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  Volume 55, Number 1, March 2003

Table of Contents

From: Theatre Journal

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Comment: Ancient Theatre

pp. vii-xi | DOI: 10.1353/tj.2003.0038

Fiona shaw Performance at Project Muse Muse

p. 215 | DOI: 10.1353/tj.2003.0189


Oedipus the Queen: Cross-gendering without Drag

pp. 1-28 | DOI: 10.1353/tj.2003.0033

Women and Oaths in Euripides

pp. 29-44 | DOI: 10.1353/tj.2003.0020

Distant Ventriloquism: Vocal Mimesis, Agency and Identity in Ancient Greek Performance

pp. 45-65 | DOI: 10.1353/tj.2003.0015

The Uncompleted Theatres of Rome

pp. 67-79 | DOI: 10.1353/tj.2003.0009

Memory, Mimesis, Tragedy: The Scene Before Philosophy

pp. 81-97 | DOI: 10.1353/tj.2003.0028

History, Collective Memory, and Aeschylus' Persians

pp. 99-111 | DOI: 10.1353/tj.2003.0019

French Scenes in Greek Tragedy: The Scenic Structure of Classical Drama

pp. 113-134 | DOI: 10.1353/tj.2003.0014

Performance Review

Medea (review)

pp. 135-136 | DOI: 10.1353/tj.2003.0016

Lysistrata (review)

pp. 137-138 | DOI: 10.1353/tj.2003.0044

Electra (review)

pp. 138-140 | DOI: 10.1353/tj.2003.0018

Dionysus (review)

pp. 140-141 | DOI: 10.1353/tj.2003.0047

Theban Cycle (review)

pp. 141-144 | DOI: 10.1353/tj.2003.0040

The Bacchai (review)

pp. 144-146 | DOI: 10.1353/tj.2003.0045

Helen (review)

pp. 146-148 | DOI: 10.1353/tj.2003.0043

Henry VI: Revenge in France, and: Henry IV: Revolt in England (review)

pp. 148-149 | DOI: 10.1353/tj.2003.0008

Maria Stuart (review)

pp. 150-151 | DOI: 10.1353/tj.2003.0037

Princess Ivona (review)

pp. 151-153 | DOI: 10.1353/tj.2003.0011

No Exit (review)

pp. 153-154 | DOI: 10.1353/tj.2003.0002

La Malasangre (review)

pp. 154-156 | DOI: 10.1353/tj.2003.0021

Death of a Salesman (review)

pp. 156-158 | DOI: 10.1353/tj.2003.0027

Constant Star (review)

pp. 158-159 | DOI: 10.1353/tj.2003.0039

Relentless (review)

pp. 160-161 | DOI: 10.1353/tj.2003.0034

Show People: Downtown Directors and the Play of Time (review)

pp. 161-164 | DOI: 10.1353/tj.2003.0001

The Goat or Who Is Sylvia? (review)

pp. 164-166 | DOI: 10.1353/tj.2003.0031

Homebody/Kabul (review)

pp. 166-168 | DOI: 10.1353/tj.2003.0036

The 2002 Theatertreffen (review)

pp. 168-173 | DOI: 10.1353/tj.2003.0041

To You, The Birdie! (Phedre) (review)

pp. 173-175 | DOI: 10.1353/tj.2003.0012

Book Review

Greek Theatre Performance: An Introduction (review)

pp. 177-178 | DOI: 10.1353/tj.2003.0042

Women on the Edge: Four Plays (review)

pp. 178-179 | DOI: 10.1353/tj.2003.0013

Rites of Passage in Ancient Greece: Literature, Religion, Society (review)

pp. 179-180 | DOI: 10.1353/tj.2003.0048

The Athenian Sun in an African Sky (review)

pp. 181-182 | DOI: 10.1353/tj.2003.0049

The Gift of the Nile: Hellenizing Egypt from Aeschylus to Alexander (review)

pp. 182-183 | DOI: 10.1353/tj.2003.0030

Theatre as Holy Script (review)

pp. 184-185 | DOI: 10.1353/tj.2003.0006

The Boastful Chef: The Discourse of Food in Ancient Greek Comedy (review)

pp. 185-186 | DOI: 10.1353/tj.2003.0022

Geographies of Learning: Theory and Practice, Activism and Performance (review)

pp. 186-187 | DOI: 10.1353/tj.2003.0032

Signifying God: Social Relation and Symbolic Act in the York Corpus Christi Plays (review)

pp. 187-188 | DOI: 10.1353/tj.2003.0025

The Dramatic Art of Athol Fugard: From South Africa to the World (review)

pp. 188-190 | DOI: 10.1353/tj.2003.0004

Shakespeare on the American Yiddish Stage (review)

pp. 190-191 | DOI: 10.1353/tj.2003.0046

American Avant-Garde Theatre: A History (review)

pp. 191-192 | DOI: 10.1353/tj.2003.0023

The Haunted Stage: The Theatre as Memory Machine (review)

pp. 192-194 | DOI: 10.1353/tj.2003.0017

A History of Irish Theatre, 1601-2000 (review)

pp. 194-195 | DOI: 10.1353/tj.2003.0026

Reflecting the Audience: London Theatregoing, 1840-1880 (review)

pp. 195-196 | DOI: 10.1353/tj.2003.0003

Prurient Interests: Gender, Democracy, and Obscenity in New York City, 1909-1945 (review)

pp. 196-197 | DOI: 10.1353/tj.2003.0029

A History of Russian Theatre (review)

pp. 197-199 | DOI: 10.1353/tj.2003.0024

Theatre, History, and National Identities (review)

pp. 199-200 | DOI: 10.1353/tj.2003.0005

Theatre Journal Auto/Archive

The Theatre Journal Auto Archive: Marvin Carlson

pp. 207-211 | DOI: 10.1353/tj.2003.0010

Books Received

pp. 200-206 | DOI: 10.1353/tj.2003.0007

Research Areas


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