1. Representation and Illusion in the Elegies of Théodore de Bèze
  2. Paul White
  3. pp. 1-11
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  1. La Place, Monbron, and the Origins of Candide
  2. E. M. Langille
  3. pp. 12-25
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  1. Bas-bleus, filles publiques, and the Literary Marketplace in the Work of Barbey d’Aurevilly
  2. Karen L. Humphreys
  3. pp. 26-40
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  1. Ethnography as Relation: The Significance of the French Caribbean in the Ethnographic Writing of Michel Leiris
  2. Celia Britton
  3. pp. 41-53
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  1. The Child as Artist in Amélie Nothomb’s Robert des noms propres
  2. Anna Kemp
  3. pp. 54-67
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  1. Eighteenth-Century French Musical Theatre
  2. Mark Darlow
  3. pp. 68-77
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  1. Aux origines du roman: ‘Le Roman de Thèbes’ (review)
  2. Douglas Kelly
  3. p. 78
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  1. The Old French Lays of ‘Ignaure’, ‘Oiselet’ and ‘Amours’ (review)
  2. Logan E. Whalen
  3. pp. 78-79
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  1. L’Écriture à rebours: le ‘Roman de Meliadus’ duxiii eauxviii esiècle (review)
  2. Leslie C. Brook
  3. pp. 79-80
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  1. Sanctity and Pornography in Medieval Culture: On the Verge (review)
  2. Sarah Kay
  3. pp. 80-81
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  1. L’Espace et le temps dans la dramaturgie médiévale française (review)
  2. E. Bruce Hayes
  3. pp. 81-82
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  1. Portraits de médiévistes suisses (1850–2000): une profession au fil des temps (review)
  2. Keith Busby
  3. p. 83
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  1. Rabelais’s Radical Farce: Late Medieval Comic Theater and its Function in Rabelais (review)
  2. Noah D. Guynn
  3. pp. 83-84
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  1. Hélisenne de Crenne: Les Épîtres familières et invectives; Le Songe (review)
  2. Séverine Genieys-Kirk
  3. pp. 84-85
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  1. Brantôme mémorialiste et conteur (review)
  2. Katherine MacDonald
  3. pp. 85-86
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  1. L’Humanisme en France au xvi esiècle (review)
  2. Elizabeth Vinestock
  3. pp. 86-87
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  1. Rire à la Renaissance: colloque international de Lille, Université Charles-de-Gaulle – Lille 3, 6–8 novembre 2003 (review)
  2. John Parkin
  3. pp. 87-88
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  1. La Figure du pédant de Montaigne à Molière (review)
  2. Julia Prest
  3. pp. 88-89
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  1. Du bon usage de l’histoire: histoire, morale et politique à l’âge classique (review)
  2. Henry Phillips
  3. p. 90
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  1. Rousseau et les philosophes (review)
  2. Edward Ousselin
  3. pp. 90-91
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  1. Denis Diderot: Pensées détachées, ou Fragments politiques échappés du portefeuille d’un philosophe (review)
  2. Edward Ousselin
  3. pp. 91-92
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  1. Le Récit génétique au XVIIIesiècle (review)
  2. James Fowler
  3. pp. 92-93
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  1. Espaces, objets du roman au xviii esiècle: hommage à Henri Lafon (review)
  2. Marine Riva-Ganofsky
  3. pp. 93-94
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  1. L’Arbre et le labyrinthe: Descartes selon l’ordre des Lumières (review)
  2. John Parkin
  3. pp. 94-95
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  1. The Devil in the Holy Water, or the Art of Slander from Louis XIV to Napoleon (review)
  2. Daniel Brewer
  3. pp. 95-96
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  1. Stendhal: Journal, and: Stendhal: Vanina Vanini et autres nouvelles (review)
  2. Maria Scott
  3. pp. 96-97
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  1. Musset ou la nostalgie libertine (review)
  2. D. R. Gamble
  3. pp. 97-98
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  1. Gautier et les arts de la danse (review)
  2. Julie Townsend
  3. p. 98
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  1. 1830 aux théâtres (review)
  2. Keith Gore
  3. pp. 98-99
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  1. Explosive Narratives: Terrorism and Anarchy in the Works of Émile Zola (review)
  2. Kate Griffiths
  3. pp. 99-100
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  1. La Poétique romanesque de Joris-Karl Huysmans (review)
  2. Kanshi H. Sato
  3. pp. 100-101
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  1. Le Dandysme littéraire en France au xix esiècle (review)
  2. Eduardo Ralickas
  3. pp. 101-102
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  1. Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France (review)
  2. Sarah Tribout-Joseph
  3. pp. 102-103
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  1. Voices from the Asylum: Four French Women Writers, 1850–1920 (review)
  2. Adeline Soldin
  3. p. 103
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  1. Apollinaire on the Edge: Modern Art, Popular Culture, and the Avant-Garde (review)
  2. Peter Read
  3. p. 104
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  1. Drawing on Art: Duchamp and Company (review)
  2. Neil Matheson
  3. pp. 104-105
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  1. Le Merveilleux dans la prose surréaliste européenne (review)
  2. Ruth Hemus
  3. pp. 105-106
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  1. Giono: la mémoire à l’œuvre (review)
  2. Olivier Salazar-Ferrer
  3. pp. 106-107
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  1. Le Drôle de roman: l’œuvre du rire chez Marcel Aymé, Albert Cohen et Raymond Queneau (review)
  2. Walter Redfern
  3. pp. 107-108
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  1. Queneau et les formes intranquilles de la modernité. 1917–1938: lectures du récit anglo-saxon des xix exx esiècles (review)
  2. Walter Redfern
  3. pp. 108-109
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  1. Camus (review)
  2. Neil Foxlee
  3. p. 109
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  1. Travailler pour les morts: politiques de la mémoire dans l’œuvre de Jean Genet (review)
  2. Thomas Newman
  3. p. 110
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  1. Ricœur, Hermeneutics and Globalization (review)
  2. David Pellauer
  3. pp. 110-111
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  1. The Perverse Art of Reading: On the Phantasmatic Semiology in Roland Barthes’ ‘Cours au Collège de France’ (review)
  2. Patrick Ffrench
  3. pp. 111-112
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  1. San-Antonio et son double: l’aventure littéraire de Frédéric Dard (review)
  2. Margaret Atack
  3. pp. 112-113
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  1. L’Éternel et l’éphémère: temporalités dans l’œuvre de Georges Perec (review)
  2. Derek Schilling
  3. pp. 113-114
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  1. Alain Badiou: Key Concepts (review)
  2. Pierre Johan Laffitte
  3. pp. 114-115
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  1. The Figural Jew: Politics and Identity in Postwar French Thought (review)
  2. Max Silverman
  3. p. 115
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  1. Aversion and Erasure: The Fate of the Victim after the Holocaust (review)
  2. Gary D. Mole
  3. p. 116
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  1. Consumer Chronicles: Cultures of Consumption in Modern French Literature (review)
  2. Ruth Cruickshank
  3. pp. 116-117
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  1. Thresholds of Meaning: Passage, Ritual and Liminality in Contemporary French Narrative (review)
  2. William Cloonan
  3. pp. 117-118
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  1. The Paradox of Photography (review)
  2. Fabien Arribert-Narce
  3. pp. 118-119
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  1. François Ozon (review)
  2. Fiona Handyside
  3. pp. 119-120
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  1. French Minority Cinema (review)
  2. Isabelle McNeill
  3. pp. 120-121
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  1. Brutal Intimacy: Analyzing Contemporary French Cinema (review)
  2. Emma Wilson
  3. p. 121
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  1. Rites of the Republic: Citizens’ Theatre and the Politics of Culture in Southern France (review)
  2. Emine Fisek
  3. p. 122
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  1. French Global: A New Approach to Literary History (review)
  2. Oana Panaïte
  3. pp. 123-124
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  1. Les Grandes Notions littéraires (review)
  2. Russell Williams
  3. pp. 124-125
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  1. Carrefours de la sociocritique (review)
  2. Manuel Bragança
  3. pp. 125-126
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  1. On Ceasing to Be Human (review)
  2. Martin Crowley
  3. pp. 126-127
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  1. The Return of Religion in France: From Democratisation to Postmetaphysics (review)
  2. Christopher Watkin
  3. p. 127
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  1. Sweet Liberty: The Final Days of Slavery in Martinique (review)
  2. John D. Garrigus
  3. p. 128
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  1. Marianne or Germania? Nationalizing Women in Alsace, 1870–1946 (review)
  2. James E. Connolly
  3. pp. 128-129
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  1. The End of the French Exception? Decline and Revival of the ‘French Model (review)
  2. John Gaffney
  3. pp. 129-130
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  1. Political Leadership in France: From Charles de Gaulle to Nicolas Sarkozy (review)
  2. Emmanuel Godin
  3. pp. 130-131
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  1. France in the Twenty-First Century: New Perspectives/La France au xxi esiècle: nouvelles perspectives (review)
  2. David Looseley
  3. pp. 131-132
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  1. Le Remplacement de l’imparfait du subjonctif par le présent du subjonctif considéré dans une perspective de grammaticalisation (review)
  2. Rebecca Mitchell
  3. pp. 132-133
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  1. Temps, aspect et modalité en français (review)
  2. Kevin McManus
  3. p. 133
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  1. H. T. (Harry) Barnwell (1920–2011)
  2. pp. 134-136
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  1. Forthcoming Articles
  2. p. 143
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  1. French Literature: A Very Short Introduction (review)
  2. Roger Pearson
  3. pp. 122-123
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  1. Books Received
  2. pp. 137-142
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