1. The Commedia dell'arte as the Quintessence of Comedy
  2. Stanley Vincent Longman
  3. pp. 9-22
  4. DOI: 10.1353/tsy.2008.0006
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  1. Creating New Comic Stereotypes on the Croatian Postwar/Transition Stage
  2. Boris Senker
  3. pp. 23-30
  4. DOI: 10.1353/tsy.2008.0008
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  1. A Method to the Madness: Laughter Research, Comedy Training, and Improv
  2. Patrick Bynane
  3. pp. 31-39
  4. DOI: 10.1353/tsy.2008.0010
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  1. Comedy Tonight . . . and Tomorrow: A Funny Thing Happened on the Way to the Forum and Laughter through the Ages
  2. Diana Calderazzo
  3. pp. 40-51
  4. DOI: 10.1353/tsy.2008.0012
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  1. Performing Molière's Comedies: Challenges and Approaches
  2. Biliana Stoytcheva-Horissian
  3. pp. 52-64
  4. DOI: 10.1353/tsy.2008.0001
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  1. The Laugh Factory?: Humor and Horror at Le Théâtre du Grand Guignol
  2. Felicia J. Ruff
  3. pp. 65-74
  4. DOI: 10.1353/tsy.2008.0003
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  1. When Satire More Than Closed on Saturday Night: Henry Fielding and the Licensing Act of 1737
  2. Steven Dedalus Burch
  3. pp. 75-88
  4. DOI: 10.1353/tsy.2008.0005
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  1. Meat, Bones, and Laughter without Words: Finding Bergson's Laughter in Beckett's Act without Words I
  2. Christopher Morrison
  3. pp. 89-102
  4. DOI: 10.1353/tsy.2008.0007
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  1. Terry Johnson's Hysteria: Laughter on the Abyss of Insight
  2. Luc Gilleman
  3. pp. 110-120
  4. DOI: 10.1353/tsy.2008.0011
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  1. Situations, Happenings, Gatherings, Laughter: Emergent British Stand-Up Comedy in Sociopolitical Context
  2. Broderick D. V. Chow
  3. pp. 121-133
  4. DOI: 10.1353/tsy.2008.0000
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  1. Introduction
  2. Jay Malarcher
  3. pp. 5-8
  4. DOI: 10.1353/tsy.2008.0004
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  1. Contributors
  2. pp. 135-137
  3. DOI: 10.1353/tsy.2008.0002
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