Volume 16, Number 2, Fall 2011

Table of Contents

Thematic Issue: Unsettling the National in Korean Cinema

Guest Editor: JungBong Choi

Note from the Editors

p. 165
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Introduction

pp. 169-172
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Articles

National Cinema: An Anachronistic Delirium?

pp. 173-191
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Visibility, Nationality, Archive

pp. 193-211
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The Power of Representation: Korean Movie Narrators and Authority

pp. 213-229
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The Transnational Constitution of Im Kwon-Taek’s Minjok Cinema in Chokpo, Sŏp’yŏnje, and Ch’wihwasŏn

pp. 231-248
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Restoring the Transnational from the Abyss of Ethnonational Film Historiography: The Case of Chung Chang Wha

pp. 249-283
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Cartography of Catastrophe: Pre-Colonial Surveys, Post-Colonial Vampires, and the Plight of Korean Modernity

pp. 285-301
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Book Reviews

Gender and Mission Encounters in Korea: New Women, Old Ways (review)

pp. 303-306
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Japanese Assimilation Policies in Colonial Korea, 1910–1945 (review)

pp. 307-309
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Witness to Transformation: Refugee Insights into North Korea (review)

pp. 309-313
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Inside the Red Box: North Korea’s Post-totalitarian Politics, and: The Hidden People of North Korea: Everyday Life in the Hermit Kingdom (review)

pp. 313-316
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Horror to the Extreme: Changing Boundaries in Asian Cinema (review)

pp. 317-319
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