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  Volume 51, Number 1, Fall 2011

Table of Contents

Jim Brown: From Integration to Resegregation in The Dirty Dozen and 100 Rifles

pp. 1-25

The Tango on Broadway: Carlos Gardel's International Stardom and the Transition to Sound in Argentina

pp. 26-49

Landscapes of Expression: Affective Encounters in South Indian Cinema

pp. 50-74

Memories of Memories: Historicity, Nostalgia, and Archive in Bong Joon-ho's Memories of Murder

pp. 75-95

Coloniality and the Trappings of Modernity in Viridiana and The Hand in the Trap

pp. 96-114

"There's More Than One Way to Lose Your Heart": The American Film Industry, Early Teen Slasher Films, and Female Youth

pp. 115-140

Cinema across Media: The 1920s, First International Berkeley Conference on Silent Cinema University of California, Berkeley, February 24-26, 2011

pp. 141-144


pp. 145-148

Neoliberal Politics, Convergence, and the Do-It-Yourself Security of 24

pp. 149-154

Adapting Watchmen after 9/11

pp. 154-159

Remember Everything, Absolve Nothing: Working through Trauma in the Bourne Trilogy

pp. 159-163

The Good, the Bad, and the American: Interrogating the Morality of the Western in A History of Violence

pp. 164-168

"Now the Gloves Come Off": The Problematic of "Enhanced Interrogation Techniques" in Battlestar Galactica

pp. 168-173

"9/11—What's That?": Trauma, Temporality, and Terminator:The Sarah Connor Chronicles

pp. 174-179


p. 180

9/11 Film and Media Scholarship

pp. 181-193

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