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  Volume 30, 2010

Table of Contents

African and African American Theatre Past and Present

List of Illustrations


pp. ix-x | DOI: 10.1353/ths.2010.0024



p. xi | DOI: 10.1353/ths.2010.0031

Poor "Black" Theatre: Mid-America Theatre Conference Keynote Address, March 7, 2009

pp. 1-13 | DOI: 10.1353/ths.2010.0026

Hit-and-Run Theatre: The Rise of a New Dramatic Form in Zimbabwe

pp. 14-41 | DOI: 10.1353/ths.2010.0033

Abject No More: Authority and Authenticity in the Theatrical Career of Rose McClendon

pp. 42-64 | DOI: 10.1353/ths.2010.0040

How Does the Show Go On?: Theatre for Development in Post-election Kenya

pp. 65-72 | DOI: 10.1353/ths.2010.0005

The Unreported Miracle of Paul Robeson and The Miracle

pp. 73-82 | DOI: 10.1353/ths.2010.0011

Mvett Performance: Retention, Reinvention, and Exaggeration in Remembering the Past

pp. 83-101 | DOI: 10.1353/ths.2010.0017

"You Hip to Buffalo?": The Hidden Heritage of Black Theatre in Western New York

pp. 102-121 | DOI: 10.1353/ths.2010.0023

Masculine Women, Feminist Men: Assertions and Contradictions in Mawugbe's In the Chest of a Woman

pp. 122-137 | DOI: 10.1353/ths.2010.0030

Understanding Paul Robeson's Soviet Experience

pp. 138-153 | DOI: 10.1353/ths.2010.0003

Ota the Other: An African on Display in America

pp. 154-175 | DOI: 10.1353/ths.2010.0037

Oteller and Desdemonum: Defining Nineteenth-Century Blackness

pp. 176-186 | DOI: 10.1353/ths.2010.0002

"Looking at One's Self through the Eyes of Others": Representations of the Progressive Era Middle Class in W. E. B. Du Bois's The Star of Ethiopia

pp. 187-201 | DOI: 10.1353/ths.2010.0009

Knowing Their Place: The Ulster Lyric Theatre, the Lyric Theatre, and the Northern Irish Theatre Scene

pp. 202-219 | DOI: 10.1353/ths.2010.0015

Thinking about the Theatre—and Theatre Critics: An Interview with Robert Brustein, Conducted by Bert Cardullo, New York City, July 2008

pp. 220-234 | DOI: 10.1353/ths.2010.0021

Book Reviews

The Actor, Image, and Action: Acting and Cognitive Neuroscience (review)

pp. 235-236 | DOI: 10.1353/ths.2010.0028

Women in American Musical Theatre (review)

pp. 237-239 | DOI: 10.1353/ths.2010.0035

The Gendering of Men, 1600-1750. Vol. 2, Queer Articulations (review)

pp. 240-242 | DOI: 10.1353/ths.2010.0000

Spalding Gray's America (review)

pp. 242-244 | DOI: 10.1353/ths.2010.0007

Rediscovering Mordecai Gorelik: Scene Design and the American Theatre (review)

pp. 244-246 | DOI: 10.1353/ths.2010.0013

A Spectacle of Suffering: Clara Morris on the American Stage (review)

pp. 247-249 | DOI: 10.1353/ths.2010.0019

Gothic Plays and American Society, 1794-1830 (review)

pp. 249-251 | DOI: 10.1353/ths.2010.0025

Dramaturgy and Performance (review)

pp. 251-254 | DOI: 10.1353/ths.2010.0032

Stages of Conflict: A Critical Anthology of Latin American Theater and Performance (review)

pp. 254-256 | DOI: 10.1353/ths.2010.0039

American Women Stage Directors of the Twentieth Century (review)

pp. 256-258 | DOI: 10.1353/ths.2010.0004

Visualizing Medieval Performance: Perspectives, Histories, Contexts (review)

pp. 259-261 | DOI: 10.1353/ths.2010.0010

Theatre Arts on Acting (review)

pp. 262-264 | DOI: 10.1353/ths.2010.0016

Honor and Violence in Golden Age Spain (review)

pp. 264-267 | DOI: 10.1353/ths.2010.0022

Branding Texas: Performing Culture in the Lone Star State (review)

pp. 267-269 | DOI: 10.1353/ths.2010.0029

Henrik Ibsen and the Birth of Modernism (review)

pp. 269-272 | DOI: 10.1353/ths.2010.0036

The American Play, 1787-2000 (review)

pp. 272-275 | DOI: 10.1353/ths.2010.0001

The Influence of Tennessee Williams: Essays on Fifteen American Playwrights (review)

pp. 275-277 | DOI: 10.1353/ths.2010.0008

Signatures of the Past: Cultural Memory in Contemporary Anglophone North American Drama (review)

pp. 277-280 | DOI: 10.1353/ths.2010.0014

Women in Irish Drama: A Century of Authorship and Representation (review)

pp. 280-282 | DOI: 10.1353/ths.2010.0020

The Cambridge Companion to August Wilson (review)

pp. 282-285 | DOI: 10.1353/ths.2010.0027

Directors and the New Musical Drama: British and American Musical Theatre in the 1980s and 90s (review)

pp. 286-288 | DOI: 10.1353/ths.2010.0034

Feminist Theatrical Revisions of Classic Works (review)

pp. 288-290 | DOI: 10.1353/ths.2010.0041

The Selected Letters of Thornton Wilder (review)

pp. 290-292 | DOI: 10.1353/ths.2010.0006

Unfriendly Witnesses: Gender, Theater, and Film in the McCarthy Era (review)

pp. 293-295 | DOI: 10.1353/ths.2010.0012

Books Received

Books Received

pp. 297-298 | DOI: 10.1353/ths.2010.0018



pp. 299-301 | DOI: 10.1353/ths.2010.0042

Research Areas


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