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  Volume 43, Numbers 4, Winter 2011

Table of Contents


Antinomian Reviewers: Hogg's Critique of Romantic-era Magazine Culture in The Confessions of a Justified Sinner

pp. 385-405 | DOI: 10.1353/sdn.2011.0049

Corpse Hoarding: Control and the Female Body in "Bluebeard," "Schalken the Painter," and Villette

pp. 406-427 | DOI: 10.1353/sdn.2011.0051

No Place Like Home: Nightwood's Unhoused Fictions

pp. 428-448 | DOI: 10.1353/sdn.2011.0053

Profaning the American Religion: Flanery O'Connor's Wise Blood

pp. 449-469 | DOI: 10.1353/sdn.2011.0055

"Time to go": The Post-apocalyptic and The Post-traumatic in Margaret Atwood's Oryx and Crake

pp. 470-489 | DOI: 10.1353/sdn.2011.0057


The Violated Man of Letters: Dickens Studies between Truth and Appropriation

pp. 490-497 | DOI: 10.1353/sdn.2011.0059

"Distant Reading": Victorian Investments in History And the Novel

pp. 498-505 | DOI: 10.1353/sdn.2011.0048


The Inheritance of Genius: A Thackeray Family Biography, 1798-1875 (review)

pp. 507-508 | DOI: 10.1353/sdn.2011.0050

Margaret Atwood: The Robber Bride, The Blind Assassin, Oryx and Crake (review)

pp. 508-510 | DOI: 10.1353/sdn.2011.0052

Centenary Reflections on Mark Twain's No. 44, The Mysterious Stranger (review)

pp. 510-512 | DOI: 10.1353/sdn.2011.0054

The Lives of Machines: The Industrial Imaginary in Victorian Literature & Culture (review)

pp. 512-514 | DOI: 10.1353/sdn.2011.0056

A Clockwork Counterpoint: The Music and Literature of Anthony Burgess (review)

pp. 515-517 | DOI: 10.1353/sdn.2011.0058

Romantic Narrative: Shelley, Hays, Godwin, Wollstonecraft (review)

pp. 517-518 | DOI: 10.1353/sdn.2011.0060

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