1. Forms of Self-Disclosure in the Lyrical Essay
  2. Susannah B. Mintz
  3. pp. 1-17
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  1. Vested Interests: The Con Artist, the Historian, and the Feminist Biographer
  2. Jenny Coleman
  3. pp. 18-31
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  1. Navigating Cape Horn: Negative Near-Death Experiences in Philippe Labro’s Dark Tunnel, White Light
  2. Kathy Comfort
  3. pp. 32-46
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  1. Intimately Strange Societies: Cultural Translation in Travel Memoirs of Origin
  2. Mary Besmeres
  3. pp. 47-57
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  1. Tragicomic Autobiography: Kathleen Tamagawa’s Holy Prayers in a Horse’s Ear
  2. Floyd Cheung
  3. pp. 58-73
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  1. Taking Oneself Seriously: Autobiography, Comedy, and Occasional Writing in Kurt Vonnegut’s Fates Worse than Death
  2. John O’Brien
  3. pp. 74-96
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  1. Coming to Knowledge: Elizabeth Isham’s Autobiography and the Self-Construction of an Intellectual Woman
  2. Julie A. Eckerle
  3. pp. 97-121
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  1. Making the Case for Self-narration Against Autofiction
  2. Arnaud Schmitt
  3. pp. 122-137
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  1. New Essays on Life Writing and the Body (review)
  2. Claire Lynch
  3. pp. 138-141
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  1. Owning Up: Privacy, Property, and Belonging in U. S. Women’s Life Writing (review)
  2. Jacqueline Edmondson
  3. pp. 142-146
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  1. The Prose of Life: Russian Women Writers from Kruschev to Putin (review)
  2. Christina Houen
  3. pp. 147-150
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  1. The Domestication of Genius: Biography and the Romantic Poet (review)
  2. Sandra Pinasco
  3. pp. 151-154
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  1. Contributors
  2. pp. 155-156
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