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  Volume 28, 2008

Table of Contents


pp. ix-x | DOI: 10.1353/ths.2008.0013

Keynote Speech from the Twenty-eighth Mid-America Theatre Conference, Changing Theatrical Landscapes: Mapping New Directions in History, Pedagogy, and Practice in the Twenty-first Century

pp. 1-6 | DOI: 10.1353/ths.2008.0018

Between the Lines: Editing the Notebooks of Tennessee Williams

pp. 7-15 | DOI: 10.1353/ths.2008.0023

Research and Performance: A Roundtable on the Future of the Archive

pp. 16-19 | DOI: 10.1353/ths.2008.0028

Performance in the Archives

pp. 20-26 | DOI: 10.1353/ths.2008.0001

Performing Arts Archives: Dynamic Entities Complementing and Supporting Scholarship and Creativity

pp. 27-35 | DOI: 10.1353/ths.2008.0006

eBay, Wikipedia, and the Future of the Footnote

pp. 36-41 | DOI: 10.1353/ths.2008.0011

Period Rush: Affective Transfers in Recent Queer Art and Performance

pp. 42-48 | DOI: 10.1353/ths.2008.0016

Goon, Warrior, Communitarian, and Mythos: The Lincoln Legend of Dramatic Literature and Live Performance

pp. 49-63 | DOI: 10.1353/ths.2008.0021

Ole Olson and Companions as Others: Swedish-Dialect Characters and the Question of Scandinavian Acculturation

pp. 64-111 | DOI: 10.1353/ths.2008.0026

Games with Ghosts in Müller's Explosion of a Memory: A Study of Pre-ideology in the Müller-Wilson Collaboration

pp. 112-130 | DOI: 10.1353/ths.2008.0031

On the Emergence of European Avant-Garde Theatre

pp. 131-146 | DOI: 10.1353/ths.2008.0004

Book Reviews

The Enchanted Years of the Stage: Kansas City at the Crossroads of American Theater, 1870-1930 (review)

pp. 147-149 | DOI: 10.1353/ths.2008.0009

Messiah of the New Technique: John Howard Lawson, Communism, and American Theatre, 1923-1937 (review)

pp. 149-152 | DOI: 10.1353/ths.2008.0014

Liberty Theatres of the United States Army, 1917-1919 (review)

pp. 152-154 | DOI: 10.1353/ths.2008.0019

Vaudeville Wars: How the Keith-Albee and Orpheum Circuits Controlled the Big-Time and Its Performers (review)

pp. 154-156 | DOI: 10.1353/ths.2008.0024

Susan Glaspell and the Anxiety of Expression (review)

pp. 156-159 | DOI: 10.1353/ths.2008.0029

Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850-1910 (review)

pp. 159-162 | DOI: 10.1353/ths.2008.0002

The Plays of Georgia Douglas Johnson: From the New Negro Renaissance to the Civil Rights Movement (review)

pp. 163-165 | DOI: 10.1353/ths.2008.0007

Performing Glam Rock: Gender and Theatricality in Popular Music (review)

pp. 165-168 | DOI: 10.1353/ths.2008.0012

Notebooks (review)

pp. 168-170 | DOI: 10.1353/ths.2008.0017

The Performing Set: The Broadway Designs of William and Jean Eckart (review)

pp. 171-173 | DOI: 10.1353/ths.2008.0022

Acting: An Introduction to the Art and Craft of Playing (review)

pp. 173-175 | DOI: 10.1353/ths.2008.0027

Kenneth Burke on Shakespeare (review)

pp. 175-177 | DOI: 10.1353/ths.2008.0000

Codifying the National Self: Spectators, Actors, and the American Dramatic Text (review)

pp. 177-180 | DOI: 10.1353/ths.2008.0005

Fantasies of Empire: The Empire Theatre of Varieties and the Licensing Controversy of 1894 (review)

pp. 180-181 | DOI: 10.1353/ths.2008.0010

A Companion to Twentieth-Century American Drama (review)

pp. 182-185 | DOI: 10.1353/ths.2008.0015

Theatre Histories: An Introduction (review)

pp. 185-188 | DOI: 10.1353/ths.2008.0020

Susan Glaspell: New Directions in Critical Inquiry, and: Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell (review)

pp. 188-191 | DOI: 10.1353/ths.2008.0025

Strange Duets: Impresarios and Actresses in the American Theatre, 1865-1914 (review)

pp. 191-195 | DOI: 10.1353/ths.2008.0030

Books Received

Books Received

pp. 197-199 | DOI: 10.1353/ths.2008.0003



pp. 201-202 | DOI: 10.1353/ths.2008.0008

Research Areas


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