5. restricted access
  1. Knowing Their Place: The Ulster Lyric Theatre, the Lyric Theatre, and the Northern Irish Theatre Scene
  2. Roy Connolly
  3. pp. 202-219
  4. DOI: https://doi.org/10.1353/ths.2010.0015
  5. restricted access
  1. Thinking about the Theatre—and Theatre Critics: An Interview with Robert Brustein, Conducted by Bert Cardullo, New York City, July 2008
  2. Bert Cardullo
  3. pp. 220-234
  4. DOI: https://doi.org/10.1353/ths.2010.0021
  5. restricted access
  1. The Actor, Image, and Action: Acting and Cognitive Neuroscience (review)
  2. Adrianne Adderley
  3. pp. 235-236
  4. DOI: https://doi.org/10.1353/ths.2010.0028
  5. restricted access
  1. Women in American Musical Theatre (review)
  2. Terry Berliner
  3. pp. 237-239
  4. DOI: https://doi.org/10.1353/ths.2010.0035
  5. restricted access
  1. The Gendering of Men, 1600-1750. Vol. 2, Queer Articulations (review)
  2. Scott S. Boston
  3. pp. 240-242
  4. DOI: https://doi.org/10.1353/ths.2010.0000
  5. restricted access
  1. Spalding Gray's America (review)
  2. Johan Callens
  3. pp. 242-244
  4. DOI: https://doi.org/10.1353/ths.2010.0007
  5. restricted access
  1. Rediscovering Mordecai Gorelik: Scene Design and the American Theatre (review)
  2. Jonathan Chambers
  3. pp. 244-246
  4. DOI: https://doi.org/10.1353/ths.2010.0013
  5. restricted access
  1. A Spectacle of Suffering: Clara Morris on the American Stage (review)
  2. Anne Fletcher
  3. pp. 247-249
  4. DOI: https://doi.org/10.1353/ths.2010.0019
  5. restricted access
  1. Gothic Plays and American Society, 1794-1830 (review)
  2. Diane Long Hoeveler
  3. pp. 249-251
  4. DOI: https://doi.org/10.1353/ths.2010.0025
  5. restricted access
  1. Dramaturgy and Performance (review)
  2. Valleri J. Hohman
  3. pp. 251-254
  4. DOI: https://doi.org/10.1353/ths.2010.0032
  5. restricted access
  1. Stages of Conflict: A Critical Anthology of Latin American Theater and Performance (review)
  2. Jorge Huerta
  3. pp. 254-256
  4. DOI: https://doi.org/10.1353/ths.2010.0039
  5. restricted access
  1. American Women Stage Directors of the Twentieth Century (review)
  2. Megan Sanborn Jones
  3. pp. 256-258
  4. DOI: https://doi.org/10.1353/ths.2010.0004
  5. restricted access
  1. Visualizing Medieval Performance: Perspectives, Histories, Contexts (review)
  2. Darin Kerr
  3. pp. 259-261
  4. DOI: https://doi.org/10.1353/ths.2010.0010
  5. restricted access
  1. Theatre Arts on Acting (review)
  2. David Krasner
  3. pp. 262-264
  4. DOI: https://doi.org/10.1353/ths.2010.0016
  5. restricted access
  1. Honor and Violence in Golden Age Spain (review)
  2. Hugh K. Long
  3. pp. 264-267
  4. DOI: https://doi.org/10.1353/ths.2010.0022
  5. restricted access
  1. Branding Texas: Performing Culture in the Lone Star State (review)
  2. Eric Love
  3. pp. 267-269
  4. DOI: https://doi.org/10.1353/ths.2010.0029
  5. restricted access
  1. Henrik Ibsen and the Birth of Modernism (review)
  2. Joe Martin
  3. pp. 269-272
  4. DOI: https://doi.org/10.1353/ths.2010.0036
  5. restricted access
  1. The American Play, 1787-2000 (review)
  2. Heather S. Nathans
  3. pp. 272-275
  4. DOI: https://doi.org/10.1353/ths.2010.0001
  5. restricted access
  1. The Influence of Tennessee Williams: Essays on Fifteen American Playwrights (review)
  2. Elizabeth A. Osborne
  3. pp. 275-277
  4. DOI: https://doi.org/10.1353/ths.2010.0008
  5. restricted access
  1. Signatures of the Past: Cultural Memory in Contemporary Anglophone North American Drama (review)
  2. Barbara Ozieblo
  3. pp. 277-280
  4. DOI: https://doi.org/10.1353/ths.2010.0014
  5. restricted access
  1. Women in Irish Drama: A Century of Authorship and Representation (review)
  2. W. Douglas Powers
  3. pp. 280-282
  4. DOI: https://doi.org/10.1353/ths.2010.0020
  5. restricted access
  1. The Cambridge Companion to August Wilson (review)
  2. Sandra Shannon
  3. pp. 282-285
  4. DOI: https://doi.org/10.1353/ths.2010.0027
  5. restricted access
  1. Directors and the New Musical Drama: British and American Musical Theatre in the 1980s and 90s (review)
  2. Bryan M. Vandevender
  3. pp. 286-288
  4. DOI: https://doi.org/10.1353/ths.2010.0034
  5. restricted access
  1. Feminist Theatrical Revisions of Classic Works (review)
  2. Sara L. Warner
  3. pp. 288-290
  4. DOI: https://doi.org/10.1353/ths.2010.0041
  5. restricted access
  1. The Selected Letters of Thornton Wilder (review)
  2. Christopher J. Wheatley
  3. pp. 290-292
  4. DOI: https://doi.org/10.1353/ths.2010.0006
  5. restricted access
  1. Unfriendly Witnesses: Gender, Theater, and Film in the McCarthy Era (review)
  2. Barry Witham
  3. pp. 293-295
  4. DOI: https://doi.org/10.1353/ths.2010.0012
  5. restricted access
  1. Illustrations
  3. pp. ix-x
  4. DOI: https://doi.org/10.1353/ths.2010.0024
  5. restricted access
  1. Preface
  2. Rhona Justice-Malloy
  3. p. xi
  4. DOI: https://doi.org/10.1353/ths.2010.0031
  5. restricted access
  1. Books Received
  3. pp. 297-298
  4. DOI: https://doi.org/10.1353/ths.2010.0018
  5. restricted access
  1. Contributors
  3. pp. 299-301
  4. DOI: https://doi.org/10.1353/ths.2010.0042
  5. restricted access

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Volume 29, 2009

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