We cannot verify your location
Browse Book and Journal Content on Project MUSE
OR

  Volume 51, Number 2, Winter 2012

Table of Contents

Robert Bresson's Modernist Canvas: The Gesture toward Painting in Au hasard Balthazar

pp. 1-25 | DOI: 10.1353/cj.2012.0002

Remembering Cinema "Elsewhere": From Retrospection to Introspection in the Gallery Film

pp. 26-45 | DOI: 10.1353/cj.2012.0008

Tweeting @feliciaday: Online Social Media, Convergence, and Subcultural Stardom

pp. 46-66 | DOI: 10.1353/cj.2012.0010

US "Indie-Horror": Critical Reception, Genre Construction, and Suspect Hybridity

pp. 67-86 | DOI: 10.1353/cj.2012.0012

After New Latin American Cinema

pp. 87-112 | DOI: 10.1353/cj.2012.0014

Doing Justice: A Ritual-Psychoanalytic Approach to Postmodern Melodrama and a Certain Tendency of the Action Film

pp. 113-136 | DOI: 10.1353/cj.2012.0001

Media in Transition 7: Unstable Platforms: The Promise and Peril of Transition, Massachusetts Institute of Technology, Cambridge, May 13-15, 2011

pp. 137-140 | DOI: 10.1353/cj.2012.0004

In Focus

Introduction

pp. 141-144 | DOI: 10.1353/cj.2012.0003

Screen Tests: Why Do We Need an Archaeology of the Screen?

pp. 144-148 | DOI: 10.1353/cj.2012.0011

Suitcase Cinema

pp. 148-152 | DOI: 10.1353/cj.2012.0006

Sound and Domestic Screens

pp. 153-157

The Screen on the Set: The Problem of Classical-Studio Rear Projection

pp. 157-162 | DOI: 10.1353/cj.2012.0000

Experimental Screens in the 1960s and 1970s: The Site of Community

pp. 162-167 | DOI: 10.1353/cj.2012.0013

The Crack in the Electric Window

pp. 167-171 | DOI: 10.1353/cj.2012.0007

Contributors

Contributors

p. 172 | DOI: 10.1353/cj.2012.0009

Book Reviews

Screens: Viewing Media Installation Art (review)

pp. 173-175 | DOI: 10.1353/cj.2012.0015

Art of Projection (review)

pp. 176-178 | DOI: 10.1353/cj.2012.0016

Transient Images: Personal Media in Public Frameworks (review)

pp. 179-181 | DOI: 10.1353/cj.2012.0017

Global Mobile Media (review)

pp. 181-183 | DOI: 10.1353/cj.2012.0018

Inherent Vice: Bootleg Histories of Videotape and Copyright (review)

pp. 184-186 | DOI: 10.1353/cj.2012.0019

Research Areas

Recommend

  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access