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  Volume 29, 2009

Table of Contents


p. ix | DOI: 10.1353/ths.2009.0017

An Uncommon Woman: An Interview with Wendy Wasserstein

pp. 1-17 | DOI: 10.1353/ths.2009.0016

Thresholds of Pain in Performance: Tormenting the Actor and Audience

pp. 18-31 | DOI: 10.1353/ths.2009.0022

Designing American Modernity: David Belasco's The Governor's Lady and Robert Edmond Jones's The Man Who Married a Dumb Wife

pp. 32-51 | DOI: 10.1353/ths.2009.0027

A Historiography of Informed Imagination: A (Hi)Story Drawn from the Correspondence of Annie Russell and Faith Baldwin

pp. 52-80 | DOI: 10.1353/ths.2009.0032

The Miseries of History: Shakespearian Extremity as Cautionary Tale on the Restoration Stage

pp. 81-94 | DOI: 10.1353/ths.2009.0004

The Final Straw: Producing James Purdy at the Trinity Square Rep

pp. 95-102 | DOI: 10.1353/ths.2009.0009

Disappearing Frontiers and the National Stage: Placing the Portland Federal Theatre Project

pp. 103-121 | DOI: 10.1353/ths.2009.0014

"Can't Someone Find Him a Stimulant?": The Treatment of Prohibition on the American Stage, 1920-1933

pp. 122-147 | DOI: 10.1353/ths.2009.0020

The Tricks of Lun: Mimesis and Mimicry in John Rich's Performance and Conception of Pantomimes

pp. 148-170 | DOI: 10.1353/ths.2009.0025

Sensational with the Greeks and Daring with Shakespeare but Not So Sure about Shaw: Performance of George Bernard Shaw at Terence Gray's Festival Theatre, Cambridge, England, 1926-1935

pp. 171-199 | DOI: 10.1353/ths.2009.0030

Book Reviews

Angels in the American Theater: Patrons, Patronage, and Philanthropy (review)

pp. 201-203 | DOI: 10.1353/ths.2009.0002

Susan Glaspell and Sophie Treadwell (review)

pp. 203-205 | DOI: 10.1353/ths.2009.0007

Theatre in Theory, 1900-2000: An Anthology (review)

pp. 205-208 | DOI: 10.1353/ths.2009.0012

Racism on the Victorian Stage: Representations of Slavery and the Black Character (review)

pp. 208-210 | DOI: 10.1353/ths.2009.0018

The Theatre of Socìetas Raffaello Sanzio (review)

pp. 210-213 | DOI: 10.1353/ths.2009.0023

Entertaining the Nation: American Drama in the Eighteenth and Nineteenth Centuries (review)

pp. 213-215 | DOI: 10.1353/ths.2009.0028

Modernism, Drama, and the Audience for Irish Spectacle (review)

pp. 215-217 | DOI: 10.1353/ths.2009.0000

Electric Salome: Loie Fuller's Performance of Modernism (review)

pp. 218-220 | DOI: 10.1353/ths.2009.0005

Modernist Aesthetics and Consumer Culture in the Writings of Oscar Wilde (review)

pp. 220-223 | DOI: 10.1353/ths.2009.0010

American Drama in the Age of Film (review)

pp. 223-226 | DOI: 10.1353/ths.2009.0015

Interrogating America through Theatre and Performance (review)

pp. 226-228 | DOI: 10.1353/ths.2009.0021

Eugene O'Neill's America: Desire under Democracy (review)

pp. 228-230 | DOI: 10.1353/ths.2009.0026

Robert E. Sherwood: The Playwright in Peace and War (review)

pp. 231-233 | DOI: 10.1353/ths.2009.0031

Performing Patriotism: National Identity in the Colonial and Revolutionary American Theatre (review)

pp. 233-236 | DOI: 10.1353/ths.2009.0003

The Moscow Yiddish Theater: Art on Stage in the Time of Revolution (review)

pp. 237-239 | DOI: 10.1353/ths.2009.0008

Historical Dictionary of Russian Theater (review)

pp. 239-241 | DOI: 10.1353/ths.2009.0013

A History of Asian American Theatre (review)

pp. 241-244 | DOI: 10.1353/ths.2009.0019

"Divine Thalie": The Career of Jeanne Quinault (review)

pp. 244-246 | DOI: 10.1353/ths.2009.0024

Contemporary African American Women Playwrights (review)

pp. 246-249 | DOI: 10.1353/ths.2009.0029

Querying Difference in Theatre History (review)

pp. 249-251 | DOI: 10.1353/ths.2009.0001

Books Received

Books Received

pp. 253-254 | DOI: 10.1353/ths.2009.0006



pp. 255-257 | DOI: 10.1353/ths.2009.0011

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