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Table of Contents

  1. Writing as Penance: National Guilt and J. M. Coetzee
  2. Forrest G. Robinson
  3. pp. 1-54
  4. DOI: https://doi.org/10.1353/arq.2012.0005
  5. restricted access
  1. A "Reg'lar Jim Dandy": Archiving Ecstatic Performance in Stephen Crane
  2. Lindsay V. Reckson
  3. pp. 55-86
  4. DOI: https://doi.org/10.1353/arq.2012.0000
  5. restricted access
  1. Authentic Imitation: Modernist Anthologies and the Pedagogy of Folk Culture
  2. Sarah Kerman
  3. pp. 87-111
  4. DOI: https://doi.org/10.1353/arq.2012.0001
  5. restricted access
  1. The Organizational Aesthetic: Kenneth Fearing's The Big Clock
  2. Brian Rajski
  3. pp. 113-142
  4. DOI: https://doi.org/10.1353/arq.2012.0002
  5. restricted access
  1. What Do We Mean by "Literary Experimentalism"?: Notes Toward a History of the Term
  2. Paul Stephens
  3. pp. 143-173
  4. DOI: https://doi.org/10.1353/arq.2012.0003
  5. restricted access
  1. The Contributors
  3. p. 175
  4. DOI: https://doi.org/10.1353/arq.2012.0004
  5. restricted access