1. From the Executive Director
  2. pp. 9-10
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  1. Nationalism, Commerce, and Imperial Anxiety in Defoe's Later Works
  2. Christopher Flynn
  3. pp. 11-24
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  1. Middlemarch, Obligation, and Dorothea's Duplicity
  2. Clifford J. Marks
  3. pp. 25-41
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  1. Popular Accounts of the Greenwich Bombing and Conrad's The Secret Agent
  2. David Mulry
  3. pp. 43-64
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  1. Working Politics: Juan Domingo Perón's Creation of Positive Social Identity
  2. Deborah L. Berhó
  3. pp. 65-76
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  1. Pax Femina: Women in William Stafford's West
  2. Sally Bishop Shigley
  3. pp. 77-84
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  1. Distance Education in Foreign Languages
  2. Sonja G. Hokanson
  3. pp. 85-93
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  1. Homer's Traditional Art by John Miles Foley (review)
  2. Carol Poster
  3. pp. 95-98
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  1. Sybils! (review)
  2. Maureen Jane Smith
  3. pp. 98-100
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  1. Shakespeare's Promises by William Kerrigan (review)
  2. Mary L. Hjelm
  3. pp. 101-103
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  1. Shakespeare and the Loss of Eden: Construction of Family Values in Early Modern Culture by Catherine Belsey (review)
  2. Dorothea Kehler
  3. pp. 103-105
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  1. Memory and Narrative: The Weave of Life Writing by James Olney (review)
  2. Holli G. Levitsky
  3. pp. 105-107
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  1. English Trader, Indian Maid: Representing Gender, Race, and Slavery in the New World. An Inkle and Yarico Reader (review)
  2. Peter L. Bayers
  3. pp. 108-109
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  1. Romantic Genius: The Prehistory of a Homosexual Role by Andrew Elfenbein (review)
  2. Petra Dierkes-Thrun
  3. pp. 110-112
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  1. Romanticism and Women Poets: Opening the Doors of Reception ed. by Harriet Kramer Linkin and Stephen C. Behrendt (review)
  2. Martha Ninneman
  3. pp. 112-114
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  1. Fictions of the Feminine in the Nineteenth-Century Spanish Press by Lou Charnon-Deutsch (review)
  2. Margaret Van Epp Salazar
  3. pp. 114-116
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  1. Literature at War, 1914-1940: Representing the "Time of Greatness" in Germany by Wolfgang G. Natter (review)
  2. Judy Suh
  3. pp. 116-118
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  1. Dangerous Dames: Women and Representation in the Weimar Street Film and Film Noir by Jans B. Wager (review)
  2. Heide Witthöft
  3. pp. 118-121
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  1. American Domesticity: From How-to Manual to Hollywood Melodrama by Kathleen Anne McHugh (review)
  2. Jill Bergman
  3. pp. 121-124
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  1. The Great Gatsby (review)
  2. Matthew Colley
  3. pp. 124-125
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  1. Picturing Hemingway: A Writer in His Time by Frederick Voss (review)
  2. Valerio Ferme
  3. pp. 125-127
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  1. A Companion to Thomas Mann's Magic Mountain ed. by Stephen D. Dowden (review)
  2. Susan V. Scaff
  3. pp. 127-129
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  1. Divided Memory: The Nazi Past in the Two Germanys by Jeffrey Herf (review)
  2. Michael R. Hayse
  3. pp. 129-130
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  1. Barbara Frischmuth in Contemporary Context ed. by Renate S. Posthofen (review)
  2. Jacqueline Vansant
  3. pp. 131-132
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  1. José Can You See? Latinos On and Off Broadway by Alberto Sandoval-Sanchez (review)
  2. Victoria Ramirez
  3. pp. 132-134
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  1. The Hysteric's Guide to the Future Female Subject by Juliet Flower MacCannell (review)
  2. Carolyn Tilghman Bitzenhofer
  3. pp. 135-138
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  1. Figuring Age: Women, Bodies, Generations ed. by Kathleen Woodward (review)
  2. Jeannette E. Riley
  3. pp. 138-141
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  1. Contemporary African American Novelists: A Bio-Bibliographical Critical Sourcebook ed. by Emmanuel S. Nelson (review)
  2. Julie Barak
  3. pp. 141-142
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  1. Dis/locating Cultures/Identitites, Traditions, and Third World Feminism by Urna Narayan (review)
  2. Azfar Hussain
  3. pp. 143-146
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  1. New Latina Narrative: The Feminine Space of Postmodern Ethnicity by Ellen McCracken (review)
  2. María Alicia Garza
  3. pp. 146-149
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  1. Something Inside: Conversations with Gay Fiction Writers by Philip Gambone (review)
  2. Steven F. Butterman
  3. pp. 149-152
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  1. The Committed Word: Literature and Public Values by James Engell (review)
  2. Cezar M. Ornatowski
  3. pp. 152-154
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  1. Rhetorical Narratology by Michael Kearns (review)
  2. Eleni Anastasiou
  3. pp. 155-157
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  1. Contributors
  2. p. 158
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