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  Volume 30, 2010

Table of Contents

African and African American Theatre Past and Present

List of Illustrations

Illustrations

pp. ix-x
|

Preface

Preface

p. xi
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Poor "Black" Theatre: Mid-America Theatre Conference Keynote Address, March 7, 2009

pp. 1-13
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Hit-and-Run Theatre: The Rise of a New Dramatic Form in Zimbabwe

pp. 14-41
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Abject No More: Authority and Authenticity in the Theatrical Career of Rose McClendon

pp. 42-64
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How Does the Show Go On?: Theatre for Development in Post-election Kenya

pp. 65-72
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The Unreported Miracle of Paul Robeson and The Miracle

pp. 73-82
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Mvett Performance: Retention, Reinvention, and Exaggeration in Remembering the Past

pp. 83-101
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"You Hip to Buffalo?": The Hidden Heritage of Black Theatre in Western New York

pp. 102-121
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Masculine Women, Feminist Men: Assertions and Contradictions in Mawugbe's In the Chest of a Woman

pp. 122-137
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Understanding Paul Robeson's Soviet Experience

pp. 138-153
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Ota the Other: An African on Display in America

pp. 154-175
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Oteller and Desdemonum: Defining Nineteenth-Century Blackness

pp. 176-186
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"Looking at One's Self through the Eyes of Others": Representations of the Progressive Era Middle Class in W. E. B. Du Bois's The Star of Ethiopia

pp. 187-201
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Knowing Their Place: The Ulster Lyric Theatre, the Lyric Theatre, and the Northern Irish Theatre Scene

pp. 202-219
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Thinking about the Theatre—and Theatre Critics: An Interview with Robert Brustein, Conducted by Bert Cardullo, New York City, July 2008

pp. 220-234
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Book Reviews

The Actor, Image, and Action: Acting and Cognitive Neuroscience (review)

pp. 235-236
|

Women in American Musical Theatre (review)

pp. 237-239
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The Gendering of Men, 1600-1750. Vol. 2, Queer Articulations (review)

pp. 240-242
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Spalding Gray's America (review)

pp. 242-244
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Rediscovering Mordecai Gorelik: Scene Design and the American Theatre (review)

pp. 244-246
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A Spectacle of Suffering: Clara Morris on the American Stage (review)

pp. 247-249
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Gothic Plays and American Society, 1794-1830 (review)

pp. 249-251
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Dramaturgy and Performance (review)

pp. 251-254
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Stages of Conflict: A Critical Anthology of Latin American Theater and Performance (review)

pp. 254-256
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American Women Stage Directors of the Twentieth Century (review)

pp. 256-258
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Visualizing Medieval Performance: Perspectives, Histories, Contexts (review)

pp. 259-261
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Theatre Arts on Acting (review)

pp. 262-264
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Honor and Violence in Golden Age Spain (review)

pp. 264-267
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Branding Texas: Performing Culture in the Lone Star State (review)

pp. 267-269
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Henrik Ibsen and the Birth of Modernism (review)

pp. 269-272
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The American Play, 1787-2000 (review)

pp. 272-275
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The Influence of Tennessee Williams: Essays on Fifteen American Playwrights (review)

pp. 275-277
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Signatures of the Past: Cultural Memory in Contemporary Anglophone North American Drama (review)

pp. 277-280
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Women in Irish Drama: A Century of Authorship and Representation (review)

pp. 280-282
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The Cambridge Companion to August Wilson (review)

pp. 282-285
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Directors and the New Musical Drama: British and American Musical Theatre in the 1980s and 90s (review)

pp. 286-288
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Feminist Theatrical Revisions of Classic Works (review)

pp. 288-290
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The Selected Letters of Thornton Wilder (review)

pp. 290-292
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Unfriendly Witnesses: Gender, Theater, and Film in the McCarthy Era (review)

pp. 293-295
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Books Received

Books Received

pp. 297-298
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Contributors

Contributors

pp. 299-301
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Research Areas

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