1. The Valley of Utopia
  2. Younghill Kang
  3. pp. 17-24
  4. DOI: 10.1353/man.2003.0024
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  1. Sending Off
  2. Nansorhon Ho, David R. McCann
  3. p. 18
  4. DOI: 10.1353/man.2003.0018
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  1. The Tale of Tan'gun
  2. Peter H. Lee
  3. p. 21
  4. DOI: 10.1353/man.2003.0034
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  1. Movable Type
  2. p. 24
  3. DOI: 10.1353/man.2003.0064
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  1. Doomsday
  2. Younghill Kang
  3. pp. 25-27
  4. DOI: 10.1353/man.2003.0025
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  1. Would You Go?
  2. David R. McCann
  3. p. 27
  4. DOI: 10.1353/man.2003.0039
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  1. Dora Moon
  2. p. 31
  3. DOI: 10.1353/man.2003.0042
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  1. East Goes West
  2. Younghill Kang
  3. pp. 33-43
  4. DOI: 10.1353/man.2003.0026
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  1. Mugunghwa (Rose of Sharon)
  2. p. 34
  3. DOI: 10.1353/man.2003.0044
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  1. Arirang
  2. pp. 36-37
  3. DOI: 10.1353/man.2003.0005
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  1. On the Road
  2. Chi-won, b. 857 Choe, Richard John Lynn
  3. p. 39
  4. DOI: 10.1353/man.2003.0006
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  1. Aboji's Story: An Interview with My Father
  2. Morris Pang
  3. pp. 44-47
  4. DOI: 10.1353/man.2003.0048
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  1. Oahu and Riverside
  2. Mary Paik Lee
  3. pp. 49-55
  4. DOI: 10.1353/man.2003.0033
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  1. The Autumn Sky
  2. Ok-ku Kang
  3. p. 54
  4. DOI: 10.1353/man.2003.0015
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  1. The Resistance
  2. K. Connie Kang
  3. pp. 60-63
  4. DOI: 10.1353/man.2003.0023
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  1. Queen Min
  2. p. 62
  3. DOI: 10.1353/man.2003.0041
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  1. Aegukka
  2. p. 63
  3. DOI: 10.1353/man.2003.0002
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  1. Haesu
  2. Ronyoung Kim
  3. pp. 65-75
  4. DOI: 10.1353/man.2003.0052
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  1. Three Open Pledges from the Declaration
  2. p. 67
  3. DOI: 10.1353/man.2003.0051
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  1. Some Day
  2. So-wol Kim
  3. p. 73
  4. DOI: 10.1353/man.2003.0058
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  1. The Tragic Split
  2. Margaret K. Pai
  3. pp. 77-83
  4. DOI: 10.1353/man.2003.0045
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  1. Parting
  2. So-wol Kim
  3. p. 78
  4. DOI: 10.1353/man.2003.0059
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  1. Three Patriots
  2. p. 81
  3. DOI: 10.1353/man.2003.0050
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  1. Azaleas
  2. So-wol Kim, David R. McCann
  3. p. 82
  4. DOI: 10.1353/man.2003.0060
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  1. Lost Names
  2. Richard E. Kim
  3. pp. 85-97
  4. DOI: 10.1353/man.2003.0028
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  1. Does Spring Come to Stolen Fields
  2. Sang-hwa Yi, Peter H. Lee
  3. pp. 88-89
  4. DOI: 10.1353/man.2003.0054
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  1. Self Portrait
  2. Dongju Yun
  3. p. 92
  4. DOI: 10.1353/man.2003.0010
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  1. When That Day Comes
  2. Hun Sim
  3. p. 97
  4. DOI: 10.1353/man.2003.0019
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  1. Young Oak Kim
  2. p. 102
  3. DOI: 10.1353/man.2003.0030
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  1. Moses Lee
  2. p. 102
  3. DOI: 10.1353/man.2003.0043
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  1. Faye
  2. Ronyoung Kim
  3. pp. 105-114
  4. DOI: 10.1353/man.2003.0053
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  1. Isan Kajok Spora
  2. Walter K. Lew
  3. pp. 106-107
  4. DOI: 10.1353/man.2003.0035
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  1. Poinciana
  2. Margaret K. Pai
  3. pp. 115-121
  4. DOI: 10.1353/man.2003.0046
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  1. Independence Hall
  2. p. 117
  3. DOI: 10.1353/man.2003.0020
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  1. Rebirth
  2. Gary Pak
  3. pp. 123-131
  4. DOI: 10.1353/man.2003.0047
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  1. Stay at Home
  2. Chong-ju So
  3. p. 129
  4. DOI: 10.1353/man.2003.0007
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  1. Escaping the Oncoming Communists
  2. K. Connie Kang
  3. pp. 133-137
  4. DOI: 10.1353/man.2003.0022
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  1. Cotton Flowers
  2. Ok-ku Kang
  3. p. 134
  4. DOI: 10.1353/man.2003.0016
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  1. The Death of Kwang Ja
  2. Chris McKinney
  3. pp. 139-149
  4. DOI: 10.1353/man.2003.0040
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  1. Refuge in the DMZ
  2. p. 145
  3. DOI: 10.1353/man.2003.0009
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  1. Bird
  2. Sang-byong Chon
  3. p. 147
  4. DOI: 10.1353/man.2003.0055
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  1. Cranes
  2. Sun-won Hwang
  3. pp. 150-153
  4. DOI: 10.1353/man.2003.0062
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  1. One Big Word
  2. Heinz Insu Fenkl
  3. pp. 159-169
  4. DOI: 10.1353/man.2003.0011
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  1. Ode to the Picnic Singers, 1984
  2. Ishle Yi Park
  3. pp. 162-163
  4. DOI: 10.1353/man.2003.0049
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  1. Looking Up the Oregon Coast
  2. Ok-ku Kang
  3. p. 169
  4. DOI: 10.1353/man.2003.0017
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  1. Magdalena
  2. Caroline Jeong-mee Kim
  3. pp. 171-185
  4. DOI: 10.1353/man.2003.0027
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  1. A Dark Balance
  2. Naomi Long
  3. p. 182
  4. DOI: 10.1353/man.2003.0036
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  1. Coming Home Again
  2. Chang-rae Lee
  3. pp. 187-195
  4. DOI: 10.1353/man.2003.0031
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  1. Compassion
  2. June Unjoo Yang
  3. pp. 197-213
  4. DOI: 10.1353/man.2003.0065
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  1. Observing an Ox, I Reflect
  2. Yangshik Kim
  3. p. 206
  4. DOI: 10.1353/man.2003.0066
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  1. Home Spheres
  2. Ha-yun Jung
  3. pp. 215-231
  4. DOI: 10.1353/man.2003.0021
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  1. Origins
  2. Naomi Long
  3. p. 221
  4. DOI: 10.1353/man.2003.0037
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  1. Montage with Neon, Bok Choi, Gasoline, Lovers & Strangers
  2. Sue Kwock Kim
  3. p. 226
  4. DOI: 10.1353/man.2003.0029
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  1. The Lone Night Cantina
  2. Don Lee
  3. pp. 233-245
  4. DOI: 10.1353/man.2003.0032
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  1. Celebrating the Tiger
  2. p. 247
  3. DOI: 10.1353/man.2003.0063
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  1. Acknowledgements
  2. p. 253
  3. DOI: 10.1353/man.2003.0061
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  1. Acknowledgements
  2. p. 255
  3. DOI: 10.1353/man.2003.0001
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  1. About the Korean Centennial Foundation
  2. p. 256
  3. DOI: 10.1353/man.2003.0014
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  1. Rock, Pine Tree, Willow Bough: An Introduction
  2. pp. 8-11
  3. DOI: 10.1353/man.2003.0012
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  1. Korean History: An Introduction
  2. Edward J. Shultz
  3. pp. 14-15
  4. DOI: 10.1353/man.2003.0057
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  1. Sejong's Preface to the Promulgation of Han' gul
  2. King of Korea Sejong
  3. p. 22
  4. DOI: 10.1353/man.2003.0056
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  1. The First Wave Pioneers: An Introduction
  2. Esther Kwon Arinaga
  3. pp. 30-31
  4. DOI: 10.1353/man.2003.0003
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  1. The Struggle for Independence: An Introduction
  2. Esther Kwon Arinaga
  3. p. 59
  4. DOI: 10.1353/man.2003.0004
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  1. Koreans in Wartime Hawai'i: An Introduction
  2. Michael E. Macmillan
  3. pp. 100-103
  4. DOI: 10.1353/man.2003.0038
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  1. Once Upon a Time in America: An Introduction
  2. Jenny Ryun Foster
  3. pp. 156-157
  4. DOI: 10.1353/man.2003.0013
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  1. About the Contributors
  2. pp. 248-251
  3. DOI: 10.1353/man.2003.0008
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