1. Formalism and Eighteenth-Century English Fiction
  2. John Richetti
  3. pp. 157-160
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  1. Anna Barbauld on Fictional Form in The British Novelists (1810)
  2. Anne Toner
  3. pp. 171-193
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  1. Secondary Qualities and Masculine Form in Clarissa and Sir Charles Grandison
  2. Helen Thompson
  3. pp. 195-226
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  1. “Seeing something that was doing in the World”: The Form of History in Colonel Jack
  2. Ruth Mack
  3. pp. 227-245
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  1. Episodic or Novelistic?: Law in the Atlantic and the Form of Daniel Defoe’s Colonel Jack
  2. Gabriel Cervantes
  3. pp. 247-277
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  1. Devotional Reading and Novel Form: The Case of David Simple
  2. Tera Pettella
  3. pp. 279-299
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  1. The Architectural Design of Beckford’s Vathek
  2. Sandro Jung
  3. pp. 301-323
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  1. “Nothing Really in It”: Gothic Interiors and the Externals of the Courtship Plot in Northanger Abbey
  2. Laura Baudot
  3. pp. 325-352
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  1. Remembering Nature: Soliloquy as Aesthetic Form in Mansfield Park
  2. Lorraine Clark
  3. pp. 353-379
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  1. Women Writers and the Edinburgh Enlightenment (review)
  2. Evan Gottlieb
  3. pp. 381-383
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  1. Narrating Marriage in Eighteenth-Century England and France (review)
  2. Aurora Wolfgang
  3. pp. 383-386
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  1. The Culture and Commerce of the Early American Novel: Reading the Atlantic World-System (review)
  2. Betsy Klimasmith
  3. pp. 386-388
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  1. The Seduction Narrative in Britain, 1747–1800 (review)
  2. Rachel Carnell
  3. pp. 388-390
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  1. Clarissa’s Painter: Portraiture, Illustration, and Representation in the Novels of Samuel Richardson (review)
  2. Murray L. Brown
  3. pp. 390-392
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  1. The Gothic and Catholicism: Religion, Cultural Exchange and the Popular Novel, 1785–1829 (review)
  2. Susan Paterson Glover
  3. pp. 393-395
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  1. The Cynic Enlightenment: Diogenes in the Salon (review)
  2. Natania Meeker
  3. pp. 395-398
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  1. Enlightened Pleasures: Eighteenth-Century France and the New Epicureanism (review)
  2. Pierre Saint-Amand
  3. pp. 398-400
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  1. Modern Chivalry (review)
  2. Janice McIntire-Strasburg
  3. pp. 401-402
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  1. Counting, Resonance, and Form, A Speculative Manifesto (with Notes)
  2. David A. Brewer
  3. pp. 161-170
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