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Table of Contents

  1. The William Blake Project
  2. Karen Mulhallen
  3. pp. 779-785
  4. DOI: https://doi.org/10.1353/utq.2011.0160
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  1. William Blake’s Milton/A Poem and the Miltonic Matrix of 1791–1810
  2. Morton D. Paley
  3. pp. 786-814
  4. DOI: https://doi.org/10.1353/utq.2011.0162
  5. restricted access
  1. Blake and the Banknote Crises of 1797, 1800, and 1818
  2. Mark Crosby
  3. pp. 815-836
  4. DOI: https://doi.org/10.1353/utq.2011.0163
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  1. ‘In the Mouth of a True Orator’ (Jerusalem’s Operating Instructions)
  2. Susanne Sklar
  3. pp. 837-857
  4. DOI: https://doi.org/10.1353/utq.2011.0164
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  1. ‘humble but respectable’: Recovering the Neighbourhood Surrounding William and Catherine Blake’s Last Residence, No. 3 Fountain Court, Strand, c. 1820–27
  2. Angus Whitehead
  3. pp. 858-879
  4. DOI: https://doi.org/10.1353/utq.2011.0156
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  1. Remember Me! Customs and Costumes of Blake’s Gift Book
  2. G. E. Bentley Jr.
  3. pp. 880-892
  4. DOI: https://doi.org/10.1353/utq.2011.0157
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  1. ‘Catalogue of Some of Blake’s Pictures at “The Salterns”’: Captain Butts as Exhibitor, Litigator, and Co-Heir (With His Sister Blanche)
  2. Mary Lynn Johnson
  3. pp. 893-917
  4. DOI: https://doi.org/10.1353/utq.2011.0159
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  1. ‘Without Contraries There is No Progression’: Cinematic Montage and the Relationship of Illustration to Text in William Blake’s The [First] Book of Urizen
  2. Garry Leonard
  3. pp. 918-934
  4. DOI: https://doi.org/10.1353/utq.2011.0161
  5. restricted access
  1. Contributors
  3. p. 1
  4. DOI: https://doi.org/10.1353/utq.2011.0158
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