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  Volume 18, 2010

Table of Contents

The Prop's The Thing: Stage Properties Reconsidered



pp. 5-7 | DOI: 10.1353/tsy.2010.0012


Through the Eyes of the Property Director

pp. 8-10 | DOI: 10.1353/tsy.2010.0001

"Summon up the Blood": The Stylized (or Sticky) Stuff of Violence in Three Plays by Sarah Kane

pp. 11-22 | DOI: 10.1353/tsy.2010.0003

Helen's Theatrical Mêchanê: Props and Costumes in Euripides' Helen

pp. 23-35 | DOI: 10.1353/tsy.2010.0005

A Cannonade of Weapons: Signs of Transgression in the Early Commedia dell'arte

pp. 36-47 | DOI: 10.1353/tsy.2010.0007

Adding Some "PEP" ("Proto-Expressionistic Props") to the Swedish Stage: Strindberg's Property Usage and His Intima Teater

pp. 48-55 | DOI: 10.1353/tsy.2010.0009

Rattle Away at Your Bin: Women, Community, and Bin Lids in Northern Irish Drama

pp. 56-66 | DOI: 10.1353/tsy.2010.0011

Bearing Witness: The Noose as an Iconic Prop in African American Theatre

pp. 67-82 | DOI: 10.1353/tsy.2010.0000

Hawaiian Culture Propped High with Meaning: The Lei Hoaka in Victoria Nalani Kneubuhl's Emmalehua

pp. 83-98 | DOI: 10.1353/tsy.2010.0002

Revisiting Eva Marie Saint's White Glove: On Props, Neurons, Subtext, and Empathy

pp. 99-115 | DOI: 10.1353/tsy.2010.0004

From Props to Affordances: An Ecological Approach to Theatrical Objects

pp. 116-134 | DOI: 10.1353/tsy.2010.0006

"Take up the Bodies": Shakespeare's Body Parts, Babies, and Corpses

pp. 135-148 | DOI: 10.1353/tsy.2010.0008



pp. 149-151 | DOI: 10.1353/tsy.2010.0010

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