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Browse Book and Journal Content on Project MUSE

  Volume 25, Number 1, Summer 2010

Table of Contents


Forms of Self-Disclosure in the Lyrical Essay

pp. 1-17 | DOI: 10.1353/abs.2010.0011

Vested Interests: The Con Artist, the Historian, and the Feminist Biographer

pp. 18-31 | DOI: 10.1353/abs.2010.0013

Navigating Cape Horn: Negative Near-Death Experiences in Philippe Labro’s Dark Tunnel, White Light

pp. 32-46 | DOI: 10.1353/abs.2010.0015

Intimately Strange Societies: Cultural Translation in Travel Memoirs of Origin

pp. 47-57 | DOI: 10.1353/abs.2010.0017

Tragicomic Autobiography: Kathleen Tamagawa’s Holy Prayers in a Horse’s Ear

pp. 58-73 | DOI: 10.1353/abs.2010.0019

Taking Oneself Seriously: Autobiography, Comedy, and Occasional Writing in Kurt Vonnegut’s Fates Worse than Death

pp. 74-96 | DOI: 10.1353/abs.2010.0021

Coming to Knowledge: Elizabeth Isham’s Autobiography and the Self-Construction of an Intellectual Woman

pp. 97-121 | DOI: 10.1353/abs.2010.0023

Making the Case for Self-narration Against Autofiction

pp. 122-137 | DOI: 10.1353/abs.2010.0012


New Essays on Life Writing and the Body (review)

pp. 138-141 | DOI: 10.1353/abs.2010.0014

Owning Up: Privacy, Property, and Belonging in U. S. Women’s Life Writing (review)

pp. 142-146 | DOI: 10.1353/abs.2010.0016

The Prose of Life: Russian Women Writers from Kruschev to Putin (review)

pp. 147-150 | DOI: 10.1353/abs.2010.0018

The Domestication of Genius: Biography and the Romantic Poet (review)

pp. 151-154 | DOI: 10.1353/abs.2010.0020



pp. 155-156 | DOI: 10.1353/abs.2010.0022

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