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  Volume 55, Number 1, March 2003

Table of Contents

From: Theatre Journal

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Comment: Ancient Theatre

pp. vii-xi
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Fiona shaw Performance at Project Muse Muse

p. 215
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Articles

Oedipus the Queen: Cross-gendering without Drag

pp. 1-28
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Women and Oaths in Euripides

pp. 29-44
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Distant Ventriloquism: Vocal Mimesis, Agency and Identity in Ancient Greek Performance

pp. 45-65
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The Uncompleted Theatres of Rome

pp. 67-79
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Memory, Mimesis, Tragedy: The Scene Before Philosophy

pp. 81-97
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History, Collective Memory, and Aeschylus' Persians

pp. 99-111
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French Scenes in Greek Tragedy: The Scenic Structure of Classical Drama

pp. 113-134
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Performance Review

Medea (review)

pp. 135-136
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Lysistrata (review)

pp. 137-138
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Electra (review)

pp. 138-140
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Dionysus (review)

pp. 140-141
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Theban Cycle (review)

pp. 141-144
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The Bacchai (review)

pp. 144-146
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Helen (review)

pp. 146-148
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Henry VI: Revenge in France, and: Henry IV: Revolt in England (review)

pp. 148-149
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Maria Stuart (review)

pp. 150-151
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Princess Ivona (review)

pp. 151-153
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No Exit (review)

pp. 153-154
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La Malasangre (review)

pp. 154-156
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Death of a Salesman (review)

pp. 156-158
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Constant Star (review)

pp. 158-159
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Relentless (review)

pp. 160-161
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Show People: Downtown Directors and the Play of Time (review)

pp. 161-164
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The Goat or Who Is Sylvia? (review)

pp. 164-166
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Homebody/Kabul (review)

pp. 166-168
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The 2002 Theatertreffen (review)

pp. 168-173
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To You, The Birdie! (Phedre) (review)

pp. 173-175
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Book Review

Greek Theatre Performance: An Introduction (review)

pp. 177-178
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Women on the Edge: Four Plays (review)

pp. 178-179
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Rites of Passage in Ancient Greece: Literature, Religion, Society (review)

pp. 179-180
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The Athenian Sun in an African Sky (review)

pp. 181-182
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The Gift of the Nile: Hellenizing Egypt from Aeschylus to Alexander (review)

pp. 182-183
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Theatre as Holy Script (review)

pp. 184-185
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The Boastful Chef: The Discourse of Food in Ancient Greek Comedy (review)

pp. 185-186
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Geographies of Learning: Theory and Practice, Activism and Performance (review)

pp. 186-187
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Signifying God: Social Relation and Symbolic Act in the York Corpus Christi Plays (review)

pp. 187-188
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The Dramatic Art of Athol Fugard: From South Africa to the World (review)

pp. 188-190
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Shakespeare on the American Yiddish Stage (review)

pp. 190-191
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American Avant-Garde Theatre: A History (review)

pp. 191-192
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The Haunted Stage: The Theatre as Memory Machine (review)

pp. 192-194
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A History of Irish Theatre, 1601-2000 (review)

pp. 194-195
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Reflecting the Audience: London Theatregoing, 1840-1880 (review)

pp. 195-196
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Prurient Interests: Gender, Democracy, and Obscenity in New York City, 1909-1945 (review)

pp. 196-197
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A History of Russian Theatre (review)

pp. 197-199
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Theatre, History, and National Identities (review)

pp. 199-200
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Theatre Journal Auto/Archive

The Theatre Journal Auto Archive: Marvin Carlson

pp. 207-211
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Books Received

pp. 200-206
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Research Areas

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