1. Lo Cura Hidalgo: A Performative Transformation of Mexico's Symbolic Father
  2. César Martínez
  3. pp. 2-3
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  1. Occupy Solidarity
  2. Richard Schechner
  3. pp. 7-9
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  1. Iconoclasm Dictionary
  2. Michael Taussig
  3. pp. 10-17
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  1. On Empathy, Optimism, and Beautiful Play at the First African World Cup
  2. Daniel Larlham
  3. pp. 18-47
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  1. Like a Girl's Name: The Adolescent Drag of Amber Hawk Swanson, Kate Gilmore, and Ann Liv Young
  2. Anna Watkins Fisher
  3. pp. 48-76
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  1. Dramatic Defiance in Tehran: Reflections on a Society of Contradictions
  2. Torange Yeghiazarian
  3. pp. 77-92
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  1. Embodying Sacred History: Performing Creationism for Believers
  2. Jill Stevenson
  3. pp. 93-113
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  1. A Split Discourse: Body Politics in Pakistan's Popular Punjabi Theatre
  2. Claire Pamment
  3. pp. 114-127
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  1. Mask Use by Chimpanzees
  2. Charles W. Hyatt
  3. pp. 128-132
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  1. So You Think You Can Dance Does Dance Studies
  2. Kate Elswit
  3. pp. 133-142
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  1. The Principle of Hope: Reflections on a Revival of Angels in America
  2. Joshua Takano Chambers-Letson
  3. pp. 143-149
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  1. Trisha Brown's Water Motor: Forever, Now, and Again
  2. Susan Rosenberg
  3. pp. 150-157
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  1. The Scene of Harlem Cabaret: Race, Sexuality, Performance, and: The Amalgamation Waltz: Race, Performance, and the Ruses of Memory (review)
  2. Soyica D. Colbert
  3. pp. 158-160
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  1. All the King's Horses (review)
  2. Kelly Baum
  3. pp. 161-163
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  1. Correspondence: The Foundation of the Situationist International (June 1957-August 1960) (review)
  2. Jean-Marie Apostolidès
  3. pp. 163-165
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  1. Agency and Embodiment: Performing Gestures/Producing Culture (review)
  2. Sima Belmar
  3. pp. 166-167
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  1. Stance: Ideas about Emotion, Style, and Meaning for the Study of Expressive Culture (review)
  2. Ashley Ferro-Murray
  3. pp. 168-169
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  2. Sebastián Calderón Bentin, Branislav Jakovljevic
  3. pp. 170-171
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