1. Through the Eyes of the Property Director
  2. Bland M. Wade Jr.
  3. pp. 8-10
  4. DOI: 10.1353/tsy.2010.0001
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  1. "Summon up the Blood": The Stylized (or Sticky) Stuff of Violence in Three Plays by Sarah Kane
  2. Christine Woodworth
  3. pp. 11-22
  4. DOI: 10.1353/tsy.2010.0003
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  1. Helen's Theatrical Mêchanê: Props and Costumes in Euripides' Helen
  2. Sarah Powers
  3. pp. 23-35
  4. DOI: 10.1353/tsy.2010.0005
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  1. A Cannonade of Weapons: Signs of Transgression in the Early Commedia dell'arte
  2. Kyna Hamill
  3. pp. 36-47
  4. DOI: 10.1353/tsy.2010.0007
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  1. Rattle Away at Your Bin: Women, Community, and Bin Lids in Northern Irish Drama
  2. Eleanor Owicki
  3. pp. 56-66
  4. DOI: 10.1353/tsy.2010.0011
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  1. Bearing Witness: The Noose as an Iconic Prop in African American Theatre
  2. Adrienne C. Macki
  3. pp. 67-82
  4. DOI: 10.1353/tsy.2010.0000
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  1. Hawaiian Culture Propped High with Meaning: The Lei Hoaka in Victoria Nalani Kneubuhl's Emmalehua
  2. Stefani Overman-Tsai
  3. pp. 83-98
  4. DOI: 10.1353/tsy.2010.0002
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  1. Revisiting Eva Marie Saint's White Glove: On Props, Neurons, Subtext, and Empathy
  2. Andrew Kimbrough
  3. pp. 99-115
  4. DOI: 10.1353/tsy.2010.0004
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  1. From Props to Affordances: An Ecological Approach to Theatrical Objects
  2. Teemu Paavolainen
  3. pp. 116-134
  4. DOI: 10.1353/tsy.2010.0006
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  1. "Take up the Bodies": Shakespeare's Body Parts, Babies, and Corpses
  2. Andrew Sofer
  3. pp. 135-148
  4. DOI: 10.1353/tsy.2010.0008
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  1. Introduction
  2. J. K. Curry
  3. pp. 5-7
  4. DOI: 10.1353/tsy.2010.0012
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  1. Contributors
  2. pp. 149-151
  3. DOI: 10.1353/tsy.2010.0010
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