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  Volume 54, Number 4, Winter 2011

Table of Contents

In Memoriam:

Ruby Cohn (1922–2011)

pp. 405-407


Auden and Britten’s Paul Bunyan and the Frontiers of Opera

pp. 409-434

“Or It Might Be You”: Audiences in and of T. S. Eliot’s Sweeney Agonistes

pp. 435-454

All Wilde on the Western Front: Alan Bennett, Tom Stoppard, and the Theatre of War

pp. 455-478

Dancing on the X-rays: On the Theatre of Memory, counter-memory, and Postmemory in the Post-1989 East-European Context

pp. 479-510

Censorship and Immorality: Bernard Shaw’s The Devil’s Disciple

pp. 511-533

Absurd Imprint: Grove Press and the Canonization of the Theatrical Avant-Garde

pp. 534-561


Theater Historiography: Critical Interventions (review)

pp. 562-564

On the Edge of Utopia: Performance & Ritual at Burning Man (review)

pp. 564-567

Representing the Past: Essays in Performance Historiography (review)

pp. 567-570

Stage Money: The Business of the Professional Theater (review)

pp. 570-573

Performance and the City (review)

pp. 573-575

Suzan-Lori Parks: Essays on the Plays and Other Works (review)

pp. 575-577

Violence against Women in Early Modern Performance: Invisible Acts (review)

pp. 577-580

The Prizefighter and the Playwright: Gene Tunney and Bernard Shaw (review)

pp. 580-582



pp. 583-584

Volume Index

Index to Volume 54, 2011

pp. 585-587

Research Areas


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