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Table of Contents

  1. Image Gallery
  2. pp. 1-24
  3. DOI: https://doi.org/10.1353/ncr.2011.0001
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  1. The Writing of Courage
  2. Pablo Oyarzún R.
  3. pp. 25-37
  4. DOI: https://doi.org/10.1353/ncr.2011.0003
  5. restricted access
  1. Disquisitions on Some Reasoned Distractions of Aesthetics
  2. Lisa Block de Behar, Cecilia Rennie
  3. pp. 39-54
  4. DOI: https://doi.org/10.1353/ncr.2011.0005
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  1. Borges/Xul Solar: Shared Readings and Divergent Productions
  2. Norma Carricaburo
  3. pp. 55-74
  4. DOI: https://doi.org/10.1353/ncr.2011.0007
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  1. The Ontology of Art: What Can We Learn from Borges's "Menard"?
  2. Diana I. Pérez
  3. pp. 75-89
  4. DOI: https://doi.org/10.1353/ncr.2011.0010
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  1. The Presence of the Absent in Interpretation: Foucault on Velázquez, and Destéfanis and Celma on Borges
  2. Jorge J. E. Gracia
  3. pp. 91-112
  4. DOI: https://doi.org/10.1353/ncr.2011.0013
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  1. Depicting Borgesian Possible Worlds
  2. Eleonora Orlando
  3. pp. 113-123
  4. DOI: https://doi.org/10.1353/ncr.2011.0000
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  1. "The Providential Apotheosis of His Industry": Display of Causal Systems in Borges
  2. Magdalena Cámpora
  3. pp. 125-141
  4. DOI: https://doi.org/10.1353/ncr.2011.0002
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  1. Talking to Ourselves, Over Her (Dead) Body: On Heidegger, Borges, and Seeing the Other
  2. David E. Johnson
  3. pp. 143-159
  4. DOI: https://doi.org/10.1353/ncr.2011.0004
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  1. Borgean Transpositions From Ear to Eye
  2. Andrés Claro
  3. pp. 161-211
  4. DOI: https://doi.org/10.1353/ncr.2011.0006
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  1. Republican Anxiety, or, Franklin as Constitutional Thinker
  2. Vincent Gugino
  3. pp. 213-241
  4. DOI: https://doi.org/10.1353/ncr.2011.0009
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  1. Dead Calm: The Melancholy of Peace
  2. Jacques Khalip
  3. pp. 243-275
  4. DOI: https://doi.org/10.1353/ncr.2011.0012
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  1. Editors' Note
  2. pp. vii-viii
  3. DOI: https://doi.org/10.1353/ncr.2011.0014
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  1. Contributors
  2. pp. 277-281
  3. DOI: https://doi.org/10.1353/ncr.2011.0011
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