restricted access   Volume 55, Number 4, Winter 2011 (T212)

Table of Contents


Prison Industrial Complexity

pp. 2-3

TDR Comment

Ai Weiwei: Acting Is Believing

pp. 7-13


Starving Where People Can See: The 1939 Bootheel Sharecroppers' Demonstration

pp. 14-32

An Evolutionary Perspective on Play, Performance, and Ritual

pp. 33-50

From Event to Extreme Reality The Aesthetic of Shock

pp. 51-63

New Theatrology and Performance Studies: Starting Points Towards a Dialogue

pp. 64-74

The Performance of Time in Fluxus Intermedia

pp. 75-87

Acts of Presence: Performance, Mediation, Virtual Reality

pp. 88-95

Two-Dimensional Imagination in Contemporary Japanese Women's Performance

pp. 96-112

Student Essay Contest Winner

The Criminalization of Dissent: Protest Violence, Activist Performance, and the Curious Case of the VolxTheaterKarawane in Genoa

pp. 113-127

Student Essay Contest Runner-up

Staging Resistance in Bil'in: The Performance of Violence in a Palestinian Village

pp. 128-143

Critical Acts

(Gob Squad's) Revolution Now! Or Never?

pp. 144-151

Brian Jungen's Verfremdungseffekt: Strange Comfort at the National Museum for the American Indian

pp. 152-156

SKRIP (Screech) Orkestra: Speaking Truth

pp. 157-162


Highbrow/Lowdown: Theatre, Jazz, and the Making of the New Middle Class (review)

pp. 163-167

On the Edge of Utopia: Performance and Ritual at Burning Man (review)

pp. 167-168

Dramaturgy of the Real on the World Stage (review)

pp. 168-170

The DbD Experience: Chance Knows What It's Doing! (review)

pp. 171-172

Stanislavsky in America: An Actor's Workbook (review)

pp. 173-175

More Books

pp. 175-176