1. Poor "Black" Theatre: Mid-America Theatre Conference Keynote Address, March 7, 2009
  2. E. Patrick Johnson
  3. pp. 1-13
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  1. Hit-and-Run Theatre: The Rise of a New Dramatic Form in Zimbabwe
  2. Praise Zenenga
  3. pp. 14-41
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  1. Abject No More: Authority and Authenticity in the Theatrical Career of Rose McClendon
  2. Cheryl Black
  3. pp. 42-64
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  1. How Does the Show Go On?: Theatre for Development in Post-election Kenya
  2. Christopher Connelly
  3. pp. 65-72
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  1. The Unreported Miracle of Paul Robeson and The Miracle
  2. Felicia Hardison Londré
  3. pp. 73-82
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  1. Mvett Performance: Retention, Reinvention, and Exaggeration in Remembering the Past
  2. Mbala D. Nkanga
  3. pp. 83-101
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  1. "You Hip to Buffalo?": The Hidden Heritage of Black Theatre in Western New York
  2. Virginia Anderson
  3. pp. 102-121
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  1. Masculine Women, Feminist Men: Assertions and Contradictions in Mawugbe's In the Chest of a Woman
  2. Awo Mana Asiedu
  3. pp. 122-137
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  1. Understanding Paul Robeson's Soviet Experience
  2. Lauren McConnell
  3. pp. 138-153
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  1. Ota the Other: An African on Display in America
  2. Jocelyn L. Buckner
  3. pp. 154-175
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  1. Oteller and Desdemonum: Defining Nineteenth-Century Blackness
  2. Andrew Carlson
  3. pp. 176-186
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  1. Knowing Their Place: The Ulster Lyric Theatre, the Lyric Theatre, and the Northern Irish Theatre Scene
  2. Roy Connolly
  3. pp. 202-219
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  1. The Actor, Image, and Action: Acting and Cognitive Neuroscience (review)
  2. Adrianne Adderley
  3. pp. 235-236
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  1. Women in American Musical Theatre (review)
  2. Terry Berliner
  3. pp. 237-239
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  1. The Gendering of Men, 1600-1750. Vol. 2, Queer Articulations (review)
  2. Scott S. Boston
  3. pp. 240-242
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  1. Spalding Gray's America (review)
  2. Johan Callens
  3. pp. 242-244
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  1. Rediscovering Mordecai Gorelik: Scene Design and the American Theatre (review)
  2. Jonathan Chambers
  3. pp. 244-246
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  1. A Spectacle of Suffering: Clara Morris on the American Stage (review)
  2. Anne Fletcher
  3. pp. 247-249
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  1. Gothic Plays and American Society, 1794-1830 (review)
  2. Diane Long Hoeveler
  3. pp. 249-251
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  1. Dramaturgy and Performance (review)
  2. Valleri J. Hohman
  3. pp. 251-254
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  1. Stages of Conflict: A Critical Anthology of Latin American Theater and Performance (review)
  2. Jorge Huerta
  3. pp. 254-256
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  1. American Women Stage Directors of the Twentieth Century (review)
  2. Megan Sanborn Jones
  3. pp. 256-258
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  1. Visualizing Medieval Performance: Perspectives, Histories, Contexts (review)
  2. Darin Kerr
  3. pp. 259-261
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  1. Theatre Arts on Acting (review)
  2. David Krasner
  3. pp. 262-264
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  1. Honor and Violence in Golden Age Spain (review)
  2. Hugh K. Long
  3. pp. 264-267
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  1. Branding Texas: Performing Culture in the Lone Star State (review)
  2. Eric Love
  3. pp. 267-269
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  1. Henrik Ibsen and the Birth of Modernism (review)
  2. Joe Martin
  3. pp. 269-272
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  1. The American Play, 1787-2000 (review)
  2. Heather S. Nathans
  3. pp. 272-275
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  1. The Influence of Tennessee Williams: Essays on Fifteen American Playwrights (review)
  2. Elizabeth A. Osborne
  3. pp. 275-277
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  1. Signatures of the Past: Cultural Memory in Contemporary Anglophone North American Drama (review)
  2. Barbara Ozieblo
  3. pp. 277-280
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  1. Women in Irish Drama: A Century of Authorship and Representation (review)
  2. W. Douglas Powers
  3. pp. 280-282
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  1. The Cambridge Companion to August Wilson (review)
  2. Sandra Shannon
  3. pp. 282-285
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  1. Directors and the New Musical Drama: British and American Musical Theatre in the 1980s and 90s (review)
  2. Bryan M. Vandevender
  3. pp. 286-288
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  1. Feminist Theatrical Revisions of Classic Works (review)
  2. Sara L. Warner
  3. pp. 288-290
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  1. The Selected Letters of Thornton Wilder (review)
  2. Christopher J. Wheatley
  3. pp. 290-292
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  1. Unfriendly Witnesses: Gender, Theater, and Film in the McCarthy Era (review)
  2. Barry Witham
  3. pp. 293-295
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  1. Illustrations
  2. pp. ix-x
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  1. Preface
  2. Rhona Justice-Malloy
  3. p. xi
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  1. Books Received
  2. pp. 297-298
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  1. Contributors
  2. pp. 299-301
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